tango49 Posted September 16, 2003 Share Posted September 16, 2003 Hello...I've always loved the ballet Giselle and over the years have developed a real passion for it. I read somewhere about Eifman's ballet called 'Red Giselle' and would love to know more about it...music, storyline, type of choreography. Here in central Florida one of our choreographers did a piece called 'My Giselle' which was spellbinding to music by Chopin and I wonder if there were any similarities. Would love any info on this ballet called 'Red Giselle'. Thanks! Link to comment
rg Posted September 16, 2003 Share Posted September 16, 2003 any number of balletalert readers and posters have seen and even written about this work. some of them here no doubt. meanwhile, there are any number of sites if you do a 'red giselle eifman' search on the web. meanwhile here's what the ardani site says (ardani being the org. that produces eifman ballet tours). the dancers named in the cast information are obviously those for the tour being promoted by the site. as follows: Red Giselle In Tribute to Olga Spessivtseva Music by Peter Tchaikovsky, Alfred Schnittke, George Bizet Choreography by Boris Eifman Set Design by Slava Okunev Cast: Ballerina - Yelena Kuzmina; Vera Arbuzova Teacher - Oleg Markov; Alexander Ratchinski Secret Police Agent (KGB) - Albert Galichanin; Yuri Ananyan Partner - Igor Markov; Yuri Smekalov World Premiere by Eifman Ballet: January 28, 1997, St. Petersburg, Russia Synopsis: Act I Revolutionary Petrograd. A lesson in classic dance in the ballet class of the former imperial theater. The strict and eccentric Teacher picks out from all the dancers one whose perfect dancing and slightly mysterious image embody his ideal of beauty. At a theater sparkling with gilt, the Ballerina's performance delights the audience. Among her admirers is a Chekist, from the secret police, a representative of the new regime. It is not only her art that attracts him. The Chekist's crude violence and powerful embraces force the Ballerina to his will. The Chekist brings the Ballerina into his world, unknown to her, where the wild rampage of the revolutionary mob turns into a mad festival of destruction. She reigns over this festival, forgetting the tenets of her Teacher. However the spiritual values he had instilled in her are stronger than the intoxication of power. The Ballerina returns to the ballet class, to the Teacher. A new, cruel and aggressive regime now reigns in the theater, leveling everything in its path. The white ballerinas must become the obedient weapon of the unjust red idea. The Teacher is in despair. The reality is unbearable, but he can change nothing. The Ballerina and the Chekist are bound by their complex relationship. It is filled with attraction and repulsion, passion and misunderstanding. The Chekist allows the Ballerina to join the émigrés who are leaving Russia forever. Act II Ballet class at the Grand Opera de Paris. A famous dancer and choreographer leads the rehearsal. The movements he suggests are unfamiliar to the Ballerina, but the dance creator's inspired talent leads her on. The dancer becomes her Partner, and triumphant success awaits them. Her feelings for the Partner are not returned. Unrequited love and loneliness in an alien world push the Ballerina toward a nervous breakdown. She tries to lose herself in the merriment of Paris. But the ghosts of the past pursue her here, as well. The red flashbacks of the revolution, appearing as the Chekist in nightmarish inundation, do not give her peace. Nor can she forget herself in her favorite role as Giselle, in which the Ballerina always stunned audiences and won world fame. Giselle's fate - betrayal by her beloved and eventual madness - awaits her, too. Mirrors reflect the morbid consciousness of the Ballerina. Madness seems to hold salvation, in the world beckoning from the other side of the mirror. Music: ACT ONE PETER TCHAIKOVSKY Serenade for Strings, Op. 48 PETER TCHAIKOVSKY "The Tempest " Symphonic Fantasia after Shakespeare ALFRED SCHNITTKE "Ritual" for large symphonic orchestra PETER TCHAIKOVSKY "Manfred" Symphony in Four Acts after the dramatic poem by Byron ALFRED SCHNITTKE Concerto grosso No. 2 for violin, cello and orchestra PETER TCHAIKOVSKY Elegy to the memory of Samarin ALFRED SCHNITTKE Gogol Suite ACT TWO GEORGES BIZET L'Arlesienne ALFRED SCHNITTKE Gogol Suite WALTER DONALDSON "Yes, Sir, that's my Baby" The Charlston Kids HORST AEKERMANN "Golden Nugget" The Firehouse Charleston Band BERT LOSKA - STEFAN LAUBE "Lady in Red" The Charleston Kids ALFRED SCHNITTKE Concerto for viola and orchestra ALFRED SCHNITTKE "No dream in the summer night" PETER TCHAIKOVSKY Francesca de Rimini Symphonic Fantasia after Dante, Op. 32 ADOLPHE ADAM-BORIS ASAFIEV "Giselle" Final Link to comment
tango49 Posted September 16, 2003 Author Share Posted September 16, 2003 rg...Thankyou so much for such a complete description of this ballet. I had some time after my origional post and did find one of the Boris Eifman sites that delt with 'La Giselle Rouge' where I learned the story line and the very sad story of Olga Spessivtseva. Interesting though to read all the composers who Eifman used for this major work and the other details mentioned in your post. The ballet was created for his company and made its first appearance at the Marinsky Theatre in 1997 and later at the Bolshoi and then City Center in N.Y. in 1998. The ballet sounds very dark yet very intriguing and I would love to know any general impressions of this work if anyone saw this at City Center. There are no comparisons to this in any way to the ballet I mentioned earlier,'My Giselle'. Tango Link to comment
Leigh Witchel Posted September 16, 2003 Share Posted September 16, 2003 Tango49 - search for this string - +"Red Giselle" to see what was discussed here - there are about 30 threads, mostly divided into two camps; there's not that much in the mushy middle. Link to comment
Alexandra Posted September 16, 2003 Share Posted September 16, 2003 Great minds..... I just did the search, and "Red Giselle" (the other RG ) is mentioned, at least, in all of these threads: http://balletalert.ipbhost.com/index.php?a...selle%26quot%3B (And Leigh's quite right -- no mushy middle. People either find it riveting and a great work of art, or, well, trash. I hope you get to see it, and see what you think!) Link to comment
tango49 Posted September 16, 2003 Author Share Posted September 16, 2003 Alexandria and Leigh...Thanks for the threads! After reading some of the words used to describe this ballet, "lurid turmoil" and not to mention the "levitating head" I would surely buy a ticket just to see what it's all about. Leave it to the russians to create a ballet so controversial. Yes ...no mushy middle in any of these descriptions! I hope I get to see it too Alexandria! Tango Link to comment
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