theo

Brooklyn Mack maybe?  He's on the roster as a guest artist and He's Local to the DC area.    Regarding Brandt as Giselle, I saw some footage of her dancing the roll during a Russian ballet-competition-type-TV-show.    I think she has the potential to pull it off.    

Love reading these reports. So happy for Sarah!!   Anybody see Aran Bell's debut at the matinee yesterday?  

On 3/5/2019 at 3:50 PM, cubanmiamiboy said:

Ojh...he LOVES the cheering and whistling! And he LOVES his bravura roles. He didn't have neither one here with MCB. If he's near retirement, having such success in such lavish production of the quintessential Petipa is certainly a triumph.

I feel very fortunate to be able to see him at this point in his career. Bravo Rolando!

Cubanmiamiboy, 

I was sitting in the third row so I could really see the expressions on Rolando's face.   To me it was clear that he felt like he was somehow back to where he knew he was supposed to be;  dancing a beautiful production in front of a full house who really appreciates his artistry,  and cheers him on as he blows their minds. 

I think he, along with others on the stage, had a wave of emotion when they saw how heart felt  the standing ovation was.  

I attended the Saturday Matinee performance of Sleeping Beauty.  It was truly a delight.  The house was full,  the dancers were all wonderful and the audience was appreciative and enthusiastic, with good reason.   Princess Aurora was danced splendidly by Katherine Barkman and Prince Desire' was danced spectacularly by Rolando Sarabia. 

Katherine was warm, engaging, smooth and buoyant.  She clearly appreciated every other dancer she came in contact with.  She also charmed them all.    She is Charismatic, and a lovely, lovely dancer.  

Rolando was full on dance master in this performance.  I'm not a dance expert so I struggle a bit to articulate what it is about him that's so special.  He leaps, bounds, spins and then lands full stop in such a way that it seems as if he hadn't been moving at all.  And then, he beams because he knows he nailed it, again.  I think his partnership with Katherine Barkman is a really good one.   They made everybody happy, and they seemed pretty darned happy themselves.

Kateryna Derechyna danced a lovely Lilac.  Victoria Arrera, an apprentice, danced Princess Florine.  It's a good way to begin.  Our Bluebird was danced by Masanori Takiguchi; he is still in the Studio Company.  I thought he did a great job. He's a big jumper.   The white Cat and Puss-in-Boots were danced adorably by Brittany Stone and Corey Landolt.   And, let me not forget to mention Daniel Roberge who played a really cool Carabosse.   I don't know how else to describe  his characterization.  He was over the top, but not way over.   He was menacing, and he made me giggle.  

This was truly a stellar performance by all and the audience let it be known.   There was a joyous standing ovation at the conclusion of the performance, and to everybody's pleasant surprise there were also individual curtain calls.  All of the lead female dancers received little bouquets, including the one that was really a man.   This is significant because any kind of blooming thing handed out at a Saturday Matinee at KC is kind out of the ordinary.  Keep the flowers coming! 

I hope this signals more good things to come from and for TWB.  Thank you Julie Kent!

Got this information in an email. As far as I'm concerned it's all good.  Close to being sold out though. 

MCB is participating in Ballet Across America at the Kennedy Center.  Tomorrow tickets go on sale for KC members.  So, I decided to look at the MCB roster and  saw that Simone Messmer is no longer there. Anybody know anything? Did I miss something?

I am curious. Please let us know more if possible.

On 10/3/2018 at 3:57 PM, ABT Fan said:

A Hallberg/Abrera Manon is my preference. I'd be there in a hot minute. Shevchenko/Teuscher can wait.

A Hallberg/Boylston SL could be interesting (though I did not like their R&J this past summer). I saw Boylston's SL several years ago with Simkin, and though it was a bit rough in several places, she was new to the role and also showed a lot of promise. From what else I've seen of her she's improved a lot since then so I imagine (hope) her O/O has grown considerably. 

About Stella, I just saw her dance the Seven Sonatas PDD with Marcelo Gomes. They were guests of The Washington Ballet and Stella was radiant, sleek, and beautiful.  I don't know how much technique that PDD really required but her stage presence was magnetic and electric.  I was sitting very close to the stage.  Marcelo was naturally wonderful as well, but my point in commenting is that I believe Stella has lots of wonderful dancing in her, if only Kevin would give her more opportunities.  I think she would be wonderful as Manon dancing with Hallberg.  

I attended the Saturday Matinee performance of TWB Welcomes.  It's been a hectic few days for me so I'm a little late with my comments. 

Les Sylphides:  The standouts here were Ayano Kimura and Tamako Miyazaki.  This is my second time seeing Ayano dance and she does not disappoint. She is also lovely off stage.  My husband and I saw her and Tamako in the lobby afterward and gave them a mini round of applause. They were lovely and gracious.   Gian Carlo Perez was the male lead, and I really like him, but I feel like he didn't have enough dancing to do.  This is also my second time seeing him dance and both times I have felt like I would like to have seen more of him.

Tarantella:  This was danced by Nichole Graniero and Andile Ndlovu.  I was pleasantly surprised with Nichole's performance. I've seen her in supporting roles only and really wasn't expecting much.   The last time I saw this PDD the female lead was Jeanette Delgado with MCB.    I knew there would be no topping that performance so I came to this with  low expectations, but ended up enjoying Nichole after all.  Now,  Andile is really something else.  This is the second time I've seen him dance and he's blown me away both times. He is really buoyant and generally  magnificent.   I would love to see more of him as well.

PDD from Seven Sonatas: Okay, so the dancers were Stella Abrera and Marcelo Gomes.  I could just stop there, because simply the mention of those two suggests greatness.  And, they were.  Stella, Stella, Stella!  She was beautiful and absolutely incandescent.  There were some folks talking on the ABT thread and suggesting that her technique might diminished; not in this PDD, that's for sure.  Just outstanding! Marcelo...how wonderful to see him and he was, of course, magnificent!  One of the reasons I took a chance on this mixed bill was that I guessed that Julie Kent would invite Marcelo.  I purchased the tickets on a leap of faith, without having any idea that I would see him dance with Stella as his partner, no less. Such good luck I had.   Pure Heaven. Thank you Julie!!!!! 

Swan Lake PDD:  The dancers were Katherine Barkman and Rolando Sarabia.  I made brief mention of Katherine's performance in an earlier post.  I liked her and her partnership with Rolando seemed natural.  I enjoyed the way she looked at the audience as if toying with us. At one or two points I thought she might falter, but then she flashed a smile as if to say:"Ha ha!  You though I was gonna falter, but I didn't!"  Rolando was really on fire.  I was so happy to see him in a lead roll.  He wash sharp, princely, flashy and glowing.  I think the audience actually enjoyed this PDD the most.  It got the biggest reaction. I believe this partnership could be a really good  one. 

Finally, Sombrerisimo:  This was a flashy piece danced by six men: Javier Morera, Oscar Sanchez, Alexandros Pappajohn, Stephen Nakagawa, Alex Kramer and I believe, Daniel Roberge.  He was a last minute substitute and he was great. They all were.  I didn't expect to like this piece because I love ballerinas in pointe shoes, but the guys looked like they were having a great time and they made it fun.

All in all a great afternoon of ballet, as always, from TWB.  Thank you to all of the performers for dancing your hearts and souls out! This is the feeling I always come away with after seeing TWB perform. 

She was a beautiful black swan today as well. She danced with Rolando Sarabia.  They were incandescent.  More on this tomorrow.  She had nuances that are worth mentioning. 

Suffice it to say though, that she could very well bring out the best in her partners.   She and Rolando were both wonderful, and they weren't even the ones I came to see.  It was a lovely surprise....all around.  this is such a wonderful company  of dancers, 

Will fill in the blanks tomorrow. 

I attended the Saturday Matinee performance of Giselle.  My review is short, but suffice it to say that that the Ballet Nacional De Cuba did not disappoint!   Sadaise Arencibia danced Giselle, Raul Abreu danced Albrecht and Ely Regina danced Myrtha.  Everybody was excellent and the audience was appreciative.  Sadly no flowers or special curtain calls for anybody.  I never understand this. Is it a Saturday Matinee thing, a Kennedy Center Crowd thing, or is it just a sign of the times?  I find it unconscionable that neither Ms. Arencibia nor Ms. Regina got so much as a daisy.    About Ms. Arencibia, she was a lovely, soulful and moving Giselle.  I found her to be totally believable.  About Ms. Regina, in a word, chilling. I was sitting in the second row.  Terrible if you want to see feet, but great if you want to see face, and hers was really something else.  Every move she made was chilling and I loved her performance.   I would not want to meet her in a dark alley, but on the stage, anytime.   I thought the corps did a great job.  No dropping arabesques during the chugs for this company.  I hope they come back to KC sometime in the near future.   The last time I saw them before this was in NY in 1998. They danced Cinderella. Way too much time between performances.

Looks like Marcelo is also dancing a duet with Alessandra Ferri at the Bolshoi’s Petipa Gala May 31st/Jun.  The link is below (see third page).  I got this from the Bolshoi/Petipa Gala forum.  Mnacenani provided the original link (Thank you Mnacenani!)  

https://www.bolshoi.ru/upload/medialibrary/0ce/0ce92a73ccc41b46051dbe8754593b88.pdf

Very Happy for Veronika!

14 hours ago, California said:

The WB listing says Eisenhower: https://www.washingtonballet.org/performance/2018-2019-season/sleeping-beauty

Boy, I wasn't one for catching details yesterday, was I?  Thanks again California for setting me straight.  

Sleeping Beauty may actually be performed at the KC Opera House. We'll have to wait and see when KC actually posts it to their schedule I think.   TWB dances in both the Eisenhower Theater and the Opera House.  They performed Romeo and Juliet in the Opera House this past February and I thought the company looked really good.  I did not feel a sense of smallness.  I'm hoping for the best.  

It's funny, I was really disappointed when I saw TWB's new season, but between what California and Drew have said, I'm starting to think more about it.  Bolero does sound interesting and my Husband absolutely wants to see Sleeping Beauty so I guess the new season is "on".  

California, I stand corrected.  I totally missed that!   The only twist to the repeat programming is adding guest artists.  Interesting, I think (being a little sarcastic).  It is kind of strange and I agree, disappointing as well.  

With the exception of the Nutcracker, I don't believe there are repeats for the 2018/2019 season.   Les Sylphides and Bolero were part of the "Russian Masters" program which was performed in October of 2017.   That program is not being repeated in the 2018/2019 season.  Serenade is actually being performed this month as part of the Mixed Masters program,   which is the last program of the  2017/2018 season.    TWB is repeating a program titled "Three World Premiers" for the 2018/2019 season, but hopefully it will not be the same three that they recently performed. Otherwise they would not actually be premiers. 

46 minutes ago, Drew said:

I haven't seen them recently, but I would think that should be a very good--and definitely drama!  Wish I could see it.

The last time I saw them was in 1998 at City Center in New York. They performed Cinderella.  I am looking forward to this one.  I will report. 

Drew your points are well taken.  I think it's my own personal taste that makes me think of  'popcorn'.    Perhaps it's not the right term.  Suffice it to say that I prefer a bit more drama.  Give me swans, mad scenes, or star-crossed lovers, and I'm there!    The story line of Sleeping Beauty just never appealed to me, so I've only gone to see it once live.   I saw ABT do the Ratmansky version at KC a couple of years ago.  It turned me off to ever wanting to see it again.  The music was the only saving grace.   I do love  Tchaikovsky.   For 2018/2019 there are still some full lengths at KC to consider. There is always the nutcracker, and there is  the  Mariinsky's Corsaire  (not a fan of that either, but it's the Mariinsky for goodness sake) and then there's the National Ballet of China's Raise the Red Lantern, the latter of which I've never seen.   So the season isn't a total wash.  I'm also going to see The Ballet National de Cuba perform  Giselle in June, so I can get my dose of drama then.

Disappointing.  I was hoping they might fill in some of the gaping classical holes left open in the abysmally contemporary Kennedy Center 2018-2019 season.  Sadly all TWB is doing is Sleeping Beauty.   While it may be a classic, IMHO it's a 'popcorn' ballet that makes me want to sleep.    They do Nutcracker,  but not at KC.  

Thank you so much  Buddy for the report on Marcelo's fine performance.  I'm so glad to hear of it.  I hope he has many more to come.  And Happy three-quarters to you! 

The last two announcements for Washington Ballet were announced in May I believe.  

All in all I find 2018-2019 to be a disappointment.  Maybe the Washington Ballet will fill the void of classics.