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tutu

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Posts posted by tutu

  1. Two more things, before I forget: A very nice pas de trois from Lane, Kajiya, and Simkin (who seems to be partnering well with Lane in particular). Kajiya's got quite the jump, doesn't she?

    And of course, a shout-out to the women of the corps. I've been attending ABT SLs for years, but I thought the swan princesses' ports de bras were especially lovely last night.

  2. Gomes nearly stole the show. He had the audience in the palm of his hands.

    Most readers of this board probably already know this, but for those who don't: Gomes is purple Rothbart in the ABT Swan Lake on DVD from 2005 (along with Corella and Murphy):

    http://www.amazon.com/Tchaikovsky-American-Ballet-Theatre-Corella/dp/B000AYEI9A/ref=sr_1_1?ie=UTF8&qid=1371569322&sr=8-1&keywords=swan+lake+abt

    It's distressing that so few of Gomes' performances are available on DVD.

    The great thing about Gomes' performance, to my mind, was that it wasn't necessarily an effort to "showboat" technically. While Gomes, of course, showed crystalline technique, his character came first. He was downright seductive!

  3. Theater was maybe 70% for Friday night's performance, which seems better than one would expect, given the circumstances.

    Naturally, Tiler and Sterling were stunners in the new Peck, and quite a strong performance from the corps in Symphony in C—they seemed completely energized.

  4. Oksana Skorik in the Kingdom of Shadows:

    Skorik's weaknesses and off pointe moments have become such norm. Will she embody the "New Mariinsky Ballerina" concept...?

    IMHO, I'd have to disagree—it seems like there's a real improvement. There are moments of weakness in the Bayadere, but they're outnumbered, to my mind, by moments of exceptional beauty. Her lines are incredible.

    That GPC variation (famous, of course, for being fiendishly difficult) is also encouraging. See: going for the fourth pirouette at 0:45, see a regal port de bras, see those legs, feet, and turnout, and most importantly, see a much more confident dancer who no longer seems to be on the edge of tears. I never thought I'd be drinking the Skorik Kool-Aid, but I'm looking forward to what comes next.

  5. Here is a wonderful clip of Justin Peck describing his choreographic experience and the NYCB dancers working on the piece for the Nantucket Debut. I was there for the performance, and other than the theater and stage not having air conditioning :sweatingbullets: (poor dancers!) during last week's heat wave, it was wonderful. Congratulations to all! :clapping:

    http://www.plumtv.com/videos/7-for-seven/

    Thank you so much for sharing! I recognized Teresa Reichlen, Amar Ramasar, Sterling Hyltin, and Chase Finley—who were the other three dancers?

  6. I was a bit disappointed in Symphony in C. Lopatkina and Korsuntsev were gorgeous in the 2nd movement and the 3rd movement wasn't bad but I thought the 1st was noticeably off the music (though it was wonderful to see Fadeyev) and the 3rd missed most of the Balanchinian accents. In fact, I thought the whole thing was pretty un-Balanchinian, missing a lot of the humor in the steps and and the music was played too slow. Still, it's great to see these dancers in anything, and especially in a tutu ballet

    I'm right with you on this. The dancers are extraordinary, but I came away with a newfound appreciation for the attack, musicality, and speed you see in Balanchine-trained dancers, especially at the corps level.

    For the 1st, I think you really need a principal with strong articulation in the lower half, which Somova doesn't have. She seemed woefully miscast. Lopatkina was a revelation in 2nd, a complete dream, and the corps looked best here. Obrazstova was fabulous in 3rd (those feet!), but the corps was kind of a mess (relatively speaking—this is the Mariinsky, after all, and the corps as a whole looks more unified and better-rehearsed than just about any company I've ever seen). All in all, a pretty fantastic showing.

  7. JBluebird was Simkin/Lane. No botched lift as had been reported from a past performance. To me he looked like he didn't want to be there. His variation seemed like an abbreviated version. Lane was lovely and did some beautiful phrasing.

    ... Misty Copeland as the "Valor" fairy got the job done but totally ungracious (my husband thought her so forceful that maybe she should go toe to toe with Carabosse) anyway it was a bit much for me, one can be strong and likable at the same time.

    My thoughts exactly on both fronts. Simkin's variation was nowhere near what we've come to expect out of him, but it was more than made up for by Lane. She was absolutely extraordinary last night. Copeland was "forceful" enough to look quite out of place among the rest of the fairies, all of whom seemed to be exhibiting the limpidity described by a certain critic to great effect. Messmer in particular was pretty fantastic.

    And Cojocaru? Such a beautiful Beauty—I have no words.

  8. Younger than most of the suggestions already, but anybody know anything about Jose Sebastian? I noticed his lines in the Beauty corps last night—and I believe he's on the tall side. As for females, Meghan Hinkis always catches my eye for her artistic maturity (even where we see her now, in corps parts that aren't "showy"), and according to YouTube, at least, she's got technique for days. Christine Shevchenko and Melanie Hamrick also seem to possess a real presence.

    In the next couple years, I'd vote for Hee Seo and would love to see Simone Messmer continue to develop. Sascha's a head-bangingly obvious choice among the men.

    Anybody keeping an eye on tour casting? While I presume that KM has gotta fill up the Met, it can't be such an issue in certain of the domestic tours—and that has been where younger dancers have gotten shots earlier, right?

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