Jump to content
This Site Uses Cookies. If You Want to Disable Cookies, Please See Your Browser Documentation. ×

Renata

Senior Member
  • Posts

    100
  • Joined

  • Last visited

Posts posted by Renata

  1. Hi Petipa Fan

    I was just joking when I said I was born in the dark ages. Some of you seem to think that I was serious. Margot Fonteyn was a Hurok artist before I ever attended a ballet. Although I met both Margot Fonteyn and Rudolf Nureyev, I do not have any exciting anecdotes to add since I worked mainly with solo musicians.

    John Cranko once had me do some work for him...he was very pleasant and nice. He had such an understated manner that people in the office asked me who he was after he left my desk.

  2. Thank you dirac and Farrell Fan for you kind comments about my post. Since I did do all of the travel arrangements for Hurok Concerts, I got to know many details of many artists' lives. But, I guess I prefer to remember the positive things that different people did and not to repeat the less positive. And, in addition to being great artists, like all people, many of them had some special qualities.

    Jacqueline du Pre and I shared a birthday although (as I would remind her) hers was a few years ahead of mine. When she learned that we had the same birthday, we began a tradition....we exchanged birthday cards every year until the year she died. And, she always kept up with my news --such as when my first daughter was born--and offered encouragement, which must have been painful for her since she was so ill at the time.

    Van Cliburn, is a very gentle, kind man. When I worked for the Hurok office, he would be accosted by fans wherever he went, yet he always had a minute to say hello. A few years ago, he was playing a concert in the city where I live. I went to the dress rehearsal with my two daughters who love classical music and were fairly serious musicians and afterwards, I stopped to say hello. His greeting to my kids was one they will never forget. He bent down, almost kneeling, (he is very tall) to hug them and to talk about the good old days when he and their mom worked at Hurok Concerts.

    I could go on and on with these anecdotes, but I think that I would wear out my welcome on this thread. So, I do think that many great people have great human capacity and qualities of caring for others. On the other hand, that does not mean that all great people will have the qualities. It depends on the individual.

  3. I read this thread with interest. My first real job was for the impresario Sol Hurok (in the dark ages before most of you were born). I was in charge of travel for all of the soloists that he managed. I can say that in some cases the artists were really egotistical and unduly difficult to work with. But some of the artists were wonderful thoughtful people. And, some were inbetween....difficult to work with but realizing this, they would thank me by praising my work to my boss, Sol Hurok. Among the artists who were always thoughtful, Marian Anderson comes to mind....at the time when I worked with her, she was only doing talks or speaking in “A Lincoln Portrait.” After she would do a tour, she would actually take the time to telephone me to explain how all of my arrangements had gone right and how things had worked perfectly. David Oistrakh was another wonderful person....he and his wife were “Mama and Papa Oistrakh” to me and I ate lunch with them at the Essex House buffet numerous times (yes, I did speak Russian). So, I guess the answer to the question this thread asks is “yes, no, and sometimes.”

  4. Orchestras can renew or not renew on the basis of many things. Sometimes they make mistakes. A number of years ago, the Philadelphia Orchestra had a young first violinist named Robert Chen. He quickly became active in playing chamber music in Philadephia and was teaching as well. Then all kinds of rumours started to circulate that he was not being renewed or he was being renewed but only for a year. Philadelphia's mistake. He left the orchestra to be co-concertmaster of the Chicago Symphony--a position he has held since 1999. So, it may simply be that this situation is one that we will never understand fully and that will have a good outcome for the people involved.

  5. Most major orchestras have "blind" auditions for the first round. The musicians play behind a screen and cannot be seen. However, the second round is not a blind round and the musicians can been seen. Prior to blind auditions, there were very few woman in the top orchestras and many conductors did not believe they should be there (my daughter did a study of the effect of blind auditions on getting seats in orchestras and I have read some of her materials....they really did turn things around for women).

    The court will have to make the decision in this case, and one never knows about these kinds of things. What makes a great musician is partially a subjective process.

×
×
  • Create New...