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MakarovaFan

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Posts posted by MakarovaFan

  1. On www.youtube.com there is extensive footage of a live 1973 Bolshoi performance in Tokyo of "Spartacus" starring Vasiliev and Maximova. The video quality is iffy, but the historical importance of the performance and the excellence of the dancing overall make it well worth watching. Vasiliev and Maximova are gorgeous together.

    Go to www.youtube.com and in the Search field enter any combination of Vasiliev Spartacus 1973.

    I love this film but loved even more the live performances in 1969 at the Royal Opera House when the roars at the end of each act must surely have equalled any of those at the Rome Coliseum of old.

    Leonid,

    Where have you seen footage of the 1969 performance at the Royal Opera House?

  2. On www.youtube.com there is extensive footage of a live 1973 Bolshoi performance in Tokyo of "Spartacus" starring Vasiliev and Maximova. The video quality is iffy, but the historical importance of the performance and the excellence of the dancing overall make it well worth watching. Vasiliev and Maximova are gorgeous together.

    Go to www.youtube.com and in the Search field enter any combination of Vasiliev Spartacus 1973.

  3. Thank you, Phenby, for this information.

    I'm looking for a performance of the complete D&C that is lush, opulent and with a virtuosic orchestra. Which recording would you suggest that has all these qualities? Last Fall I heard Levine and the Boston Symphony perform this piece at Carnegie Hall and it was so stunningly beautiful that it still rings in my ears.

    Thank you!

    At least 36 commercial recordings of the complete Daphnis et Chloé have appeared in the last 55 years. All but 2 have been issued on Compact Disc.

    Antal Dorati & Minneapolis Symphony Orchestra [lp only] mono

    Ernest Ansermet & l'Orchestre de la Suisse Romande (1st recording) mono

    Désiré-Emil Inghelbrecht & l'Orchestre du Théâtre des Champs-Elysées mono

    Charles Munch & Boston Symphony Orchestra (1st recording)

    Pierre Monteux & London Symphony

    Manuel Rosenthal & l'Orchestre du Théâtre National de l'Opéra de Paris

    Charles Munch & Boston Symphony Orchestra (2nd recording)

    Leonard Bernstein & New York Philharmonic

    André Cluytens & l'Orchestre de la Société des Concerts du Conservatoire

    Ernest Ansermet & l'Orchestre de la Suisse Romande (2nd recording)

    Pierre Monteux & Concertgebouw Orchestra

    Rafael Fruhbeck de Burgos & New Philharmonia Orchestra [lp only]

    Lorin Maazel & Cleveland Orchestra

    Seiji Ozawa & Boston Symphony Orchestra

    Charles Dutoit & Montreal Symphony Orchestra

    Pierre Boulez & New York Philharmonic

    Jean Martinon & l'Orchestre de Paris

    Eduardo Mata & Dallas Symphony Orchestra

    Gennady Rozhdestvensky & Moscow Radio Symphony

    André Previn & London Symphomy

    Simon Rattle & City of Birmingham Symphony Orchestra

    Claudio Abbado & London Symphony

    Bernard Haitink & Boston Symphony

    Eliahu Inbal & l'Orchestre National de France

    Yan Pascal Tortelier & Ulser Orchester

    Gerard Schwarz & Seattle Symphony Orchestra

    Pierre Boulez & Berliner Philharmoniker

    Yoël Levi & Atlanta Symphony Orchestra

    Ricardo Chailly & Concertgebouw Orchestra

    Kent Nagano & London Symphony

    Michael Gielen & SWR Symphony Orchestra

    Michael Schønwandt & Berliner Sinfonie-Orchester

    Myung-Whun Chung & l'Orchestre Philharmonique de Radio-France

    Laurent Petitgirard & l'Orchestre-National Bordeaux Aquitaine

    Two further pendants: Ravel himself prepared the requisite piano score of Daphnis to be used for rehearsals.

    This has been recorded complete by the pianist Clair-Marie Le Guay.

    A version of Daphnis rearranged for synthesizer (!) has been recorded by the artist Tomita.

    As for recommendations. I don't know the Levi, Gielen, Schønwandt, and Tomita performances.

    For the remainder I would stay away from Bernstein, Rozhdestvensky, and Schwarz. The others I would rate from good to excellent.

    Monteux is a frequent recommendation: he premiered the work with the Diaghilev Ballets Russes and knew its measure better than any,

    but his two recordings, though good, are sonically dated. For a new listener I would go with two of the more recent:

    Chung on DGG or Petitgirard on Naxos if you're on a tighter budget. The difference in sound makes an appreciable difference.

    PHENBY

  4. I just read on Yahoo News that Paul Scofield has died of leukemia. My parents saw him on Broadway in ' A Man For All Seasons' and my Dad always remembered how Scofield's Sir Thomas More brought tears to his eyes. We are so fortunate to have at least some of his genius captured on film. Not only 'A Man For All Seasons' but also 'The Crucible' in which he was especially good. He will be sorely missed and may he rest in peace.

  5. Favorites:

    Diamonds

    Emeralds

    Tchaikovsky PDD

    Spartacus Act I

    White/Black Swan PDD

    Robbins: Afternoon of a Faun

    Robbins: Other Dances

    Plisetskaya in Shuraleh

    Dislikes

    Grand Pas Classique: lots of razzle dazzle but emotionally dead.

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