SaraBW

I believe Ashley performed yesterday - did anyone see it? I'm curious if her technique, etc. continues to improve/rebound?

Good point about R&J. I've seen it several times and do know it's long - especially if the orchestra plays the tempos the way I like them. When Cincinnati Ballet does it, the conductor takes it all way too fast, which robs the power of the music (Lady Capulet's piece after Tybalt's death should be a REAL dirge) and is tough on the dancers (the balcony scene in particular seems to leave them breathless, and not in a romantic, young-love kind of way). Hoping the ABT orchestra gives the music the depth and breadth it deserves.

Thank you for the recommendations! Would you recommend going before or after the show? If we were to go afterward, what is the best place that's open late?

I hope this question is OK to ask here... I'm thrilled to be coming to NYC in July to see Isabella Boylston in R&J. My sister and I are huge fans of hers so this is a special trip, and I'll be excited to report back on the performance. Can someone let me know of a couple good dinner places near the theater? We'd like to be within walking distance (and will be in heels so the closer the better). We're open to eating before or after the show. And while I'm not looking to break the bank, I'm also flexible on price point. Thank you!

Longtime lurker, first time poster: I do appreciate the willingness to evaluate our prejudices about various aesthetics as ballet evolves. I remember when Sara Mearns first came on the scene. I really disliked her "look." Her broad, high shoulders/short neck, in particular, bothered me a lot. As I watched her perform, I fell in love with her style and musicality and now I'm a onboard to see anything she does. I was so used to the "typical" Balanchine look that I almost didn't give her a chance. And I don't mind seeing dancers who are bigger than what has been the super-skinny (often unhealthy) norm for so long. I just want to see beautiful technique and artistry. If that isn't there, then the dancer's body becomes a distraction. It's such a fine line to walk, especially for dancers whose bodies don't fit the "ideal," and I absolutely appreciate that. With Ashley Bouder, it just seems so clear that it's time for retirement, that her body just isn't going to be capable anymore of what it once was, and that's rough to watch. Her Instagram post last night made my heart hurt - it definitely won't endear her to her colleagues and reinforces the impression that she's not ready to exit the stage with grace. I can't imagine how hard it is for a dancer who's had so much success to transition to the next phase. I feel for her.

Hello! I'm a huge ballet fan and have been reading these boards for years. Finally decided to register since my sister and I are going to NYC in July to see Isabella Boylston in R&J. Can't wait!