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kbarber

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Posts posted by kbarber

  1. The Fashion Institute of Technology Museum in New York has announced this upcoming exhibition:


     

    strapless bodice in black chiffon over white satin with floor length skirt with layers of black, brown and beige netting gathered into back bustle and forming wide apron front

     

    Ballerina: Fashion's Modern Muse
    Special Exhibitions Gallery
    February 7, 2020 – April 18, 2020 


     

    Ballet is a centuries-old art form that consistently reflected and absorbed prevailing fashions. It was not until the interwar years of the twentieth century that ballet took its place in the western pantheon of modern high culture and began to influence many areas of creativity, including fashion. At the same time, the ballerina, the art form’s most celebrated practitioner, blossomed into a revered figure of beauty and glamour, and her signature costume — the corseted tutu — inspired many of fashion’s leading designers for the first time. 


     

    Organized by Patricia Mears, deputy director of MFIT, Ballerina: Fashion’s Modern Muse will illustrate the rise and subsequent influence of classical ballet and ballerinas on high fashion from the early 1930s to the late 1970s. The popularization of classical ballet during the mid-century owes much to the British and Americans. A French creation that was elevated to a supreme art form in Imperial Russia, classical ballet would become the most popular performing art in the United Kingdom during the 1930s and 1940s, and later, the United States. At its peak, from the early 1930s to mid-century, haute couture looked to classical ballets such as Giselle, Swan Lake, and Sleeping Beauty for aesthetic inspiration. Modern ballets performed in leotards and tights would also influence mid-century American activewear fashions.

     

    Most of the 80 objects on view in the exhibition will be high fashion garments, ranging from Parisian couture to British custom-made clothing to American ready-to-wear. Also included will be a small selection of costumes and rehearsal clothing illustrating the rich yet often overlooked connection between classical ballet and fashion. The exhibition will be accompanied by a lavishly illustrated book to be published by Vendome Press. Contributors will include Patricia Mears, Laura Jacobs, Joel Lobenthal, Jane Pritchard, and Rosemary Harden. 

    Image: Charles James ballgown, silk chiffon, satin, netting, and boning, 1954-1955, USA, gift of Robert Wells in memory of Lisa Kirk. 

    Admission to exhibitions is free.

    Address

    Seventh Avenue at 27 Street
    New York City 10001-5992
    Information: 212 217.4558

    Hours

    Tues - Fri Noon - 8pm
    Saturday 10am - 5pm
    Closed Sundays, Mondays, and the following legal holidays:
    July 4th
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  2. 4 hours ago, Quiggin said:

    Some dance books I've found helpful, randomly found in used bookstores here in San Francisco:

    Horst Koegler's Dictionary of Ballet Oxford University Press, 1977, seems to be a sturdy and learned reference book, not outdated, but being unsupplemented might be its weakness. Don't know if there's a successor.

     

     

    The OUP Dictionary is now the Oxford Dictionary of Dance (Craine and Mackrell, 2010).

  3. Here are Tours en l'air Ballet Holidays' 2019-20 trips. For more info please message me or email me at toursenlair@gmail.com

    You can also visit my website at https://toursenlair.blogspot.com/

    2019
     
    New York
     
     Friday October 4 - Sunday October 6, 2019
    (Canadian Thanksgiving is October 14)

    3 days, 2 nights, 4 performances
     
    New York City Ballet:
    All Balanchine: Valse Fantaisie, Kammermusik No. 2, Union Jack

    Dances at a Gathering (Robbins), Everywhere We Go (Peck)

    Serenade, Tschaikovsky Piano Concerto No. 2 (both Balanchine), Summerspace (Cunningham)

    Opus 19/The Dreamer (Robbins), New Lovette, New Liang, Symphony in C (Balanchine)

    This will probably be the only Tours en l'air New York trip of the 2019-20 season.
     
     
    2020
     
    brandenburggate.jpg
     
    Berlin and Dresden
     
    March 14 - 22, 2020
      9 days, 8 nights
    4 performances 

     
    Berlin State Ballet:  
    La Bayadere (Petipa, reconstructed by Ratmansky)
     
    The Sleeping Beauty (Petipa, staged by Marcia Haydée)

     
    Dresden Semperoper Ballet
    The Four Temperaments (Balanchine), Black Milk (Naharin), new Fernandez, Errand into the Maze (Graham)

    Ballet Chemnitz: 

    Swan Lake (Peci)
      


     
    tiago-fioreze-634428-unsplash.jpg


     
    Paris and Amsterdam

    March 29 - April 9, 2020
      11 days, 10 nights

    4 performances 

    "I love Paris in the springtime..." (Who doesn't?)
     
    Paris Opera Ballet School:  

    Coppelia
     
    Paris Opera Ballet

    all Balanchine: Concerto Barocco, The Four Temperaments, Serenade

     
    Dutch National Ballet: 


    Four Seasons (Dawson), Yugen (McGregor), new Arques

      
     Nederlands Dans Theater 2: 

    mixed program


    Milan and Rome
    Wednesday April 29 - Thursday May 7, 2020
    e4eabfdc-1d97-468e-a6aa-a190490a35ee.jpg
    Ballet of La Scala:  
    Romeo and Juliet (MacMillan)
    Rome Opera Ballet
    Suite en Blanc (Lifar), Serenade (Balanchine), Bolero (Pastor)

    Note that I do not usually offer European trips with only two performances, but I am constrained by the company's schedules. Up to you to decide whether you are interested in a ballet trip with not very much ballet!
     
     
     
     
     
    munich.jpg

    Munich

    Munich Ballet Week
    May 23 - June 1, 2020
    10 days, 9 nights, 8 performances

    Bavarian State Ballet:
     
    Coppelia (Roland Petit)

    Pictures at an Exhibition (Ratmansky), New Dawson, TBA

    Alice's Adventures in Wonderland (Wheeldon)

    Jewels (Balanchine)

    Swan Lake (Barra)

    Spartacus (Grigorovich)

    The Lady of the Camellias (Neumeier)

    Bayerisches Junior Ballett München and Ballet School: mixed program
     
     
    laurenz-kleinheider-430360-unsplash.jpg
     
     
    Vienna

    (day trips to Brno, Czech Republic, and Bratislava, Slovakia)
     
    June 4 - 12, 2020
      9 days, 8 nights
    5 performances 

     
    Vienna State Ballet:  
     
    Coppelia
     
    Sylvia (Legris)
     
    Contemporary Mixed Program
     
    Ballet of the National Theatre of Brno
     
    Radio and Juliet (Clug)
     
    Ballet of the National Theatre of Slovakia: 
     
    Giselle
     
     
    luca-micheli-422052-unsplash.jpg
     
    London
     
    June 12 - 21, 2020
      10 days, 9 nights

     
     
      Royal Ballet:  
     
    Preludes (Ratmansky), Tombeaux (Bintley), Symphonic Dances (Scarlett)

     
    Birmingham Royal Ballet
     
    Don Quixote

    Theme and Variations (Balanchine), Chacona (Montero), new Cardim

    Royal Opera House Young Talent Festival: 
    programs by European Junior Companies TBA

     
      Other possible performances by English National Ballet, Birmingham Royal Ballet, and other companies TBA
     
  4. 20 sept Opening gala

    23 sept - 15 oct: Hiroshi Sugimoto/Alessio Silvestrin : At the Hawk's Well; Forsythe Blake Works

    26oct - 17 nov: New Crystal Pite (60 segments in 60 minutes)

    3-31 Dec: Raymonda

    9-31 Dec: Le Parc (Preljocaj)

    31 Jan - 15 feb: Giselle

    3 - 22 feb: Concerto Barocco, 4 Temperaments. Serenade

    25-30 March: POB School Coppelia (Lacotte)

    14 april - 8 May: New Alan Lucien Oyen

    12-30 May  Mayerling

    4-7 JUne Nederlands Dans Theater

    26 June - 14 July Play (Ekman)

  5. 1 hour ago, pherank said:

    No participation from San Francisco Ballet this year, is curious.

    SFB was not one of the original participants, which were NBOC, RDB, RB, and ABT. For several years now RB has not participated, so other companies are invited. Sometimes SFB has participated, sometimes not. I expect the timing is not good for them this year, late March being smack in the middle of their season.

  6. The Erik Bruhn Prize: Jeannine Haller and Siphesihle November Compete

    January 30, 2019... Karen Kain, Artistic Director of The National Ballet of Canada, today announced that Corps de Ballet members Jeannine Haller (22) and Siphesihle November (20) will represent the company at The Thirteenth International Competition for The Erik Bruhn Prize on Saturday, March 23, 2019 at 7:30 pm at the Four Seasons Centre for the Performing Arts. Choreographic Workshop alumna Alysa Pires creates a new contemporary work commissioned by the National Ballet for the choreographic prize. #BruhnPrize

    The companies participating in this year’s competition are American Ballet Theatre, The Hamburg Ballet, The Royal Danish Ballet and The National Ballet of Canada.

    Participants from other companies are: Aran Bell (20) and Catherine Hurlin (23) from American Ballet Theatre, Mathias Oberlin (22) and Sara Ezzel (23) from The Hamburg Ballet and Emma Riis-Kofoed (20) and Mattia Santini (20) from The Royal Danish Ballet.

    Judging the competition will be Artistic Directors Karen Kain, Kevin McKenzie (American Ballet Theatre), John Neumeier (The Hamburg Ballet) and Nikolaj Hübbe (The Royal Danish Ballet).

    Competing for the choreographic prize are Alysa Pires (The National Ballet of Canada), Jessica Lang (American Ballet Theatre), Kristian Lever (The Hamburg Ballet) and Nathan Compiano (The Royal Danish Ballet). 

    The evening will be hosted by Principal Dancer Harrison James.

    One of the most acclaimed and revered male dancers of the 20th century, Erik Bruhn personified the danseur noble tradition in all its classical, regal glory. His affiliation with The National Ballet of Canada was a lengthy and fruitful one, culminating in his Artistic Directorship of the company from 1983 until his untimely death in 1986. Mr. Bruhn left part of his estate for the establishment of The Erik Bruhn Prize, which was to be awarded to one male and one female dancer who “reflect such technical ability, artistic achievement and dedication as I endeavoured to bring to dance.”

    Since it began in 1988, the competition has showcased the talents of many of the finest young dancers from companies around the world. Competitors for the prize are selected by the Artistic Directors of their respective companies. Each pair performs a classical pas de deux and variation and a contemporary pas de deux or solo work.

    Participants receive a medal and the winners are each awarded a prize of $7,500 and a sculpture by Canadian artist Jack Culiner generously donated by Artcast. The winner of the Choreographic Prize, established in 2009, will also receive a Jack Culiner sculpture and a $2,500 cash prize.

    Many of the past competitors have gone on to become Principal Dancers, enjoying international careers, making the competition a glimpse of the future stars of the ballet world in one exhilarating evening of dance.

  7. 1 hour ago, FPF said:

    SPAC has now announced that there will actually be 3 performances of Coppelia: the evenings of July 18th and 19th, and the matinee on the 20th.

    https://spac.org/calendar/calendar-of-events/?view=list&gen=2&mc_cid=5db66c137f&mc_eid=bee1c0630b

    The rest of the season will be announced in 2019.

    you used to be able to go to Saratoga on the Friday and see three different programs Fri nite, Sat aft, Sat nite. Since they have switched to scheduling like this, for me it is not worth the trip to Saratoga. Such a shame.

  8. 6 hours ago, Drew said:

    Fantastic!  (I think of the whole city as a ballet --  a really great ballet!)

    (If the Swan Lake is in the Opera Bastille as mentioned above, then perhaps you can still find a way to see the Palais Garnier--perhaps there are tours --and don't worry if you knoew French or not since you just want to get inside--or other performances taking place there.)

    There are public tours in English of the Palais Garnier

  9. 16 hours ago, California said:

    I'm wondering what triggered this release. I can't find any other Cranko or Stuttgart ballets on DVD, although it appears there was an ancient VHS no longer available. I'd also love to get his R&J, especially because of the intriguing comparisons with MacMillan's. European companies are usually so generous in releasing DVDs (unlike the American companies!). Perhaps they need money? Or perhaps they feel overshadowed by all the other companies gaining worldwide recognition with their DVDs? Anybody know the story?

    I believe there were rights issues, but in the last year all of the Cranko story ballets have been filmed, and I am sure they will be released in due course.

  10. On 11/5/2018 at 12:21 AM, Drew said:

    Thank you @laurel  for the summary. The Budapest opera house is stunning. And if it's being renovated, then touring of the opera and ballet companies in the meanwhile seems rather normal to me whatever other goals or meanings may have accrued to the tour. That is, whoever was in government, the companies would presumably have gone on tour if they couldn't perform at home.

    The company is performing at another Budapest theatre, the Erkel Theatre, while the opera house is being renovated.

  11. 9 hours ago, Fraildove said:

    I’m curiou about how Polunin performed the role of Rudolph (in Pretty sure he did) If I’m not mistaken in my assumption, did anyone see him in it and what were your thoughts? It seems like he would have been the perfect type to take on the role, maybe a little too much so.

    He performed it with the Stanislavsky and guesting with Bavarian State Ballet. I saw him in the latter and was not terribly impressed. His technique seemed to have suffered a lot so his first solo was very wobbly. Also I just found him histrionic.

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