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Farrell Fan

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Posts posted by Farrell Fan

  1. The only thing that was missing was a tactless question about Suzanne Farrell.

    quote]

    Lesley Stahl once conducted an interview of Suzanne Farrell and Peter Martins at the NY State Theater for the NYCB Guild after both had retired from dancing, but before the ultimate breakdown of relations. The place was packed and I remember my excitement. But by the end of the interview it had given way to disappointment. Although I remember Peter being somewhat more forthcoming, Suzanne did not seem happy to be there. As far as I was concerned, the breakdown was complete.

  2. You've made your case brilliantly, Kathleen. I think the best way for audiences to become "dance literate" is by seeing a lot of dance and also reading critics like Macaulay. He has invigorated the NYTimes ballet coverage tremendously. But I completely agree with you that his review of the gala was peculiar in the extreme. Actually, I expected complaints from BTers, but not along the lines you took. His remark at the end that "Ballet Theater has fewer true ballerinas than its repertory requires. On Monday, however, there was no doubting that Ms. Ananiashvili and Ms. Vishneva were among those few" seems likely to provoke ire from both fans and ballletomanes alike. A compere saying such a thing would be booed off the stage.

  3. Thanks, Arizona Native and SandyMcKean! Although I have abjured being a balletomane, I can still recognize some traits: 1) You refer to dancers not by their first names but by their nicknames. 2) You know what Veronika Part thinks of Arvo Part. 3) You can pronounce PAMTGG. 4) You know all the ushers in the third and fourth rings. 5) You have vowed never to call it "The David H. Koch Theater." This is fun.

  4. There was a ballet by John Taras, Piege de Lumiere, which was performed regularly in the early years of the NYCB residency at the New York State Theater. It was set in a forest in which a band of convicts builds a big bonfire that lures scores of butterflies to their extinction. Before it entered the NYCB rep, it was performed in Paris, by the Grand Ballet du Marquis de Cuevas. The original cast was headed by Maria Tallchief and Arthur Mitchell. Those roles were subsequently taken by Patricia MacBride and Paul Mejia. :unsure:

  5. Farrell's dancing was unprecedented and remains unparalleled, so that it's hard to speak or write of it except metaphorically, as Macaulay does and Balanchine did, (Thanks for the whale quote, dirac.) I'm afraid I can't offer much enlightenment and extend my apologies in advance for saying this: you had to have been there.

  6. One reason I like reading Alistair Macaulay's reviews is that he often unexpectedly takes me back to the golden age at New York City Ballet, with sentences like, "In this ballet Ms. Farrell was queen of infinite space, opening up whole galaxies with one thunderbolt after another." That's from today's review of San Francisco Ballet's "Diamonds."

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