Jump to content


New Member
  • Content count

  • Joined

  • Last visited

About JuliaJ

  • Rank

Registration Profile Information

  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
  • City**
  • State (US only)**, Country (Outside US only)**
  1. JuliaJ

    2018 Romeo & Juliet

    I saw them on Wednesday... thought they were great together. Hallberg is a more graceful dancer than Boylston, but she really nailed the acting elements. Musically, I thought she was better in the Act III opening pas de deux than in the balcony scene. This was my first time seeing this production -- aside from the balcony scene snippet with Julie Kent and Ethan Stiefel in "Center Stage" -- so I don't have much frame of reference, but I couldn't see much to criticize. The audience sure was into them. If anything, Jeffrey Cirio and Calvin Royal were a bit "off" as Mercutio and Benvolio in Act I, but Cirio came back with full force in Act II with ultra-precise, high jumping sequences.
  2. JuliaJ

    "Harlequinade" 2018.

    I can't say anything about the quality of the production, as I haven't seen it, but I find that ABT generally draws in a less sophisticated ballet-going crowd than NYCB... that is, people there more for spectacle than substance. Every time I've attended an ABT performance, there's be at least one of the following completely inappropriate distractions: a crying baby or otherwise loud child, people talking, texting, etc. And, as others have stated, the Met is not a good venue for more "intimate" productions. The stage is just too far away from most of the seats to feel fully absorbed.
  3. JuliaJ

    Coppelia 2018.

    I went to the matinee yesterday and was pleasantly surprised by Pereira. I've never been blown away by her before, but in Coppelia her classical technique and stage presence were excellent... really great projection and command of the stage. I think this role was perfect for her. Huxley was also excellent in his technical ability and artistry... his traveling jumps and overall precision are insane, despite a couple of slightly awkward landings in the double tours. Swanilda's friends were mostly good and in sync; one pair seemed consistently "off" though. Loved Woodward, King, and Gerrity in the waltz/dawn/prayer solos. Overall was really impressed by the quality of staging and storytelling as well... unlike some other story ballets, the plot was easy to follow -- it almost felt like a silent film, especially in Act II.