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Sunday, July 14


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A review of New York City Ballet by Leigh Witchel for dancelog.nyc.

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Rather than the contemporary breakthrough of Times, this was a work of more modest, if classical ambitions, made for the Fall Gala with costumes by fashion designer Tsumori Chisato. The piece is exactly what it says on the tin: a procession of variations, but without as much typing as, say, Divertimento No. 15. The variations here are in fact different, but they don’t stick in your mind as the jumping one or the turning one. Pulcinella isn’t one of Peck’s best works (very few of his classical glosses are) but it does give you a chance to see the dancers, and there were a few debuts.

 

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