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Monday, June 8


dirac

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Melanie Hamrick is the co-choreographer of a film that shows dancers performing in locked down areas.

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...............The project is designed to raise awareness of Acting for Others, a network of charities providing support for theatre workers. Ghost Light was remotely directed by DeFelice, Hamrick and the Royal Ballet soloist Meaghan Grace Hinkis, who also performs alongside colleagues including Yasmine Naghdi, Anna Rose O’Sullivan and Téo Dubreuil.

 

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A review of the Royal Ballet in 'The Cellist' by Deborah Weiss for DanceTabs.

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The cleverness of the choreography is that the story is told with a vocabulary that is, without doubt, an object lesson in wearing one’s heart on one’s sleeve. Ball is vital and virile as The Husband, and it’s easy to understand why he would attract a vulnerable, young woman. Cuthbertson looks as if she has studied the cello quite seriously – there is a moment when she glances at Ball as she plays the final notes on The Instrument, the same moment that the love story begins, and we are entirely swept up in it.

 

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