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SanderO

Inactive Member
  • Content Count

    620
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  • Last visited

About SanderO

  • Rank
    Silver Circle
  • Birthday 05/29/1947

Registration Profile Information

  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
    fan, avid attendee
  • City**
    NYC
  • State (US only)**, Country (Outside US only)**
    ny
  1. Sandy raises and interesting aspect to how an actor, dancer or opera singer assumes a role. Acting by its very nature is the art of a person portraying role, a character, a personality and not themselves. Admittedly this is a talent to be able to do whatever it takes to convincingly portray the person who is in the script, as described by the author, director, librettist and so forth. There's a lot of short hand and assumptions and sterotyping going on in this process. The character's character often emerges from the story itself... how the author has them react etc. I don't subscribe to
  2. Camp is a lame excuse for someone who is has failed or is incapable of creating something resembling a work of art.
  3. The amazon search box ad whatever hangs up at the top and graphically is a disaster. The header is fine without it. Why put it up there? Perhaps I should not comment. Happy Nude Year too!
  4. I don't know the history of this name thing, but I can't see understand the reason for reverting to an older name... or why it was changed in the first place. I thought Ballet Talk was a fine name as it described what goes on here - "talk" about ballet. The Ballet Alert sounds like it's a warning of some sort. What compelled the name reversion? If the content doesn't change, the name matters not. However, unless there was a compelling reason to change to the original name, I believe it should have remained as BalletTalk. This reminds me of Blackwater becoming Xe and Verizon from NyNyx and
  5. We're just back from seeing this movie. First I must confess I missed much of the dialogue and often do in movies and TV because my hearing is not what it used to be. However, I don't think missing some of the dialogue matter much in my appreciation of this film. I did not like it at all despite some aspects which were notable. Natalie Portman's face filled the screen for most of the movie and she was able to pull off all those painful expressions like a champ. She's not much of a dancer and you can immediately see the difference where a trained ballerina is on screen. I don't think the
  6. I don't think the average John and Jane Q Public have any understanding about ballet beyond skinny girls in tutu's who stand on the their toes. The more educated clearly have a deeper understanding of the genre beyond this crude stereotype, but I don't think most people have a sense of the "world of ballet". I would think that they would conceptualize the world of ballet as they might the world of theater... a bunch of actors, singers, dancers who write, produce and perform in plays and musicals. There's no there there. There's no dark side to it. So the idea of calling the movie the Blac
  7. Leigh, Thank you for that comment. I do understand how little I understand! Did Plato say something like: This I know that I know nothing... Ballet is obviously much broader and deeper than I described in my last comment. I do think that it stands apart as an art form because it is very rule based and the dancers are artist - performers. That is there is art in performance or certainly can be despite it being so "rule based". This I find is one of the most appealing and mysterious aspects of ballet: that within the tight confines of rules something which I would call art or self or indiv
  8. Thanks to all for their perceptive reviews. I intend to see the movie for myself, but with very low expectations. One thing which all the reviews reminded me of and something which I have observed in mostly, but not exclusively is the heavy reliance on cultural stereotypes in film. It's used as a kind of short hand to convey something we already know about a character or setting or even a genre. It's a concept repeatedly used in conveying stories. And perhaps without the use of stereotypes we can't understand context. But somehow it seems to disturb me when I see films. Cinema has largel
  9. Not having seen this flick and only experienced the hype and this thread, I began to think that the idea that ballet is so feminine and "pretty" and so forth (a stereotype derived from the iconic ballerina image) is what gives the author/director fertile ground to trample this stereotype... like plowing through a field of daisies with a tractor. I don't see why the world of ballet... that is... behind the scenes... the lives of the dancers and ADs and so forth would be any different than any other arts genre or even other "worlds" for that matter. People are people and have the same struggle
  10. She obviously is a better dancer than writer (not surprising). Her blog could be a very powerful tool for inspiring people to attend ballet, though I don't think her readers are young enough to start a ballet career. Having said that the topic of her first post did little for me. Let's hope like the new dancers entering the company she gets into the groove and finds her stride as a "ballet writer" as she's done as a NYC ballet dancer. Thanks for the heads up on the blog.
  11. I saw an interview with Peter Gelb on Huffington Post where he answered a question about new interpretation of operas. He maintained that Verdi and Puccini both expected all the latest and greatest theatrical techniques to be included in current productions of their work, essentially supporting the notion that the AD has no obligation to reproduce the "original" aside from the notes and the libretto. Two things come to mind. Is this statement factually correct about those composer's view of future productions? Why is ONLY the music and the libretto sacrosanct and not the costumes, sets, era
  12. Thank you for posting this incredible video. What impressed me (as an architect) is how in successful partner the forces of movement of the two dancers is so well integrated - so they smoothly pass from a two dancers moving with their own collection of forces into a couple where the forces combine seamlessly and they for that period when they are "connected" appear as "one dancer/collection of forces". So when the male partner lifts he takes her upward movement and adds to it (height) in a perfectly fluid manner. When he takes over it is no longer the force of her legs which propels her upwar
  13. Bart, This is veering away from Arts Funding, Admin Edit: The rest of this post has been deleted. It is against Ballet Talk policy to discuss politics unless there is a direct connection to the arts. There are many places on the Internet to discuss the American political and economic systems, but this isn't one of them.
  14. The charity industry is as corrupt as any other and perhaps even more so. Where there is money, there is power. Where there is money to be dispersed, their is corruption and nepotism. Money is the root of all evil seems to be an apt phrase. The people in need usually are the last ones to see charity.
  15. I asked where the cash they collect from the sales go and was told that it funds insurance for the younger dancers at ABT. I don't recall whether this was the corps, or the school or what. All I remember is that it was for insurance.
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