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AMERICAN BALLET THEATRE AT 80 GIVES 80 HOURS OF SERVICE
TO NEW YORK CARES COAT DRIVE

As American Ballet Theatre celebrates the 80th Anniversary of its founding in January of 1940, Company dancers and staff joined together to contribute 80 hours of service to the New York Cares Coat Drive, giving back to the city that has been home and headquarters to America’s National Ballet Company® for eight decades.

New York Cares meets pressing community needs by mobilizing caring New Yorkers in volunteer service. American Ballet Theatre’s 80 hours of service for New York Cares Coat Drive took place over two weeks this month at the midtown Coat Drive warehouse. ABT Artistic Director Kevin McKenzie and Executive Director Kara Medoff Barnett joined dancers Isabella Boylston, Leah Baylin, Jacob Clerico, Claire Davison, Erica Lall, Virginia Lensi, Joseph Markey, João Menegussi, Rachel Richardson, Devon Teuscher, Cassandra Trenary, James Whiteside, Katherine Williams and dozens of ABT administrative staff members to sort and bundle 3,630 coats. “It was wonderful to participate in a community so focused on the task of helping others,” said McKenzie. “It’s all the more meaningful that we could kick off our anniversary celebration with these 80 hours of service.”

ABT’s participation in the New York Cares Coat Drive was organized by ABT Chief Administrative Officer Kimberly Shariff in conjunction with the New York Cares team. New York Cares is the largest volunteer network in the city. Last year, 52,408 New Yorkers made the city a better place by volunteering in New York Cares programs at 880 nonprofits and schools – improving education, meeting immediate needs, and revitalizing public spaces. For more information, visit newyorkcares.org.

NEW YORK PREMIERE OF ALEXEI RATMANSKY’S
OF LOVE AND RAGE TO HIGHLIGHT AMERICAN BALLET THEATRE’S 80th ANNIVERSARY SPRING SEASON AT THE METROPOLITAN OPERA HOUSE, MAY 11–JULY 4, 2020

80TH ANNIVERSARY SEASON TO OPEN WITH “ABT THEN AND NOW” FEATURING WORKS BY GEORGE BALANCHINE, JESSICA LANG, JEROME ROBBINS, TWYLA THARP AND ANTONY TUDOR
AND 40TH ANNIVERSARY PERFORMANCES OF LA BAYADÈRE TO HONOR LEGENDARY BALLERINA NATALIA MAKAROVA STELLA ABRERA TO GIVE FAREWELL PERFORMANCE IN GISELLE, SATURDAY EVENING, JUNE 13

NATALIA OSIPOVA, OLGA SMIRNOVA AND KIMIN KIM TO APPEAR AS GUESTS ARTISTS FOR THE SEASON

American Ballet Theatre will celebrate its 80th Anniversary during the 2020 Spring season at the Metropolitan Opera House with the New York Premiere of Alexei Ratmansky’s Of Love and Rage, an opening week devoted to both new and historic works from the Company’s repertory, and the 40th Anniversary performances of Natalia Makarova’s production of La Bayadère. The Spring season was announced today by Artistic Director Kevin McKenzie.

Principal Dancers for the 2020 Metropolitan Opera House season include Stella Abrera, Isabella Boylston, Misty Copeland, Herman Cornejo, David Hallberg, Sarah Lane, Gillian Murphy, Hee Seo, Christine Shevchenko, Daniil Simkin, Cory Stearns, Devon Teuscher and James Whiteside. Guest Artists for the season include Natalia Osipova, principal dancer with The Royal Ballet, Olga Smirnova, principal dancer with Bolshoi Ballet, and Kimin Kim, principal dancer with Mariinsky Theater.

80th Anniversary – ABTomorrow Spring Gala
American Ballet Theatre will celebrate its 80th Anniversary with the ABTomorrow Spring

Gala, a special evening celebrating eight decades of artistry including a showcase of student talent representing ABT’s artistic future. The ABTomorrow Spring Gala will highlight the Company’s past and future with anniversary video tributes, excerpts from beloved classics including Swan Lake, Romeo and Juliet and La Bayadère, a preview of Alexei Ratmansky’s 2020 premiere of Of Love and Rage and a special performance by students of the ABT Jacqueline Kennedy Onassis School.

The Sleeping Beauty will be given eight performances beginning Monday, June 15 with Isabella Boylston and James Whiteside in the leading roles. Set to the classic score by Peter Ilyitch Tchaikovsky, The Sleeping Beauty has choreography by Marius Petipa and staging and additional choreography by Alexei Ratmansky, with assistance by Tatiana Ratmansky. The production features scenery and costumes by Tony Award®-winning designer Richard Hudson. Hudson’s designs are based on the historic work of Léon Bakst, who created a seminal version of The Sleeping Beauty for Serge Diaghilev’s Ballets Russes in 1921. The Sleeping Beauty received its World Premiere on March 3, 2015 at Segerstrom Center for the Arts in Costa Mesa, California, danced by Diana Vishneva (Princess Aurora) and Marcelo Gomes (Prince Désiré).

Jane Eyre, choreographed by Cathy Marston, will be given five performances beginning Monday, June 22 with Devon Teuscher in the title role and James Whiteside as Rochester. The ballet features choreography and direction by Marston, music compiled and composed by Philip Feeney, scenery and costumes by Patrick Kinmonth and lighting by Brad Fields. Jane Eyre received its American Premiere by American Ballet Theatre on June 4, 2019 at the Metropolitan Opera House with Devon Teuscher in the title role and James Whiteside as Rochester. The production received its World Premiere by Northern Ballet on May 19, 2016 at the Cast Theatre in Doncaster, England performed by Dreda Blow as Jane Eyre and Javier Torres as Rochester. Jane Eyre is a co-production with The Joffrey Ballet and was staged for ABT by Jenny Tattersall and Daniel de Andrade.

Ten performances of Swan Lake, choreographed by Kevin McKenzie after Marius Petipa and Lev Ivanov, will round out the season, Friday, June 26 through Saturday matinee, July 4. The opening night cast on June 26 will be led by Hee Seo as Odette-Odile and Aran Bell as Prince Siegfried. Swan Lake features scenery and costumes by Zack Brown and lighting by Duane Schuler. This production of Swan Lake premiered on March 24, 2000 at the Kennedy Center for the Performing Arts in Washington, D.C. with Julie Kent (Odette-Odile), Angel Corella (Prince Siegfried) and Marcelo Gomes (von Rothbart).

ABTKids 80th Anniversary Edition
A special 80th Anniversary version of ABTKids comes to the Metropolitan Opera House on

Saturday, May 16, 2020 at 11:00 AM. The 2020 ABTKids offers young audience members, ages 4–12, and their families a unique journey through the Company’s eight decades, with performances and activities themed to ABT’s history. The one-hour narrated program will present excerpts of ABT’s vast repertory from the 1940s through to the present. All seats for ABTKids are $25.

Subscriptions for American Ballet Theatre’s 2020 Spring season at the Metropolitan Opera House, on sale beginning Wednesday, October 30 at 12 Noon, are available by phone at 212-362-6000, or online at ABT’s website www.abt.org.

Of Love and Rage and The Seasons are a part of The Ratmansky Project. Leadership support for The Ratmansky Project has been provided by Avery and Andrew F. Barth, the Blavatnik Family Foundation, Mr. and Mrs. Hamilton E. James, and The Ted and Mary Jo Shen Charitable Gift Fund.

Jardin aux Lilas has been generously underwritten by Marjorie S. Isaac.
Fancy Free is generously underwritten by an endowed gift from Avery and Andrew F. Barth, in honor of

Laima and Rudolf Barth.

Garden Blue is a part of the ABT Women’s Movement. Champion support for the ABT Women’s Movement is provided by Jenna Segal. Additional Leadership support provided by Denise Littlefield Sobel, the Virginia B. Toulmin Foundation, and through an endowed gift from The Toni and Martin Sosnoff New Works Fund.

La Bayadère is generously sponsored by an endowed gift from Drs. Philip and Marjorie Gerdine. American Ballet Theatre’s performances of Romeo and Juliet are generously underwritten through an

endowed gift from Ali and Monica Wambold.

American Ballet Theatre’s performances of Giselle are generously supported through an endowed gift from Sharon Patrick.

ABT gratefully acknowledges the Lead Sponsor of The Sleeping Beauty, David H. Koch. Additional Leadership Support is generously provided by the Lloyd E. Rigler – Lawrence E. Deutsch Foundation. Leadership support of Jane Eyre, part of the ABT Women’s Movement, is provided by The Leila and Mickey Straus Family Foundation. Champion support for the ABT Women’s Movement is provided by Jenna Segal. This production is generously supported through an endowed gift from the Toni and Martin Sosnoff New Works Fund.

Swan Lake has been generously underwritten by R. Chemers Neustein. American Airlines is the Official Airline of American Ballet Theatre. LG is the Global Electronics Partner of ABT.

ABT is supported, in part, with public funds from the National Endowment for the Arts; the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature; and the New York City Department of Cultural Affairs, in partnership with the City Council.

ABRERA TO CONCLUDE 24-YEAR CAREER WITH A PERFORMANCE IN THE TITLE ROLE OF GISELLE

Stella Abrera, a Principal Dancer with American Ballet Theatre since 2015, will give her farewell performance with the Company in the title role of Giselle on Saturday evening,
June 13, 2020 at the Metropolitan Opera House.

Born in Manila, Philippines, Stella Abrera grew up in South Pasadena, California and began her ballet training with Philip and Charles Fuller and Cynthia Young at Le Studio in Pasadena. She continued her studies with Lorna Diamond and Patricia Hoffman at the West Coast Ballet Theatre in San Diego. For three years, she studied the Royal Academy of Dancing method with Joan and Monica Halliday at the Halliday Dance Centre in Sydney, Australia.

In 1995, Abrera received the Gold Medal at the Royal Academy of Dancing’s Adeline Genée Awards in London. She joined American Ballet Theatre as a member of the corps de ballet in 1996 and was promoted to Soloist in 2001. In August 2015, she was appointed Principal Dancer. Her repertoire with ABT includes the Girl in Afternoon of a Faun, Calliope and Terpsichore in Apollo, Gamzatti and a Shade in La Bayadère, The Ballerina in The Bright Stream, Cinderella and Fairy Godmother in Frederick Ashton’s Cinderella, Cinderella in James Kudelka’s Cinderella, Aurora in Coppélia, Gulnare and an Odalisque in Le Corsaire, She Wore a Perfume in Dim Lustre, the woman in white in Diversion of Angels, Mercedes and the Driad Queen in Don Quixote, Helena in The Dream, the first passerby in Fancy Free, Lise in La Fille mal gardée, the Maiden in Alexei Ratmansky’s Firebird, Giselle, Myrta and peasant pas de deux in Giselle, Queen of Shemakahn in The Golden Cockerel, Pierrette in Harlequinade, Blanche Ingram in Jane Eyre, Lescaut’s Mistress in Manon, Katia in A Month in the Country, the Sugar Plum Fairy and the Snow Queen in Kevin McKenzie’s The Nutcracker, Clara the Princess in Ratmansky’s The Nutcracker, Emilia in Othello, Tatiana in Onegin, the Ballerina in Petrouchka, Older Sister in Pillar of Fire, Juliet and Lady Capulet in Romeo and Juliet, The Spirit of the Corn in The Seasons, Princess Aurora, the Lilac Fairy and Princess Florine in Ratmansky’s The Sleeping Beauty, the pas de trois in Swan Lake, the violin in Symphonie Concertante, leading roles in Bach Partita, Ballet Imperial, Birthday Offering, The Brahms-Haydn Variations, Her Notes, The Leaves Are Fading, Monotones I, Souvenir d’un lieu cher, Les Sylphides, Symphonic Variations, Symphony #9, Symphony in C and Thirteen Diversions, and featured roles in Airs, Baker’s Dozen, Black Tuesday, Deuce Coupe, Dream within a Dream (deferred), Gong, In the Upper Room, Petite Mort, Sinfonietta, Without Words and workwithinwork.

Abrera created the roles of His Memory and His Experiences in HereAfter, the Spanish Dance in Ratmansky’s The Nutcracker, the Fairy Violente (Temperament) in Ratmansky’s
The Sleeping Beauty, His Mistress in Weren’t We Fools, Princess Tea Flower in Whipped Cream and roles in After You, Garden Blue, Pretty Good Year and Seven Sonatas.

Abrera has performed as a Guest Principal with the Australian Ballet, The Washington Ballet, The Royal New Zealand Ballet and Ballet Philippines. In 2014, she founded the charity Steps Forward for the Philippines to benefit typhoon victims in the Philippine province of Guiuan. In April 2018, she directed and performed in a benefit gala at the Maybank Performing Arts Theater in Manila, Philippines to raise funds for the creation of the Stella Abrera Dance and Music Hall at the Center of Excellence in Public Elementary Education (CENTEX) in Batangas, Philippines. Abrera is the director of Pro-Studio/Stella Abrera®, a training and coaching initiative for professional dancers launched in 2019 at Kaatsbaan Cultural Park for Dance.

Abrera’s remaining performance for the Company’s 2019 Fall season at the David H. Koch Theater will be the role of The Spirit of the Corn in The Seasons on Tuesday, October 22.

Tickets for American Ballet Theatre’s 2019 Fall season at the David H. Koch Theater, priced from $30, are available online, by phone at 212-496-0600 or at the Koch Theater box office. The David H. Koch Theater is located at Lincoln Center, Broadway and 63rd Street in New York City.

Subscriptions for ABT’s 2020 Spring season at the Metropolitan Opera House are available online or by phone at 212-362-6000, beginning Wednesday, October 30 at 12 Noon. For more information, please visit ABT’s website at www.abt.org.

ERICA CORNEJO TO JOIN HERMAN CORNEJO
ON STAGE IN EL CHAMUYO
IN CELEBRATION OF HERMAN CORNEJO’S 20TH ANNIVERSARY WITH AMERICAN BALLET THEATRE,
SATURDAY EVENING, OCTOBER 26 AT DAVID H. KOCH THEATER

Erica Cornejo, former American Ballet Theatre Soloist and former Boston Ballet principal dancer, will join her brother Herman on stage in El Chamuyo at the David H. Koch Theater on Saturday evening, October 26 at 8:00 PM. The pas de deux is a pièce d’occasion celebrating Herman Cornejo’s 20th Anniversary with ABT.

El Chamuyo, a tango choreographed by Ana María Stekelman and set to music by Francisco Canaro, was first performed by the Cornejos in 1998 at a gala dinner honoring Argentina on the Grand Tier of the Metropolitan Opera House. While in New York for the event, they attended Company class at American Ballet Theatre, and were invited to join ABT Studio Company.

Born in San Luis, Argentina, Erica Cornejo began her study of ballet at the age of four. In 1994, she was invited to join Julio Bocca’s company, Ballet Argentino, where she was promoted to principal ballerina and Bocca’s partner in 1995. She joined ABT Studio Company in 1998 and became a member of ABT’s corps de ballet later that same year. She was promoted to Soloist in 2002. In 2006, Erica joined Boston Ballet as a principal dancer, where she performed leading roles until her retirement in 2017. She is co-founder and artistic director of INTEGRARTE, a Dance Art Movement Center in Boston.

In addition to El Chamuyo, Herman Cornejo’s 20th Anniversary celebration on Saturday evening, October 26 will include his New York debut in the title role of George Balanchine’s Apollo and a leading role in A Gathering of Ghosts, the season’s World Premiere work by Twyla Tharp created for Cornejo and the Company. Cornejo will also lead A Gathering of Ghosts on October 16 at 7:30 PM, October 17 at
7:30 PM, October 19 at 8:00 PM and October 22 at 7:30 PM.

Tickets for American Ballet Theatre’s 2019 Fall season at the David H. Koch Theater, priced from $30, are available online, at the Koch Theatre box office or by phone at 212-496-0600. The David H. Koch Theater is located at Lincoln Center, Broadway and 63rd Street in New York City. For more information, please visit ABT’s website at www.abt.org.

CHOREOGRAPHERS FOR 2019 ABT INCUBATOR SELECTED

CLAIRE DAVISON, ZHONG-JING FANG, SUNG WOO HAN, GABRIELLE LAMB AND LAURA O’MALLEY
TO CREATE NEW WORK FOR CHOREOGRAPHIC PROGRAM

Choreographers Gabrielle Lamb and Laura O’Malley, along with American Ballet Theatre dancers Claire Davison, Zhong-Jing Fang and Sung Woo Han, have been selected to create work for the 2019 ABT Incubator, a two-week choreographic workshop providing a focused lab to inspire new choreographic voices and generate ideas for the creation of new work. Directed by ABT Principal Dancer David Hallberg, ABT Incubator will be held
October 29–November 9, 2019 at ABT’s New York studios.

ABT Incubator choreographers were chosen through an audition process with selections made by a panel including Hallberg, ABT Artistic Director Kevin McKenzie, Danspace Executive Director Judy Hussie-Taylor and choreographer Jessica Lang. Selected choreographers are provided studio space and a stipend to create new work on ABT dancers. Lang will serve as a program mentor, offering composition exercises and professional management advice for ABT Incubator participants. In addition, ABT Incubator provides participating dancers and choreographers access to museum and gallery tours, as well as theater experiences. The workshop culminates with a private studio showing on November 9.

“This year’s iteration of ABT Incubator is in alignment with my long-term vision for the program: to nurture voices over the course of time, each year facilitating another vital step in the process,” said Hallberg. “With exciting newcomers joining the program, as well as Gabrielle Lamb and Sung Woo Han returning to create and further develop their work for a second consecutive year, ABT Incubator has become invaluable to building a roster of new creative talent.”

Claire Davison, from Boulder, Colorado, received her early training at the Boulder Ballet School. Davison was a finalist at Youth America Grand Prix in New York in 2009. She joined the ABT Jacqueline Kennedy Onassis School on scholarship in 2010, became an apprentice with ABT in November 2012 and joined the Company’s corps de ballet in June 2013.

Zhong-Jing Fang was born in Shanghai, China. She has received numerous awards, including first place in the Prix de Lausanne and the Rudolf Nureyev Foundation Prize in 2000. Fang joined ABT Studio Company in 2002 after graduating from the Performing Arts College of Shanghai Drama University. She became an apprentice with ABT in April 2003 and a member of the corps de ballet in January 2004. Fang was promoted to Soloist in September 2018.

Sung Woo Han, born in Seoul, South Korea, trained at the Royal Ballet School on full scholarship. He has won numerous awards including International Ballet Competition-Varna, Youth America Grand Prix and second prize at the Prix de Lausanne in 2011. Han joined ABT’s corps de ballet in 2013. He previously choreographed Beneath the Conscious for ABT Incubator in 2018.

Gabrielle Lamb is the director of Pigeonwing Dance, a contemporary dance company based in New York City. Lamb is the winner of a Princess Grace Award for Choreography and a New York City Center Choreography Fellowship, as well as choreographic competitions at Hubbard Street Dance Chicago, Milwaukee Ballet and Western Michigan University. Her work has been presented by companies such as the Royal Winnipeg Ballet, Sacramento Ballet, Jacob’s Pillow and Dance Theatre of Harlem. She was previously selected to choreograph for ABT Incubator in 2018.

Laura O’Malley, from Phoenix, Arizona, has danced as a soloist with Stuttgart Ballet and Dutch National Ballet. She later joined Hubbard Street Dance Chicago and Alonzo King LINES Ballet. O’Malley has choreographed for LINES Ballet’s education programs, Berkley Ballet Theater, SFDanceworks and various dance films.

ABT Incubator is supported by American Express and the Virginia B. Toulmin Foundation.

WORLD PREMIERE BY TWYLA THARP
IN HONOR OF HERMAN CORNEJO’S 20TH ANNIVERSARY
TO HIGHLIGHT AMERICAN BALLET THEATRE’S 2019 FALL SEASONAT THE DAVID H. KOCH THEATER, OCTOBER 16–27

FALL SEASON TO CELEBRATE ABT CHOREOGRAPHERS PAST AND PRESENT WITH WORLD PREMIERE BY GEMMA BOND, NEW YORK PREMIERE OF JESSICA LANG’S LET ME SING FOREVERMORE
AND REVIVALS OF GEORGE BALANCHINE’S APOLLO
AND CLARK TIPPET’S SOME ASSEMBLY REQUIRED

FAMILY FRIENDLY MATINEE ON SATURDAY, OCTOBER 26 BOX OFFICE TO OPEN JULY 22

World Premieres by Twyla Tharp and Gemma Bond will highlight AmericanBallet Theatre’s 2019 Fall season at the David H. Koch Theater, October 16-27. The season was announced today by Artistic Director Kevin McKenzie.

Principal Dancers for the 2019 Fall season include Stella Abrera, Isabella Boylston, Misty Copeland, Herman Cornejo, Sarah Lane, Alban Lendorf, Hee Seo, Christine Shevchenko, Cory Stearns, Devon Teuscher and James Whiteside.

The Company will present a program of works in honor of Principal Dancer Herman Cornejo on his 20th Anniversary with American Ballet Theatre. This special celebration on Saturday evening, October 26 will include Cornejo in works by George Balanchine and Tharp.

Fall Gala and World Premieres

American Ballet Theatre’s Fall season will open with a Gala performance onWednesday, October 16 at 6:30 PM. Lisa Lutoff-Perlo, President and CEO of Celebrity Cruises® will be the Fall Gala honoree. The evening will feature a performance by students of the ABT Jacqueline Kennedy Onassis School, the World Premiere of a new

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ABT 2019 FALL SEASON ANNOUNCED – Page 2

work by Twyla Tharp, Jessica Lang’s Let Me Sing Forevermore and GeorgeBalanchine’s Theme and Variations.

The new Tharp work, created for Herman Cornejo and ABT Company members, will be given its World Premiere at the opening night gala on Wednesday evening, October 16. Tharp’snew ballet, her 17th for ABT, will be set to String Quintet No. 2 in G major, Op. 111 by Johannes Brahms with lighting by Jennifer Tipton. The work will be given five performances during the season.

A World Premiere work by ABT corps de ballet member Gemma Bond is scheduled for Wednesday evening, October 23. Set to Benjamin Britten’s Suite on English Folk Tunes for orchestra, Bond’s first work for ABT will feature costumes by Sylvie Rood and lighting by Serena Wong. The new work will be given three performances during the Fall season.

The New York Premiere of Jessica Lang’s Let Me Sing Forevermore is set to a medley of songs recorded by Tony Bennett. A pas de deux with costumes by Bradon McDonald, Let Me Sing Forevermore received its World Premiere on March 23, 2019 at the Erik Bruhn Competition in Toronto, Canada performed by Catherine Hurlin and Aran Bell.

Revivals

The 2019 Fall season will feature revivals of George Balanchine’s Apollo andClark Tippet’s Some Assembly Required.

Apollo, choreographed by Balanchine and set to music by Igor Stravinsky, will have its Revival Premiere on Friday evening, October 18. The ballet was given its world premiere by Serge Diaghilev's Ballets Russes at the Theatre Sarah Bernhardt, Paris on June 12, 1928. The ballet received its first American performance by Ballet Theatre at The Metropolitan Opera House, New York on April 27, 1937. Apollo was first performed by American Ballet Theatre on April 25, 1943 at the Metropolitan Opera House in New York with André Eglevsky as Apollo, Vera Zorina as Terpsichore, Nora Kaye as Polyhymnia

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ABT 2019 FALL SEASON ANNOUNCED – Page 3

and Rosella Hightower as Calliope. Staged for ABT by Victoria Simon, Apollo was last performed by the Company in 2012.

Clark Tippet’s Some Assembly Required will be revived for the 2019 Fall season for four performances beginning Friday evening, October 18. Set to WilliamBolcom’s Second Sonata for Violin and Piano, the ballet features costumes by Gary Lisz and original lighting by Jennifer Tipton. Some Assembly Required received its World Premiere by American Ballet Theatre on April 14, 1989 at the Kennedy Center for the Performing Arts in Washington, D. C., performed by Amanda McKerrow and John Gardner. Staged for ABT by McKerrow and Gardner, the ballet was last performed by the Company in 2009.

Returning Repertory

Theme and Variations, created by George Balanchine for Ballet Theatre in 1947, will be given five performances beginning October 16. Set to music by Peter Ilyitch Tchaikovsky (“Theme and Variations” from Suite No. 3 for Orchestra), Theme and Variations has costumes and scenery by Zack Brown. Theme and Variations, which was last performed by ABT in 2015, received its World Premiere at New York's City Center on November 26, 1947, danced by Alicia Alonso and Igor Youskevitch.

Alexei Ratmansky’s The Seasons returns for three performances beginning Thursday, October 17. Set to The Seasons by Alexander Glazunov, the ballet features costumes by Robert Perdziola and lighting by Mark Stanley. The Seasons, Ratmansky’s16th ballet for ABT, received its World Premiere on May 20, 2019 at the Metropolitan Opera House.

Jessica Lang’s Garden Blue will be given three performances beginning Wednesday, October 23. The ballet is set to Piano Trio No. 4 in E Minor “Dumky,”Movements 1, 2 and 3 by Antonín Dvořák, with scenery and costumes by American artist Sarah Crowner and lighting by Nicole Pearce. Garden Blue received its World Premiere on October 19, 2018 at the David H. Koch Theater in New York City.

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ABT 2019 FALL SEASON ANNOUNCED – Page 4

Twyla Tharp’s Deuce Coupe will be given five performances during the Fall season beginning Friday, October 18. Set to music by The Beach Boys, Deuce Coupefeatures scenery and costumes by Santo Loquasto, after original costume design by Scott Barrie and original scenics by United Graffiti Artists, and lighting by Jennifer Tipton.Deuce Coupe was given its World Premiere in 1973 by The Joffrey Ballet at the Auditorium Theatre in Chicago, Illinois and received its ABT Company Premiere on May 30, 2019 at the Metropolitan Opera House.

Dream within a Dream (deferred), created by Michelle Dorrance for ABT in 2018, will return for three performances beginning Wednesday, October 23. Set to music by Duke Ellington, the ballet features costumes by Linda Cho and lighting by Brad Fields. A co-commission with the Vail Dance Festival, Dream within a Dream (deferred)received its World Premiere on October 17, 2018 at the David H. Koch Theater in
New York City.

Family Friendly Matinee

A special matinee on Saturday, October 26 will feature family friendly programming including ABT Studio Company in Interchangeble Text by Gemma Bond and season works by George Balanchine, Jessica Lang and Twyla Tharp. Children (ages 6-18) receive a 50% discount off tickets with the purchase of a full-priced adult ticket.

Tickets for American Ballet Theatre’s 2019 Fall season at the David H. Koch Theater go on sale beginning July 22, 2019 at 10:00 AM. Tickets priced from $30 are available online, at the Koch Theatre box office or by phone at 212-496-0600. Performance-only tickets for the Opening Night Gala begin at $35. The David H. Koch Theater is located at Lincoln Center, Broadway and 63rd Street in New York City. For more information, please visit ABT’s website at www.abt.org.

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ABT 2019 FALL SEASON ANNOUNCED – Page 5

Leadership support for The Ratmansky Project has been provided by Avery and Andrew F. Barth, the Blavatnik Family Foundation, Mr. and Mrs. Hamilton E. James, and The Ted and Mary Jo Shen Charitable Gift Fund. Additional support has been provided by Dr. Joan Taub Ades, Linda Allard, Sarah Arison, Steven Backes, Mark Casey and Carrie Gaiser Casey, Lisa and Dick Cashin, The Susan and Leonard Feinstein Foundation, Linda and Martin Fell, Vicki Netter Fitzgerald, William J. Gillespie, Brian J. Heidtke, Caroline and Edward Hyman, The Marjorie S. Isaac/Irving H. Isaac Fund, Robin Chemers Neustein, Howard S. Paley, Pearl T. Maxim Trust, Lloyd E. Rigler – Lawrence E. Deutsch Foundation, Bernard L. Schwartz, Segerstrom Center for the Arts, John Leland Sills and Elizabeth Papadopoulos-Sills, Melissa A. Smith, The H. Russell Smith Foundation/Stewart R. Smith and Robin A. Ferracone, Martin and Toni Sosnoff Foundation, Sutton Stracke, and Sedgwick Ward.

Champion support for ABT Women’s Movement is provided by Jenna Segal. Additional support provided by Mark Casey and Carrie Gaiser Casey, Donna and Richard Esteves, Margee and John Falk, Janine and J. Tomilson Hill, the National Endowment for the Arts, Rockefeller Brothers Fund, Denise Littlefield Sobel, The Laurie M. Tisch Illumination Fund, Virginia B. Toulmin Foundation, Elizabeth Yntema, and through an endowed gift from The Toni and Martin Sosnoff New Works Fund.

Theme and Variations is generously underwritten through an endowed gift from Mr. and Mrs. John C. Sites, Jr.

Deuce Coupe is generously supported through an endowed gift from The Toni and Martin Sosnoff New Works Fund.

The Family Friendly Matinee is generously underwritten by Bloomberg Philanthropies. American Airlines is the Official Airline of American Ballet Theatre.

ABT is supported, in part, with public funds from the National Endowment for the Arts; the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature; and the New York City Department of Cultural Affairs, in partnership with the City Council.

World Premiere of Alexei Ratmansky’s The SeasonsScheduled for Spring Gala, Monday, May 20 at 6:30 P.M.

Casting for the first two weeks of American Ballet Theatre’s 2019 Spring Season at the Metropolitan Opera House was announced today by Artistic Director Kevin McKenzie.

The season will begin with eight performances of Alexei Ratmansky’sHarlequinade, beginning Monday, May 13, with Isabella Boylston, James Whiteside, Stella Abrera and Thomas Forster in the leading roles. The performance on Tuesday, May 14, will feature New York debuts by Carlos Gonzalez (Harlequin), Devon Teuscher (Pierrette) and Calvin Royal III (Pierrot). Tyler Maloney will dance the role of Harlequin for the first time in New York at the matinee on Wednesday, May 15. This production ofHarlequinade received its World Premiere by American Ballet Theatre on June 4, 2018, led by Isabella Boylston (Columbine), James Whiteside (Harlequin), Gillian Murphy (Pierrette) and Thomas Forster (Pierrot). A comic ballet in two acts, Harlequinade is set to music by Riccardo Drigo and first premiered in 1900 in St. Petersburg, Russia. Ratmansky’s Harlequinade features sets and costumes by Robert Perdziola and lighting by Brad Fields.

The 2019 Spring Gala on Monday, May 20 at 6:30 P.M., paying tribute to the 10thAnniversary year of Alexei Ratmansky as ABT Artist in Residence, will feature the choreographer’s 2016 work Serenade after Plato’s Symposium and this Spring’s World Premiere of The Seasons. Serenade after Plato’s Symposium is set to music by Leonard Bernstein and features scenery and costumes by Jérôme Kaplan and lighting by Brad Fields. The ballet will be danced by Herman Cornejo, Alexandre Hammoudi, Thomas Forster, Calvin Royal III, Gabe Stone Shayer, Daniil Simkin, Joseph Gorak and Devon Teuscher.

The World Premiere of The Seasons will be led by Aran Bell, Hee Seo, Katherine Williams, Catherine Hurlin, Luciana Paris, James Whiteside, Sarah Lane, Skylar Brandt, Isabella Boylston, Blaine Hoven, Arron Scott, Tyler Maloney, Cassandra Trenary and Calvin Royal III. Set to the score by Alexander Glazunov, The Seasons features sets and costumes designed by Robert Perdziola and lighting by Mark Stanley.

The second week of the Spring season will continue with four performances of an all-Ratmansky program of repertory works, May 21–23. In addition to The Seasons, the Ratmansky Trio will include Songs of Bukovina (2017) and On the Dnieper (2009).

Joo Won Ahn, Devon Teuscher, Zhong-Jing Fang, April Giangeruso, Betsy McBride, Thomas Forster, Stella Abrera, Herman Cornejo, Gabe Stone Shayer, Jonathan Klein, Catherine Hurlin and Blaine Hoven will debut in The Seasons on Tuesday, May 21.Songs of Bukovina, with Isabella Boylston and Blaine Hoven leading the opening night cast, is set to music by Leonid Desyatnikov and features costumes by Moritz Junge and lighting by Brad Fields. The ballet was given its World Premiere on October 18, 2017 at the David H. Koch Theater in New York, performed by Christine Shevchenko and Calvin Royal III, as well as April Giangeruso, Lauren Post, Katherine Williams, Stephanie Williams, Marshall Whiteley, Joo Won Ahn, Duncan Lyle and Patrick Frenette.

The May 21 cast of On the Dnieper will be led by Hee Seo as Natalia with debuts by Cory Stearns as Sergei, Christine Shevchenko as Olga and James Whiteside as Olga’s Fiancé. The matinee on Wednesday, May 22 will feature debuts by Thomas Forster (Sergei), Devon Teuscher (Natalia) and Catherine Hurlin (Olga). On the Dnieper, set to a score of the same name by Sergei Prokofiev, has scenery by Simon Pastukh, costumes by Galina Solovyeva, lighting by Brad Fields and projections by Wendall K. Harrington. Ratmansky’s production of On the Dnieper received its World Premiere on June 1, 2009 at the Metropolitan Opera House, performed by Veronika Part (Natalia), Marcelo Gomes (Sergei), Paloma Herrera (Olga) and David Hallberg (Olga’s Fiancé). Prokofiev’s score for On the Dnieper was originally commissioned by the Paris Opera, and the ballet received its World Premiere in 1932 by the Paris Opera Ballet. On the Dnieper was last performed by ABT in 2010.

The second week will conclude with three performances of Whipped Cream, beginning Friday, May 24, led by Daniil Simkin as The Boy, Stella Abrera as Princess Tea Flower, Calvin Royal III as Prince Coffee and Sarah Lane as Princess Praline. Tyler Maloney will make his New York debut as The Boy at the matinee on Saturday, May 25. Choreographed by Alexei Ratmansky, the ballet features scenery and costumes by artist Mark Ryden and lighting by Brad Fields. Whipped Cream, with a libretto and score by Richard Strauss, is based on the two-act ballet originally created as Schlagobers, which premiered at the Vienna State Opera in 1924. Ratmansky’s production received its World Premiere by ABT on March 15, 2017 at Segerstrom Center for the Arts in Costa Mesa, California danced by Daniil Simkin (The Boy), Stella Abrera (Princess Tea Flower), David Hallberg (Prince Coffee) and Sarah Lane (Princess Praline).

Tickets for American Ballet Theatre’s 2019 Metropolitan Opera House season, beginning at $25, are available online, at the Met box office or by phone at 212-362-6000. The Metropolitan Opera House is located on Broadway between 64th and 65th streets in New York City. For more information, visit ABT’s website at www.abt.org.

Complete casting follows.

Leadership support for Harlequinade, part of The Ratmansky Project, has been generously provided by the Blavatnik Family Foundation and The Marjorie S. Isaac/Irving H. Isaac Fund.

On the Dnieper is generously sponsored by Leila and Mickey Straus and through an endowed gift from The Toni and Martin Sosnoff New Works Fund.

Leadership support for The Ratmansky Project has been provided by Avery and Andrew F. Barth, the Blavatnik Family Foundation, Mr. and Mrs. Hamilton E. James, and The Ted and Mary Jo Shen Charitable Gift Fund. Additional support has been provided by Dr. Joan Taub Ades, Linda Allard, Sarah Arison, Steven Backes, Lisa and Dick Cashin, Mark Casey and Carrie Gaiser Casey, The Susan and Leonard Feinstein Foundation, Linda and Martin Fell, Vicki Netter Fitzgerald, William J. Gillespie, Brian J. Heidtke, The Marjorie S. Isaac/Irving H. Isaac Fund, Howard S. Paley, Pearl T. Maxim Trust, Lloyd E. Rigler – Lawrence E. Deutsch Foundation, Bernard L. Schwartz, John Leland Sills and Elizabeth Papadopoulos-Sills, Melissa A. Smith, The H. Russell Smith Foundation/Stewart R. Smith and Robin A. Ferracone, The Toni and Martin Sosnoff Foundation, Sutton Stracke, and Sedgwick Ward. Leadership support for Whipped Cream, part of The Ratmansky Project, has been generously provided by the Blavatnik Family Foundation and the Lloyd E. Rigler - Lawrence A. Deutsch Foundation.

American Airlines is the Official Airline of American Ballet Theatre.

ABT is supported, in part, with public funds from the National Endowment for the Arts; the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature; and the New York City Department of Cultural Affairs, in partnership with the City Council.

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WORLD PREMIERE BY ALEXEI RATMANSKY SET FOR MARCH 5, 2020 AT SEGERSTROM CENTER FOR THE ARTS, COSTA MESA, CALIFORNIA

American Ballet Theatre will premiere a new full-length production choreographed by ABT Artist in Residence Alexei Ratmansky on March 5, 2020 at Segerstrom Center for the Arts in Costa Mesa, California, it was announced today by Artistic Director Kevin McKenzie. The ballet will be given five performances,
March 5-8, 2020 in California, and will have its New York Premiere during ABT’s 2020 Metropolitan Opera House season.

Based on the historical romance novel Callirhoe by Chariton, the World Premiere work tells the story of star-crossed lovers Callirhoe and Chaereas in ancient Greece. The ballet will be set to music by Aram Khachaturian, arranged by Philip Feeney, and will feature sets and costumes by Jean-Marc Puissant.

The World Premiere will be Ratmansky’s seventeenth work for American Ballet Theatre.

For more information on American Ballet Theatre, please visit www.abt.org.

American Ballet Theatre Principal Dancers Isabella Boylston, Misty Copeland and Devon Teuscher will join choreographer Cathy Marston for a conversation on her full-length ballet Jane Eyre. Boylston, Copeland and Teuscher will dance the title role in Marston’s ballet during ABT’s Spring season at the Metropolitan Opera House. The discussion, moderated by Elda Rotor, Vice President and Publisher for Penguin Classics, will take place at the 92nd Street Y on Friday, May 3, 2019 at 8:00 P.M. Tickets for the event, starting at $35, are available online at https://www.92y.org/event/jane-eyre.

The American Premiere of the full-length Jane Eyre, set for Tuesday, June 4, features choreography and direction by Marston, music compiled and composed by Philip Feeney, scenery and costumes by Patrick Kinmonth and lighting by Brad Fields. The production received its World Premiere by Northern Ballet on May 19, 2016 in Doncaster, England. Jane Eyre is a co-production with Joffrey Ballet and is staged for ABT by Jenny Tattersall and Daniel de Andrade. Following the June 4 Company Premiere, the ballet will be given seven performances by ABT through Monday, June 10.

Tickets for American Ballet Theatre’s 2019 Metropolitan Opera House season, beginning at $25, are available online, at the Met box office or by phone at 212-362-6000. The Metropolitan Opera House is located on Broadway between 64th and 65th streets in New York City. For more information, visit ABT’s website at www.abt.org.

Jane Eyre is part of the ABT Women’s Movement, a multi-year initiative to support the creation, exploration and staging of new works by women for ABT and the ABT Studio Company.

Leadership support for Jane Eyre is generously provided by The Leila and Mickey Straus Family Foundation.

Jane Eyre is part of the ABT Women’s Movement. Champion support for the ABT Women’s Movement is provided by Jenna Segal. Leadership support has been generously provided by Denise Littlefield Sobel and the Virginia B. Toulmin Foundation. Additional major gifts have been provided by Mark Casey and Carrie Gaiser Casey, Donna and Richard Esteves, Margee and John Falk, Janine and J. Tomilson Hill, The Laurie M. Tisch Illumination Fund, National Endowment for the Arts, Rockefeller Brothers Fund, Elizabeth Yntema, and through an endowed gift from The Toni and Martin Sosnoff New Works Fund.