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PeggyTulle
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Posts posted by PeggyTulle
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Maybe this is a dicey question, but what is the rhyme/reason to being promoted from soloist to principal? I was thrilled that Sasha got promoted, although right after Nutcracker when she and all of the other soloists were dancing the same lead roles seemed a little odd. Seeing the Elizabeth casting, now I wonder why Lauren Strongin hasn't been promoted. She stepped in for Mathilde in the initial programs, and seems to dance similar "important" roles to Sasha. Any thoughts? Am I missing something re: ballet politics?
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I think casting is posted at a minimum 3 days prior to performance date (per union agreement).
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Casting for the upcoming gala is posted:
2017 Opening Night Gala
FORAGERS
Choreography: Myles Thatcher
Music: Franz Liszt
Pianist: Natalya Feygina
Natasha Sheehan, Angelo Greco
SF Ballet Premiere
Pas de deux from PROMENADE SENTIMENTALE
Choreography: Liam Scarlett
Music: Claude Debussy
Conductor: Martin West
Lorena Feijóo*, Wei Wang*
Pas de trois from AGON
Choreography: George Balanchine
Music: Igor Stravinsky
Conductor: Martin West
Dores André, Jaime Garcia Castilla*, Sasha De Sola
VALSES POETICOS
Choreography: Helgi Tomasson
Music: Enrique Granados
Piano: Ronny Michael Greenberg
Mathilde Froustey*, Carlo Di Lanno*
World Premiere
PRESENTCE
Choreography: Trey McIntyre
Music: Barbara Lewis, Of Montreal, The Zombies
Sarah Van Patten*, Luke Ingham*
Pas de deux from FLAMES OF PARIS
Choreography: Vassili Vainonen
Music: Boris Assafiev
Conductor: Martin West
Vanessa Zahorian*, Taras Domitro
INTERMISSION
World Premiere
THE CHAIRMAN DANCES
Choreography: Benjamin Millepied
Music: John Adams
Conductor: Martin West
Maria Kochetkova*, Carlo Di Lanno* & Ensemble
"PURPLE" from TERRA FIRMA
Choreography: James Kudelka
Music: Michael Torke
Conductor: Martin West
Frances Chung*, Vitor Luiz*
"BOOGIE WOOGIE BUGLE BOY (OF COMPANY B)" from COMPANY B
Choreography: Paul Taylor
Music: The Andrews Sisters
Joseph Walsh
Pas de deux from LA CATHEDRALE ENGLOUTIE
Choreography: Stanton Welch
Music: Claude Debussy
Pianist: Natalya Feygina
Yuan Yuan Tan, Aaron Robison*
Finale from DIAMONDS
Choreography: George Balanchine
Music: Peter Ilyich Tchaikovsky
Conductor: Martin West
Sofiane Sylve, Tiit Helimets -
Megan Amanda Ehrlich is back with the company.
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I'm shocked by this, mainly by Vanessa's retirement. Of all the principal ladies, there were at least two others I thought would retire first. Glad that we have gotten some notice and can enjoy this season ahead of her departure.
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Whoopie for Sasha! Lovely news.
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Great questions. I'm also curious about when the competition takes place. From the looks of things, t doesn't happen every year, but the previous competition was held just last year. Is it up to the discretion of the ADs?
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Wow! Congrats to the winners.
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Anyone going to see the new "Giselle"? Madison Keesler is dancing the lead role; as a fan of her's when she was at SFB, I'd love to hear reports if anyone catches her!
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In a recent article, Dusty Button says she and her husband are relocating to California soon and she's going to open a studio. A frequent follower of hers on Instagram, this doesn't surprise me too much. She seems to really enjoy teaching and choreographing (and modeling with giant trucks and sports cars). Wonder how soon is "soon".
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1 hour ago, apollosmuse said:
Similarly, I'm somewhat confused by Juliet Doherty's remaining in AZ and on the competition/Instagram circuit after her successes w/ SFBS and the Stroman "Little Dancer" show and wonder if these girls are really making a decent living outside the confines of a traditional company through sponsorships etc.
Agree to an extent, but she didn't stay at SFBS long. IIRC, she left for Master Ballet Academy (where her mom is now teaching) and Instagram. Perhaps Instagram should start its own ballet company...
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From her Instagram, it looks like she is traveling in SE Asia, doing guest stints and some meet-and-greets. She's also selling off her old tutus on EBay.
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22 hours ago, apollosmuse said:
SVP was rehearsing step sisters in the World Ballet Day lifestream, with Lauren Strongin as the mother and (I think) Jahna Frantziskonis as the other sister. Masha was rehearsing the lead.
I thought that was Ellen Hummel...?
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Looks like the roster has been updated.
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Congrats to Joy on her silver at Varna!
https://www.facebook.com/444071619046404/photos/pcb.990810121039215/990809911039236/?type=3&theater
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And the two videos they have posted sadly make me cringe.
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That's quite a shift in style and name recognition. Does it seem odd that the co-founders and faculty star in their own student performance?
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I think the 2015-16 apprentices were Grace Choi, Blake Kessler, Anastasia Kubanda, Chisako Oga, and Francisco Sebastião.
Grace Choi is now with Tulsa Ballet II.
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Thanks, all, on your thoughts on Kochetkova. Very interesting and full of insights.
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Curious about the lack of interest (and what seems to be almost apathy from those on this board) in Kochetkova. She seems to be a main draw in SF, so why not at ABT? Is it her technique? Her lack of height? Her "hipsterness"?
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Rubén Martín Cintas is now a Principal Character dancer at SFB:
https://www.sfballet.org/company/dancers/principal_character/Ruben_Martin_Cintas
I thought this has been in effect since his "retirement". His bio says he's had this position since 2014.
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Lorena hasn't danced much the past few seasons, has she? I feel like she's another one, like Jaime, that we rarely see anymore.
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@JumpFrog: From SFB's twitter feed.
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Yes, I don't think I've seen Garcia Castilla perform in quite a long time. Anthony Vincent also seems to be a rarity, but he was a regular partner for Sarah Van Patten, who has been on maternity leave. Curious about other apprentices, especially Sebastião; he was a lovely dancer. Grace Shibley, too, was always a standout.
SFB 2017 Season Program 4: Balanchine
in San Francisco Ballet
Posted
Interesting casting. There's no * by Stahl's name. When did she perform this role in the past?
And congrats on the new job, @apollosmuse! Perhaps you can bring back the SFB blog? I miss the behind-the-scenes posts from the dancers. Those added a personal touch that seemed balanced and lively!