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Natalia

Inactive Member
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Posts posted by Natalia

  1. Just saw...yeah!!!!!!  I'm delighted by each of the promotions. Lots of great artistry and FOUETTÉ CAPABITY among them. 

     

    Calvin is the icing on the cake!

     

    It's just a matter of time for Cassandra and Gabe.

  2. I hope that pre-professional ballet academies are now teaching fund raising & marketing! Who knows how many wonderful corps (or soloist) dancers have left the profession prematurely because of precisely this...they didn't sign up for this thing when they entered ballet school. 

  3. I read somewhere that all of the private ballet companies in Japan expect each dancer to sell a certain number of tickets (to friends & family) to each performance. Whoever doesn't make her tally is kicked off the corps. They're literally forced to sell a book of tickets. If a father was wealthy, he'd just write a check for the value of all the tickets, to keep his daughter on the stage. This included well-known companies like Asami Maki & Tokyo Ballet. Kumakawa's troupe may be the only exception. I'm open to corrections...this was 4-5 years ago that I read it. 

  4. 3 hours ago, Fleurfairy said:

    Saturday has Cassandra Trenary dancing in the matinee and then twice in the evening. Can that be right? I don't know how intensive "Souvenir" is, but I do know Aurora's wedding pas de deux isn't a walk in the park.

     

    Maybe this is management's way of letting her know that she'll soon be named a Principal? :blink:

  5. 4 hours ago, maps said:

    Backspace on the url and you end up on the homepage. 

    http://www.abt.org/membership/specialgifts.asp

     

    "As a sponsor, you have the opportunity to develop a meaningful relationship with a dancer from one of the world’s most recognized ballet companies:

    • Principal Sponsor: $35,000 annually
    • Soloist Sponsor: $25,000 annually
    • Corps de ballet Sponsor: $15,000 annually"

    Meanwhile that facebook page is as public as the New York Times.  

     

    "Develop a meaningful relationship..." My first thought: What pathetic donors who have so little going on in their private lives!

     

    Shame on arts institutions being so desperate as to allow this! My modest annual donation to ABT now shifting to NYCB. I've always cared most about repertoire, after all. 

     

    As much as I love ballet, I've never had the urge to cross the line, not even to go to the stage door and ask for an autograph (although I respect others' wish to do so), let alone taking selfies with dancers, much less getting into their private lives. My passion is contained to the auditorium - admiration in performance and during the bows.

  6. 2 hours ago, abatt said:

    The July 7 program has changed.  Nutcracker pas replaced by SL pas from Act II, with Herman and Misty.  No jumping required for Herman, just partnering.  Gorak replaces Herman in Aurora's Wedding on July 8 evening.

     

    You scared me with that SL Act II. In some companies. Act I has two scenes, so Act II is the ballroom scene, with Black Swan pdd. For a moment there, I thought that they were giving Misty another chance at the 32 fouettés. Not so. Whew!

  7. 47 minutes ago, Joseph said:

    Exactly! Ok - I'll stay abreast on this!! Thank you so much for passing the information over! 

     

    No problem.  I suspect that the only associated performances may be by the Vaganova students &/or the Rimsky-Korsakov Conservatory, which is a co-sponsor. (The Conservatory is the big building across the Mariinsky.) But one never knows if there may be more. Just going to the conference and seeing a couple of performances of complete ballets would be great.

     

    Oh...I also asked if the sessions will be webcasted or made available in some other form, as they did in Bordeaux.

  8. 1 hour ago, Joseph said:

    Thanks Natalia! I translated it and it looks like some will be in English. Do you know if there is a fee to participate? 

     

    Not yet. I've asked about that and about possible plans for associated performances. Ideally, I'd love to see a week of international companies in StP, presenting their recons one after another (ABT Beauty, La Scala with Raymonda, Zurich with Swan Lake, Bolshoi w/ Coppelia, Esmeralda, and Corsaire, Mariinsky's Giselle (or PNB?), Munich Paquita, Ekaterinburg w/ Fille Mal Gardee)...and all will be commercially recorded! There's no cost in dreaming, is there?

  9. On July 4, 2017 at 8:29 AM, Joseph said:

    Any word on the conference? 

     

    The Vaganova Academy will host a three-day Petipa Bicentennial Conference ("Homage to Petipa - Petipa Bridge") on March 10-12, 2018. The dates include Petipa's actual birthdate, March 11! They're inviting researchers/ scholars to submit papers for presentation by Sept. 15, 2017. Details in this FB notice, which contains a link to further details on  the event (translation available):

     

    https://m.facebook.com/academyvaganova/photos/a.699768383455783.1073741827.699758070123481/1313885005377448/?type=3&source=48

     

    The additional info, within the notice, including main topics of the "Petipa Bridge":

     

    http://vaganovaacademy.ru/index.php?id=1288

     

    Nikolai Tsiskaridze heads the impressive conference committee. Elizabeth Souritz also involved. No word yet on any performances at the Mariinsky or other ballet theaters across the city...or if any of the planned shows may be reconstructions...a very controversial topic among coaches who grew up in the Soviet era..but not necessarily Tsiskaridze.

     

    p.s. The long document confirms that this is the follow-on to the October 2015 conference in Bordeaux. The same university that co-sponsored the 2015 edition is co-sponsoring this one.

     

  10. I signed the petition. I'm sad but certainly not depressed. I'm also getting a bit tired of the big Pity Party that this has become. I'll cheer her on Saturday, cheer the 22 years of memories (first saw her in June 1995 at a Vaganova year-end show...Neumeier's Pavlova & Ceccheti), then look forward to the next chapter of her life. 

  11. I never felt that D'Antuono was under appreciated. I had just assumed that she had retired from ABT on her 20-year work anniversary, which wasn't unusual. No internet and online petitions in those days.

  12. Remember the reality TV show about Ballet West, Breaking Pointe? Cameras followed one or two corps dancers who had been told in the middle of the season that they would not continue past the last program on the calendar (May/June).  This allowed the dancers to audition during the late winter/spring when auditions were taking place.

  13. 4 hours ago, canbelto said:

    Washington Ballet? Based on social media she seems to have a fairly good relationship with Julie Kent and Kent has acquired several pieces which Part danced (Seven Sonatas, for one). 

     

    Not sure that she would be a fit, size wise (height), as well as her expansive style that fills up a huge stage. It's a group of smallish to mid-height dancers. Brooklyn Mack is the one larger/stronger guy in girth if not height but....no...He does so well with the more petite ballerinas like Maki Onuki.  Half of the season happens in smaller stages, like the Harman or the Ike venue @ Kenn Cen. It's a chamber company augmented occasionally by the affiliate school. Nice thought, though.

  14. 8 minutes ago, nanushka said:

     

    I agree completely. I hope some smart people are calling her with great opportunities and that we'll see more from her in some capacity.

     

    Companies with a tall, strong man or two!

  15. 1 hour ago, vipa said:

    Totally different and off topic but in terms of the company I wonder about Kochetkova

     

    Now that would be interesting:  Two Russians out; two Americans promoted. "America First" program. (Of course, for all we know, Part & Kochetkova may be US citizens by now or at least permanent residents. They've both been here for a long time.)

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