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nanushka

Senior Member
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Posts posted by nanushka

  1. 12 minutes ago, cobweb said:

    Are we really sure it's no intermission? 

    I'm not sure of anything — it's possible the indication on the casting sheet is a mistake, carried over from a draft they had when no intermissions was the plan. But that would seem unusually careless, and the current designation certainly communicates (rightly or wrongly) a plan for no intermissions. (That's how they've always indicated a pause without intermission on casting sheets in past seasons.)

  2. I'm quite disappointed to see that they are going forward with no intermissions, just "pauses." The YOUR SAFETY page on their website no longer indicates that there wouldn't be intermissions, and when they went ahead with the mandatory vaccination policy there was good reason to think they'd dropped that plan. It's frustrating — and fairly nonsensical — that they have not.

  3. 4 minutes ago, sandik said:

    I'm seeing an interesting phrase in many of these announcements -- "closely held religious beliefs."  Has anyone else seen this turn of phrase in local announcements?  I'm wondering what that might entail, and how one would prove it as you filed into the theater.

    Maybe they’d ask for a letter from a religious leader? (Is the burden on the individual to follow up and find that out?) Otherwise yeah, I don’t know.

  4. 8 minutes ago, Helene said:

    PNB is joining a number of other arts organizations in Seattle in requiring full vaccination and (mostly) masks in the theater for Fall 2021.

    I hope we see more of this. It may be the only way for performances to continue throughout the coming seasons, unless the broader situation takes a significant turn for the better.

  5. 13 minutes ago, Syzygy said:

    Did I miss a release about Misty's retirement? I know they keep some of those (weirdly) quiet, but hers seems like one they'd mention. 

    Copeland is on the ABT roster; my understanding is that she's not performing in the fall season but is still in the company, and that's not unheard of for higher-profile ABT principals. I think the next Met season will be where to look in order to get a sense of the current state of her technique and her position in the company.

  6. The Atlantic reports on "an array of new polls" showing that "the vaccinated, across party lines, have kind of had it with the unvaccinated":

    Quote

    These new results, shared exclusively with The Atlantic by several pollsters, reveal that significant majorities of people who have been vaccinated support vaccine mandates for health workers, government employees, college students, and airline travelers—even, in some surveys, for all Americans or all private-sector workers. Most of the vaccinated respondents also say that entry to entertainment and sporting arenas should require proof of vaccination, and half say the same about restaurants.

     

  7. 13 minutes ago, ECat said:

    Yes you are correct!  Thank you for pointing that out.  Lauren King joined the corps in 2004, Pazcoguin in 2003, and Smith in 2006!

    Right, but it was over 8 years ago (Feb 2013) that King and Pazcoguin were promoted to soloist. 

  8. 37 minutes ago, On Pointe said:

    Well Martins is a white European male,  and he was the boss,   so mimicking (or mocking) his accent could be considered punching up.  …

    I haven't decided to buy the book yet,  but I hate the cover.  Pazcoguin looks like a drunk sitting on a transparent toilet,  not an artist offering insight to her creative process,  which is my main motivation for reading books by performers.  Gossip gets old faster than slang.

    Interestingly, her Martins voice sounds (to me) not at all convincing or even successfully mocking. She’s a very good reader but doesn’t seem to have a voice for impressions.

    I also don’t much like the cover, though it fits the persona in its “rogue” way.

    The book doesn’t seem too gossipy so far. (I’m only a quarter through.) There’s enough substance throughout to keep me, at least, engaged.

  9. 12 hours ago, dirac said:

    I suppose foul language and general coarseness of expression does qualify as "conversational style" these days. I found the Elle excerpt difficult to get through and it's not long.  I will withhold judgment until I get hold of the book and come to it with an open mind, but I sure hope the whole thing doesn't read like that.

    This put me off also. I'm not saying they should gush about how much they love it, or not be frank about the challenges involved, but at least show some respect and/or take a minute to explain its quality to the reader.  At least NYCB's seasonal cash cow is a masterpiece, not something many other companies can say.

    I suppose it's possible she just doesn't agree with that assessment of Nutcracker as a masterpiece, or just doesn't experience it in that way. She does make a point early on of praising certain specific works (e.g. a highly appreciative description of Concerto Barocco, in the context of discussing the challenges of corps dancing), so she's apparently not immune to their pleasures.

    Listening to the book, I've been wondering if the frequent profanity comes across differently in print. On audio, it contributes to conversational voice, though it does at times seem a bit lazy or uninventive. I don't have a particular problem with it, though: language is language. (I don't view profanity as any more "foul" than any other language — except, perhaps, when it involves interpersonal slurs.)

    Again, I guess it's a matter of what one turns to particular books hoping to find. For me, the primary appeal of a dancer memoir is not in its prose style; if the prose gives pleasure, that's a bonus. I'm reading the book for the candid insights about a dancer's experience.

  10. 6 minutes ago, abatt said:

    The Broadway League has announced that anyone attending any Broadway show must provide proof of vaccination. Mayor DeBlasio is considering whether the health department will mandate proof of vaccination for entry into restaurants and bars.

     

    It's time for NYCB to step up and impose a vaccination requirement, in my opinion.

    I agree. And it’s well past time for the unvaccinated to start carrying more of the burden of the consequences of their choices, which have brought us to this point. New variants will continue to emerge as long as there isn’t a larger proportion of the population vaccinated.

  11. 5 minutes ago, Helene said:

    I guess I've seen too many ballet performances with kids where the applause is disproportionate to their technical quality.  Of course, a lot of audience members are the family and friends of child performers -- can be in A Midsummer Night's Dream or "Hours" in Coppelia or the kids in Harlequinade as well -- and part of the thrill is seeing and cheering your own.  I haven't seen that much Broadway, but, where I have, and in other professional theater, the kid performers are a lot more skilled than their ballet counterparts until most dancers have a are in their mid-teens and training pre-professionally.

    Yes, I adored the Disney+ show On Pointe but it’s true that, at least to my sense, the duo who played the child leads were not Broadway quality for their age. Their training had not primarily prepared them for acting/miming roles.

  12. Yeah, I read dancers’ memoirs for candid reflections on a dancer’s life experience. If that includes some complaints about experiences that, from an audience member’s very different perspective, I cherish — well, I’m not going to get annoyed. That’s part of the deal. It’s showbiz.

    ”It’s their job.” Well, I complain about my job too.

  13. 12 minutes ago, Kathleen O'Connell said:

    Yes. If there's anything that argues for a mask mandate, it's this. 

    To be clear, I don't think it's an argument against vaccines. 

    Right, because vaccinated people are less likely to have those spreadable infections in the first place.

    I’d be all in favor of a mask mandate even if they don’t do much to enforce it. (I wouldn’t want enforcement to disrupt performances, for instance.) In a non-socially distanced theater it doesn’t seem like a bad idea; I personally don’t mind wearing a mask, and have found ones that are comfortable; and a mandate would at least establish a baseline social norm. Again, compared to no intermissions, it would at least make reasonable sense (to me).

  14. 9 minutes ago, abatt said:

    I don't think that would accomplish the goal of enhancing safety.  It is the un-vaccinated who pose significant  danger of spreading the disease. 

    In terms of public policy, though, the goal is not typically to wholly eliminate risk (or, conversely, to ensure absolute safety); the goal is to, within reason, minimize risk. A vaccine mandate for those over 12 would be a definite step in that direction — more clearly than, for instance, not having intermissions.

  15. 5 minutes ago, Susu_nyc said:

    Hello.  I am a subscriber, but am not seeing an option for early access single tickets online.  Is everyone else clicking on the performance date and seeing ticket availability?

    You should have gotten an email on Monday. (Mine arrived a little after noon and showed up in my Gmail "Promotions" folder.) There's a link there that will take you to the ordering pages; you'll also need to make sure you're signed in on their site.

    It's possible that just logging in will be enough, without the link. And phone orders can be placed at 212-496-0600.

  16. 9 minutes ago, miliosr said:

    The danger is that they achieve "negative crossover": people who have been loyal to the entity known as 'Pennsylvania Ballet' for decades are put off by the name change while "Philadelphia Ballet" does not attract a new, numerically significant audience.

    How many people "loyal to the entity...for decades" are likely to be sufficiently "put off" by the change that they drop that loyalty? (By no longer donating? Sure, maybe a few, I guess. By no longer attending? Even fewer, I think.)

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