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SCchck

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Posts posted by SCchck

  1. Quote

    Is Alston MacGill out? I haven't seen her in casting recently, and I saw she posted she was injured over the summer.

    I have access to the casting the company puts out to the dancers and Alston is cast as "Friends" in R & J in all casts except 2/16, 2/17E, 2/18 ~ I don't know how to attach it :wacko:

  2. I am not sure if this is the proper place to make such a post, but I hope so. A new book called Pyotr Ilyich, written by Adin Dalton is available for free download this Friday mroning- Saturday, midnight on Amazon. It comes highly recommended by my friend and balletomane, and I quote, "fabulous, steamy, intriguing, intelligent story about characters that have been part of our artistic life for many years but now, through my friend’s book, these characters come to life in a most excitingly vivid manner. Though the book is fiction, 90% is based on well researched researched facts. I read the first edit as he was writing it and I could not put it down!!! It is truly fascinating and fun, but also very insightful." Here is the website for the book: http://www.pyotrilyich.com/

    Author's Note

    My lifelong love of Tchaikovsky’s music caused me trepidation as I embarked on this novel. I wondered how I would have the courage to write dialog for someone so esteemed in my mind. His death was an issue too, such a mystery to this day. How could I correlate all the recorded events about it while still considering the years and years of constant, unchanged rumor? Indeed, the most compelling clues about the composer’s untimely end came from the death bed confession of a supposed eyewitness to the illegal hearing. It was this, more than anything else, which led me to a conclusion that has never before been considered.

    My initial research into Tchaikovsky’s life turned up a multitude of convoluted and often contradictory “facts.” As I sifted through large amounts of information, I found odd items everywhere. One statement claimed Pyotr Ilyich was mentally disturbed and could only speak to others through his brother Modeste who was seemingly always by his side. I also read a notation about how Modeste Ilyich was a nurse at a hospital and it was there he became lovers with a handicapped boy. Bizarre.

    What was clear was that something emotionally devastating befell the composer just before he began composing his Eugene Onegin. He began to seriously consider marriage as his only option for gaining respectability in regard to his homosexual tendencies. Furthermore, it was equally clear that something extraordinarily profound had occurred during his visit to Florence in the fall of 1878, especially as it regards his belief system. He arrived there believing in fate alone, but then journeyed on to France inspired to write a Christian opera about Joan d’Arc. It was for these reasons that I invented characters Stefan Koslov and Matteo Bracci. To me they represent unknown persons who contributed to the composer’s particular state of mind during these specific periods.

    As my research continued I eventually uncovered what I was looking for: comprehensive information translated after the fall of the Soviet Union. Much of Tchaikovsky’s life was hidden from view by that government, especially anything shedding light on the nature of his homosexuality. And when I finally came upon his own diary entries and personal correspondences I was ecstatic. These private, intimate writings truly brought Tchaikovsky to life in my mind.

    Including some ballet history in my story was important to me. Though deliciously romantic and highly intriguing, it is completely unknown to most of today's public. I hope that my work will enable some of it to enter the mainstream consciousness where it truly deserves to be. As for Tchaikovsky’s role in this, all of the ballet compositions mentioned herein are accurate as to the time of their creation, with the Julian calendar being used specifically when the work was being done in Russia.

    Adin Dalton holds a degree in Ballet History and Criticism from the University of California, Irvine and had the great fortune to be tutored there by renowned choreographer Antony Tudor and historian Olga Maynard. Adin now resides in New York City.

    Acknowledgements

    My eternal thanks for the endless support and wisdom of Dean Dalton and Alán Duke. I must also acknowledge the generous assistance of Maria Montas, Pamela Kilstein, Laurie Nattboy, Eduard Samardin, and Susan Skrocki.

  3. Michael, I just received the SAB newsletter today, and it lists the apprentices taken in at workshop In June as: Ashley Hod, Harrison Coll, Indiana Woodword, Sebastian Villarini-Velez, Olivia Boisson, Silas Farley, Austin Bachman, Claire Von Enck, Ghaleb Kayali and Olivia MacKinnon. It also notes that as of printing of this newsletter, Olivia Boisson and Indiana Woodward have signed their Corps Contracts and Unity Phelan and Alexa Maxwell have been taken on as new apprentices.

    Hope that helps!

  4. It does look great! Other missing names are:

    Callie Bachman, Stephanie Chrosniak, Vincent Paradiso, Shoshana Rosenfield, Stephanie Zungre.

    The apprentices are now listed. That's so nice.

    No new promotions....that leaves 2 female soloists

    Noticed there are videos attached to some of the dancers when you click on their names.

  5. Just received the First Look 2012-2013 Season Brochure. The brochure includes the third and final installment of the portrait campain of the Soloist and Corps de Ballet Company members photos by Henry Leutwyler, as well as the planned repertory for all three seasons.

    Here is what is coming:

    Fall 2012: Sept. 18- Oct. 14

    Agon

    Apollo

    Danses Concertantes

    Divertimento from "Le Baiser De La Fee

    Duo Concertant

    Firebird

    Monumentum Pro Gesualdo

    Movements for Piano and Orchestra

    Orpheus

    Scherzo a la Ruse (SAB)

    Stravinsky Violin Concerto

    Symphony in Three Movements

    After the Rain Pas de Deux

    Andantino

    The Cage

    Les Carillons

    Hallelujah Junction

    Moves

    Rubies

    Symphony in C

    Two Hearts

    and a new Justin Peck/Stevens piece

    Winter 2013: Jan 15- Feb. 24

    Allegro Brillante

    Diamonds

    Divert from Le Braiser de la Fee

    Mozartiana

    New Martins/Tschaikovsky

    Serenade

    The Sleeping Beauty

    Swan Lake (Act II)

    Tschaikovsky Pas de Deux

    Tschaikovsky Piano Concerto No. 2

    Tschaikovsky Suite No. 3

    Concerto DSCH

    Glass Pieces

    Herman Schmerman (Pas de Deux)

    New Peck/Stevens

    New Martins/Dalbaive

    N.Y. Export Jazz

    Piano Trio

    Symphony in C

    Symphony in Three Movements

    Vienna Waltzes

    Variations pour une Porte et un Soupir

    The Waltz Project

    Western Symphony

    West Side Story Suite

    Who Cares?

    Allegro Brillante

    Andantino

    The Cage

    Concerto DSCH

    Firebird

    A Fool for You

    New Justin Peck/Glass

    Red Angles

    Serenade

    Sonatas and Interludes

    Stravinsky Violin Concerto

    Tschaikovsky Pas de Deux

    Tschaikovsky Suite No. 3

    Spring 2012: April 30-June 9

    Barber Violin Concerto

    Calcium Light Night

    Carousel (A Dance)

    Fancy Free

    Fearful Symmetries

    Glass Pieces

    Hallelujah Junction

    I'm Old Fashioned

    The Infernal Machine

    Interplay

    Ivesiana

    New Wheeldon

    N.Y. Export Jazz

    Purple

    River of Light

    Slaughter on Tenth Avenue

    Sophisticated Lady (Revival)

    Stars and Stripes

    Tarantella

    Thou Swell

    Two Hearts

    Western Symphony

    West Side Story Suite

    Who Cares?

    Allegro Brillante

    Andantino

    The Cage

    Concerto DSCH

    Firebird

    A Fool for You

    New Peck/Glass

    Red Angles

    Serenade

    Sonatas and Interludes

    Stravinsky Violin Concerto

    Tschaikovsky Pas de Deux

    Tschaikovsky Suite No. 3

    - The Fall Gala is Sept. 20th: TBA

    - There is a Chief's Choice evening on September 22 which is new this season. It is an evening of selected masterworks and audience favorites by Peter Martins:

    Scherzo a la Russe (SAB), Divert from Le Baiser de la Fee, Danses Concertants, and Firebird

    - October 4th is a Specially Priced Performance - all seats $29: Duo Concertant, After the Rain (Pas), Moves, Hallelujah Junction

    - February 1 is another Specially Priced Performance - all seats $29: Piano Trio, Herman Schmerman (pas), Variations pour une Porte et un Soupir, The Waltz Project

    - February 9th is another Chief's Choice: Western Symphony, Symphony in Three Movements, Symphony in C

    - The Spring Gala is May 9th: New Wheeldon and Glass Pieces

    - May 25th is a Chief's Choice: Fancy Free, Carousel (A Dance), West Side Story Suite

    - May 29th is another Specially Priced Performance - all seats $29: Red Angles, Sonatas and Interludes, New Peck/Glass (NYC Premiere), A Fool For You

    Again, the Orchestra E, Third Ring, and Fourth Ring are not currently available for new subscription sales, nor may current subscriptions be upgraded into these areas.

    Hope this helps ~

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