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innopac

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Posts posted by innopac

  1. I was interested to hear in an interview with Anne Bass (Dancing Across Borders) how problematic digital format for film is. She is redoing her documentary as a 35 mm film because she said that with digital the projection equipment is so different in each venue that it was a nightmare. See interview at 4.48.

    Having seen a ballet film in the cinema where the really fast movement was disturbingly blurry I was wondering if anyone else has had a similar experience. The cinema blamed the the original camera work which didn't sound likely to me.

  2. Short clip on Ballets Russes costumes at the National Gallery of Australia.

    "The National Gallery of Australia has one of the most important collections of modern theatre art in the world. In 1973 at auction, the NGA purchased 47 lots, comprising about 400 assorted items. It has taken years of conservation and research to piece together these various items – hats, belts, coats, trousers, dresses – into about 100 complete or nearly complete costumes."

    "...former director of the gallery Betty Churcher presents an insider’s guide to some of these 'hidden treasures’

  3. Thank you Simon. I am puzzled by phrases in reviews like "mediocre choreography" and "remarkable choreography". Do these mean only that the critic liked or disliked the piece? What are they looking for? You have written about the relationship to music. What other aspects of a work would be thought about?

  4. Thanks for replying, vipa.

    To show my ignorance...

    I am asking because partly when I read reviews that are critical of the choreography of a ballet or of a choreographer's works in general I sometimes don't understand why that work or choreographer is being criticized. When someone says that the choreography is poor I don't understand what they really mean, other than they don't like the work.

    I would like to understand more about how to critique a performance.

  5. A friend has written to me that for her in dramatic ballets the choreography should tell the story and also portray what the dancers are feeling while in abstract ballet the choreography should interpret the music.

    What do you look for when you are thinking about the choreography of a piece?

    Why do you prefer one choreographer to another?

    Do you have an emotional response to the choreography or are there criteria that you want met?

  6. The alert to this was posted on BT4D...

    Radio Program

    "The National Ballet's Karen Kain debated former dancer and current New Republic dance critic Jennifer Homans on that question this morning on Q. Jennifer Homans says ballet is an art in steep decline, and today's artists just haven't lived up to ballet's legacy. Karen Kain deeply disagrees. You can have a listen to that below -- and let us know what you think. Is ballet over for you the audience? Do you think ballet is too idealistic for our cynical times? Or is it exactly what we need?"

  7. Bronwen Parker-Rhodes is "raising money for the completion of a documentary following ballerina Maria Kochetkova as she prepares for a performance of a new solo work at the Bolshoi Theatre in Moscow. This is a rare opportunity to document the creation of a new ballet by world renowned artists and will provide a behind the scenes portrait of the life of a ballet dancer.

    The money raised will be used to pay for production costs in San Francisco and Moscow where the new solo piece will be produced and performed." Link to source

    Films by Bronwen Parker-Rhodes

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