Wow. Thanks for all your replies. To answer some of the questions...
First of all, my son is growing like a weed, thanks for asking. He's doing great.
Now, I don't know what arts channel it was, but at the end of the peice there was some identifying information printed on the screen, like MTV used to do with their videos (maybe they still do, it's been a while). That's where I got the Berlin 2001 information, so it was not a complete ballet. Also, the title and composer seemed to be in German, but if I remembered, I wouldn't have to ask you nice people.
BTW, the spacesuit comment was a bad joke about how how I assumed it wasn't contemporary because of the period dress and the orchestration.
No, I don't think there was any singing, (but maybe there was--shoot!) but, if I remember correctly, the military character that came out at the end had a round helmet, sort of Conquistador-style, which I quess would make it earlier than the 18th century.
The guy running back and forth in front of the women on the platofrm had long blonde hair, if that helps, and a white shirt like a sailor would wear.
Also, the New Yorker magazine that was laying around is the Aug. 2, 2004 issue with a photo of Frederick Ashton: a "giant of 20th century ballet." The way those rags are hanging above him bears an eerie similarity to that ballet.
NOTE: one or more of these details could be WAY off.
Yes, the theme seems appropos for the times we're in. What struck me was how blissful the dancers seemed, not joyous, but smiling and...pleased.
Thanks again. I never thought I would play a game of "stump the ballet experts," and it's pretty interesting. If I was a betting man, I would go with Leonid's suggestion of Roland Petit. What I was watching was very much "Eros and Death." But then again, I'm out of my element, and Carmina Burana is a possibility, since I can't say for sure there was no singing.