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Alter Ego

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  1. Hello BT's,

    what do you generally think about foreigners at the Paris Opera?

    I know through the other topic, that "[foreigners] have to make more efforts than the others to stay at the Opera", but do they get a steady contract after all? How long do they stay normally in the Corps before entering?

    In the end I know, that quite a few of them who were not trained at the POB School made it high in the companys hierarchy (Jose Martinez (though he spent one year in the school), Eleonora Abbagnato and in the past Michael Denard)

    In your opinion do they lack of the specific french style?

    Mike

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