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CM

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Posts posted by CM

  1. I thought that the expressions/reactions of the dancers during the speech were particularly moving.

    I found some more footage of the Bayadere rehearsal in a report from the Moscow correspondent/Phil Black of Sunriseon7 (Australia). Focus now is on moving forward. There will also need to be some work to repair damage to their reputation.

    The clip includes some film of the press conference with Galina Stepanenko.

  2. Yuri Faier's recording of the Swan Lake ballet suite with the Bolshoi Theatre Orchestra (now available on MP3) was my introduction to Swan Lake. The record notes indicate that the Bolshoi presented Swan Lake with Gorsky choreography during their UK 1956 tour so I assume that this is the production that the Mikhailovsky theatre has revived and has just transmitted (the costumes and choreography of the Spanish dance on the DVD “Paul Czinner's 1956 The Bolshoi Ballet” match those in the Mikhailovsky production).

    The video below (no sound) shows the arrival of the Bolshoi company and the scenery in 1956. Yuri Faier is shown at 2 minutes, 40 seconds.

    http://www.britishpathe.com/video/arrival-of-bolshoi-ballet/query/bolshoi

    Performances of Swan Lake by the Bolshoi always take me back to my first memories of listening to the ballet suite – the interpretation of the music in the ballroom act is particularly special for me.

    In terms of yesterday's live stream from the Mikhailovsky, I loved the production, the dancers/dancing and the music. The ballroom act was my favourite because the interpretation of the music with the dancing brought back so many memories. Other highlights were the corps de ballet in the Gorsky choreography and of course the performances of the principal dancers.

    I also greatly enjoyed the competition and the performances by the stars during the grand prix on Wednesday and Thursday.

    http://www.mikhailovsky.ru/en/afisha/detail/151614/

    http://www.mikhailovsky.ru/en/afisha/detail/151615/

    Grand Pas Classique is a great favourite of mine so I particularly enjoyed the pas de deux performed by Olesya Novikova and Leonid Sarafanov. I was also surprised by how much I enjoyed the performances of the more modern choreography, e.g., the pieces choreographed by Bigonzetti, Edward Klug and Nacho Duato.

  3. I believe that the fiim may include some footage from Ann Barzel. I'm always interested in first hand accounts of Ballet Russes performances and of meetings with Diaghilev particularly when they are based in Paris. The film also covers the period where she curated exhibitions for the costume institute at the Metropolitan Museum of Art. Didn't she write a catalogue for the exhibition Diaghilev: costumes and designs of the Ballets Russes?

  4. "The London Philharmonic Orchestra and Royal Academy of Arts join forces to present Music in the Courtyard, a unique outdoor concert that celebrates Impressionist masterpieces from the realms of visual arts and orchestral music, with kind support from JTI.....The expansive melodies and subtly shifting harmonies you can hear the London Philharmonic Orchestra perform in works by Ravel, Chausson and Dukas are the perfect musical counterpart to the paintings by Monet, Manet, Pissarro, Degas, and others, that feature in the Royal Academy’s From Paris: A Taste for Impressionism exhibition.

    Programme order with approximate timings

    Ravel Rapsodie espagnole (15 mins)

    Chausson Poème pour violon (16 mins)

    Ravel Une barque sur l'océan (7 mins)

    INTERVAL (20 mins)

    Duparc Mélodies (15 mins)

    Dukas La Péri (17 mins)

    Ravel La valse (13 mins)

    Fabien Gabel conductor

    Danielle de Niesesoprano

    Simone Lamsma violin

    The filmed concert has already been streamed live but will be available on demand from Monday for two weeks:

    Lots of supporting information/articles/video from the Guardian: http://www.guardian....monic-orchestra

    and the London Philharmonic Orchestra (LPO) http://www.lpo.org.uk/ra/index.html. The LPO has a twenty page booklet of program notes on its website.

  5. I've spotted one more program with subtitles:

    Feb 6 2012: the Bolshoi Ballet on tour in Japan; a glimpse into the work of the Bolshoi ushers; the portrait of an artist - bass Dmitry Belosesky; Ekaterina Krysanova's debut in Giselle. If you can't see subtitles automatically, press CC.

    What's really good about these subtitles is that you don't need to have russian or english to understand the conversation. There is an option to translate the english subtitles into many different languages

  6. About two weeks ago the Bolshoi started to provide english subtitles for their "a Ticket to the Bolshoi" program. The latest episode on their youtube channel has a feature on backstage at the Corsaire - same cast as the cinema transmission. Also featured are Makvala Kasrashvili's anniversary gala and Evgenia Obraztsova's debut in "la Sylphide" with Slava Lopatkin.

    The two other episodes with subtitles are:

    April 11 - Olga Smirnova, Vladislav Lantratov and Anna Tikhomirova debut in "La Bayadere"; Deputy Director Anton Getman and his departments; soprano Elena Zelenskaya talking about herself.

    April 16- the premiere of "Der Rosenkavalier"; a tour around the reconstructed Bolshoi Theatre; ballet coach Nina Semizorova; ballet dancer Denis Medvedev

    It's a great move - It makes such a difference to understand what the dancers and staff are saying in the interviews.

  7. I think the participation videos are very useful - they are a great way to make ballet seem more accessible to people who do not usually attend performances.

    Just found a fabulous video of English National Ballet with Arsenal Football club - I think this will do a lot of good as well

    http://uk.eurosport.yahoo.com/blogs/world-of-sport/arsenal-players-perform-ballet-car-ad-120929767.html

    If there is a problem with posting this link - it is an advert - please let me know and I will delete it (assume this is allowed)

  8. Many thanks for the translation – it must have taken a long time!

    It makes such a difference for me to understand the reactions of the dancers in the program. I'd thought that Zhu Yan was incredibly committed to her role in Carmen when she agreed to have her hair cut off in preparation for the performances. It hadn't occurred to me before that dancers can sometimes face the same demands as actors (who quite often have to change parts of their appearance for a role.)

    I'm afraid I can't help out with the Bayadere translation – I don't speak russian either.

    Thanks so much

  9. Sleeping Beauty is available now (please refer to attachment for info) - I've just watched it again.

    I don't always enjoy non traditional versions of the classics, but I was happy with this production. Also, even though there are cuts in the music I thought that the orchestra under Valeri Ovsyanikov (I think?) sounded wonderful. I really like the dancers and was very happy to watch some favourites again, e.g., Ekaterina Borchenko, Leonid Sarafanov, Svetlana Zakharova, Sabina Yapparova and Andrei Yakhnyuk

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