PRINCIPAL TEXT - UNFINISHED
MEMORIES OF MY BALLET TEACHERS
Practically all of my ballet teachers were émigré Russians. Some had been in this country since long before I was born. Others had newly arrived from the Soviet Union. Being acquainted with them, even if from a distance, was a lifetime experience I shall never forget.
Rather than just an alphabetical LIST of these teachers, I thought it might be better to introduce them as individuals; their personalities, how I came to be a student
There doesn't seem to be much curiosity about Alicia Markova as a ballerina. The first time I saw her dance was my very first ballet performance, in April 1944 at the old Metropolitan Opera House in New York. She performed 'Les Sylphides' with Anton Dolin. Since she was born in 1910 she was 34 years old--usually considered 'prime time' for a ballerina. At various times I saw her dance 'Giselle', 'Aleko', Tudor's 'Romeo and Juliet', 'Firebird' (the Chagall sets), 'Swan Lake Act 2', 'Nutcracke
Here goes--I don't know where this will turn up! There are many times when I start ruminating about all things related to ballet, and I guess it would be fun to see those thoughts in print. As I sit here writing this I have on my wall a 5x7 photo of Tamara Toumanova (Fred Fehl) taken many years ago at an outdoor arena in New York City (the Bronx) called Lewisohn Stadium--which was set up to look like a Greek theatre. Toumanova is in white practice clothes and not wearing makeup, and she never