Arpino Program and his choreography
Posted 29 June 2003 - 02:17 PM
I realize I'm probably the lone numb nut who chose the Arpino program over the Diaghilev, but I had seen Light Rain years ago, remembered loving it and wanted to see it again. I was glad to know my memory did not deceive me, I still enjoyed it very much.
Posted 29 June 2003 - 04:15 PM
Posted 29 June 2003 - 07:35 PM
I haven’t seen Joffrey for ages and it was nice to catch up with them.
The all-Arpino program began with “Suite Saint-Saens”. Nice enjoyable piece; very nice choreography for the corps as they filled the stage with dance. The Serenade pas de trois has a man (Sam Franke) partnering 2 women (Karthleen Thielheim and Valerie Robin) and the women dance in mirror image of each other. When done correctly (they had a few lapses) it is extremely effective. It would have been better had both women been wearing seamless tights rather than one with seams and the other without!
Next came “I/DNA”. Deborah Dawn danced the role of the Mother and was the only dancer I recognized from the last time I saw the company. Tony Montalvo danced the roll of The Man as a Child and was excellent. That being said I’ll end with this….if you want to see a mother watching her innocent son being executed in an electric chair then this baby is for you!
“L’Air D’Esprit” followed, a tribute to Olga Spessivtzeva with Suzanne Lopez and Willy Shives. Very pretty, very classical, trying to be Giselle-ish. I’ll split hairs and say that this short, healthy dancer did not look like Spessivtzeva.
Years ago Alexandra had a Thread in which we were to list ballets we were embarrassed to admit we loved. I joined Alexandra in choosing “Carmen”; there’s an Eliot Feld ballet about Americana and cheerleaders, etc.; and there’s the final selection of today’s program, “Light Rain”. This thing is pure sleeze but I’m a sucker for the pas de deuxs; love ‘em. In the lead were Trinity Hamilton and Sam Franke. You’ve got to have a perfect body and great legs to dance the female lead, and Trinity fills the bill. No room for hyper extended knees, or a strange turn-out, or wishy-washy feet; and any errant bulge will stand out like a mountain in those tighter than tight tights. Lordy! Of course it brought the house down.
Pleiades, you're not a lone dumb (numb?) nut; I'm a dumb nut too.
Posted 29 June 2003 - 08:40 PM
Major Mel, thank you so much for your confirmation -- it gives me some confidence that I'm not altogether insane. I didn't notice the battements at the time, but as I put the evening back together in my memory I realize how many of them there were!
It was an interesting evening for me -- the person I was with thoroughly enjoyed the evening, while as I said to a friend: "a little knowledge is a dangerous thing." I now look at ballet totally differently, some of it for the better, yet some of it makes me perhaps too critical. I enjoyed the evening, but found myself looking at the performance altogether differently than I ever have before.
0 user(s) are reading this topic
0 members, 0 guests, 0 anonymous users
Help support Ballet Alert! and Ballet Talk for Dancers year round by using this search box for your amazon.com purchases (adblockers may block display):