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Carla Fracci


Hans

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I've only seen her in an excerpt from La Sylphide with Rudolf Nureyev, but I find it the final word on all things sylph. It doesn't show off her technique, but she is so light and airy it gives the illusion of floating Taglioni must have shown. How is this accomplished?

I think about her performance every time I see Les Sylphides at ABT. No one is very close to it—Riccetto's swift, fluttery bourrees and Abrera's windswept port de bras were highlights for me though.

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