Le Corsaire - Spring 2012 in American Ballet Theatre Posted July 6, 2012 From my perspective, Kobborg's Romeo was just fine. I thought the absence of pyrotechnics was totally in keeping with his depiction of Romeo as a pensive observer. His deep plies contributed to a lovely seamlessness in his phrasing and a very clear articulation of the movement’s underlying structure. Clearly his partnering was sublime. For me, it was an absolute revelation. It was extremely nuanced with amazing spontaneity and texture. I realize that the thread is Corsaire; please move as appropriate. Thank you.