ABT Swan Lake
Posted 19 June 2001 - 10:26 AM
Posted 19 June 2001 - 12:23 PM
[ 06-19-2001: Message edited by: cargill ]
Posted 19 June 2001 - 12:56 PM
I have this awful mental image of Odette slipping on some colored sock puppets....
Posted 19 June 2001 - 02:11 PM
Posted 19 June 2001 - 04:33 PM
At the end, to one of the greatest passages of Romantic classical music, the orchestra swells and all the musical themes combine and what do we see . . . Von Rothbart dying! Odette and Siegfried have already jumped.
Do you remember the Dance Magazine piece before this production last year, with Susan Jaffe on the cover, where ABT claimed that this production would revolutionize ballet, reinstitute narrative as ballet par excellence, and mark the end of abstraction on the balletic stage?
Posted 20 June 2001 - 09:20 PM
Withal, for my taste, the sheer quality of Malakhov's classical dancing -- underline classical -- just puts him in a different category from ABT's other male dancers, terrific as many of them are. Just one rather obvious example: in his grand jetes Malakhov describes a soaring arc in the air, so exquisitely curved, so beautifully shaped in every portion and proportion of his body, that it is as if one were seeing the step in its essence, at once idealized and intensified. With Malakhov one gets a rare chance to see the ballet vocabulary as it is supposed to look, but only rarely really does -- if you will, the way one imagines it in one's balletomaniac's mind's eye ... and it is just breathtaking.
Posted 20 June 2001 - 09:23 PM
I saw Gillian Murphy this afternoon and thought she had a smashing success of a debut. Her Odette was a bit distant to her Prince, but it was appropriate for her--after all, she doesn't know the man too well, and up to this point in her life she hasn't had much success with men. Her technique was pristine and I loved the wonderful high arches of her back. One of my favorite parts of Act 2 is the coda, and her beats were sharp, fast and close to the floor. Act 3 was just as assured as her Act 2 (although, she did have a Cook's tour of the stage during the fouettes)--and again, she kept this Prince at a distance. Perhaps she will grow warmer in the role as time goes by--but I found her perfectly acceptable and exhilarating as she is now.
Posted 21 June 2001 - 08:00 AM
Carmelo Gomes and Gillian Murphy danced Siegfried and Odette/Odile with great panache, clean and meaningful. I looked at a video the night before of Peter Schaufuss as Siegfried, and it made Gomes even more a real champion, Schaufuss looked like he'd eaten something bad from beginning to end. Gomes's expression and attitude were always appropriate throughout.
Reviews regularly comment on Murphy as technically excellent but lacking in warmth. But look at her pretty face; it could never be cute or jolly, it's not structured that way. Even when she smiles - rarely - it's still pretty cool. But she's terribly good, just the way she is.
The Pas de Trois people brought the day's loudest cheers: the Cornejos, Erica and Herman and Xiomara Reyes. And I looked with enthusiasm at Ekaterina Shelkanova leading the czardos in Act III.
But not all was completely satisfying. The Corps seemed to me to be not tightened up so that all the limbs were moved in unison, and the spaces filled properly. In the cygnets dance the second from the left was slightly out of sync most of the way.
But the music the settings, the costumes were elegant, and all in all I thought it was great and we were lucky to have one company dancing the classics in New York.
Posted 21 June 2001 - 11:15 PM
As it was an "occasion", I won't rehash here my feelings about the production or write a critique of the dancers - except to say that McKerrow danced beautifully. The rest of the cast were Ethan Stiefel, partnering McKerrow, Marcelo Gomes (replacing an injured Maxim Belotserkovsky - pulled achilles tendon) as the "human-form" Rothbart, and Anna Liceica, Anne Milewski and Joaquin de Luz (dancing on an injury), in the pas de trois. Stiefel presented McKerrow well and was the complete gentleman during the curtain calls. McKerrow is NOT retiring. She and her husband have strong connections with Washington Ballet and plan to guest elsewhere - after a vacation.
Posted 29 June 2001 - 10:41 AM
Posted 29 June 2001 - 01:20 PM
0 user(s) are reading this topic
0 members, 0 guests, 0 anonymous users
Help support Ballet Alert! and Ballet Talk for Dancers year round by using this search box for your amazon.com purchases. (If it doesn't appear below, your computer's or browser's adblockers may have blocked display):