the attached scan shows an undated photo (by Judy Cameron) of Suzanne Farrell's Siren in Balanchine's NYCB production of THE PRODIGAL SON.
somewhat off topic, when noting the controversy, to put it politely, surrounding Alina Somova's career, Farrell's appearance(s) and early career frequently come to mind with regard to the passions her individualistic performances stirred in her day, most of which, on the most negative side, have since nearly faded into oblivion.