Meliss Posted June 25 Share Posted June 25 I wonder where Ali dances his famous variation. In the garden of Seyid Pasha? And I also wonder what kind of decoration he has on his head, like a tiara? And why is it? He's a slave! Link to comment
Tom47 Posted June 25 Share Posted June 25 Meliss, from what I’ve seen Ali’s most famous dance is the pas de deux or pas de trois in the pirate’s grotto and he is wearing a feather which I thought was a sign that he was a slave. Tom, Link to comment
Meliss Posted June 25 Author Share Posted June 25 3 minutes ago, Tom47 said: Meliss, from what I’ve seen Ali’s most famous dance is the pas de deux or pas de trois in the pirate’s grotto and he is wearing a feather which I thought was a sign that he was a slave. Tom, Thank you for your answer. But what about this? Link to comment
Tom47 Posted June 25 Share Posted June 25 Meliss, I was referring to this from act 2, Ali and Medora, with a bit by Conrad: https://www.youtube.com/watch?v=VsXK5JH6Fts Tom, Link to comment
Meliss Posted June 25 Author Share Posted June 25 5 hours ago, Tom47 said: Meliss, I was referring to this from act 2, Ali and Medora, with a bit by Conrad: https://www.youtube.com/watch?v=VsXK5JH6Fts Tom, Isn't my fragment from Act 2? Link to comment
volcanohunter Posted June 25 Share Posted June 25 I would have guessed that his bare chest is the indicator of his slavery and that the headdress is a greatly simplified turban, as also seen in some productions of La Bayadère. "Ali" is a character found neither in Byron, nor in the original ballet, but Vakhtang Chabukiani (below) may have wanted to indicate that if the Greek pirate Conrad had captured a slave, the latter probably would have been a Muslim. Link to comment
Meliss Posted June 25 Author Share Posted June 25 40 minutes ago, volcanohunter said: I would have guessed that his bare chest is the indicator of his slavery and that the headdress is a greatly simplified turban, as also seen in some productions of La Bayadère. "Ali" is a character found neither in Byron, nor in the original ballet, but Vakhtang Chabukiani (below) may have wanted to indicate that if the Greek pirate Conrad had captured a slave, the latter probably would have been a Muslim. Thank you. But what about that tiara on his head? Link to comment
Tom47 Posted June 26 Share Posted June 26 Yes Meliss, they are both the same dance. Tom, Link to comment
Meliss Posted June 26 Author Share Posted June 26 1 minute ago, Tom47 said: Yes Meliss, they are both the same dance. Tom, I thought as much. But why does a slave have a tiara on his head? Link to comment
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