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Monday, August 22


dirac

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A profile of Lourdes Lopez.

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“There is something that is never mentioned and that I am very proud of. It is to have been the first and only Latin principal dancer — until today — of the New York City Ballet. Latin and Cuban,” she said in an interview with dance critic Orlando Taquechel. After a successful career on stage, López retired at age 39. But even though she was finished dancing, she wasn’t done with ballet.

 

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A review of Sarasota Ballet by Mary Cargill for danceviewtimes.

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Macarena Giménez, a new principal from Argentina, danced the Fonteyn role. It may have been nerves but she had a too-bright grin that she occasionally flashed at the audience -- she is a fine dancer and Ashton doesn't need selling. Her dancing, especially her effortlessly secure balances, had a warm flow and she had a fine rapport with her partner Ricardo Graziano. He danced with a generous dignity and led the six men in a snappy mazurka which was danced with an eager verve, as they bent into those infectious rhythms with a uniform vigor. The men were also able to command the stage as they stood at the rear watching, oh so keenly, the women's solos; they might have been pausing on their way to bow to the Tsar.

 

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