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Friday, July 15


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A review of New York City Ballet by Jay Rogoff for WAMC.


Christopher Wheeldon’s This Bitter Earth, which premiered a month after In Creases, is a brief, lugubrious affair that sets a slew of troubled romantic mannerisms on Andrew Veyette and Sara Mearns. The dance unfolds to a dreary Max Richter score for strings into which the composer abducted Dinah Washington’s vocal from Clyde Otis’s blues song, stripped of its original instrumentation.


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