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Friday, October 22


dirac

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A review of American Ballet Theatre by Gia Kourlas in The New York Times.

Quote

Stearns may not be the most electrifying Albrecht, but he is one of the most handsome — and his understated interpretation delivers a heady mix of notes: By the end, his remorse is real, as if his plan all along was to make Albrecht’s aristocratic bearing fall away to reveal a person. This season, Stearns is looking more like a man than a boy; he always had bearing, but his silhouette is somehow altered: There’s a new depth of power in his core, which gives his presence even more stateliness.

 

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