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Sunday, May 16


dirac

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A review of Leipzig Ballet by Graham Watts for Bachtrack.

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Dramatic shifts in music and mood characterised Mario Schröder’s new ballet, Solitude, which focused on the scourge of loneliness, made more virulent through the worldwide pandemic. It is a ballet of episodes, mostly overlaid by a mournful ambience, starting with the ensemble dressed in the uniform of our age – white, hooded, hazmat suits and face masks – performing anonymously to the beautiful, sorrowful singing of countertenor, Yuri Mynenko.

 

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