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Thursday, February 27


dirac

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A review of New York City Ballet by Siobhan Burke in The New York Times.

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While “Rotunda” has its strained moments in this regard — as if the dancers were saying, “Look how well we get along!” — Mr. Peck, working with a commissioned score by Nico Muhly, has tapped back into a more spontaneous energy. There’s a refreshing looseness to his arrangements of bodies in space, especially in the first and last of the ballet’s eight sections, for the full cast of 12. It feels like a big exhale.

 

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A review of the Viviana Durante Company by Graham Watts for Bachtrack.

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Some precious gifts come in small packages as was my feeling about this appealing triple bill that evoked both the history and legacy of Isadora Duncan, the free-thinking, free-spirited titan of modern dance and the philosophy of movement. Viviana Durante has curated and directed a programme that includes the restaging of one of Duncan’s own pivotal works; the loving tribute made to Duncan by Frederick Ashton, around fifty years’ after her tragic death; and a new work by Joy Alpuerto Ritter that was both an outstanding reflection of the Duncan legacy and a striking work in its own right.

 

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