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dirac

Monday, February 3

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A review of Pacific Northwest Ballet by Sondra Forsyth  for Broadway World.

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Nevertheless, soloist Angelica Generosa in her debut as Cinderella was flawless and endearing. I predict she'll be promoted to principal soon. Partnered by the aforementioned and very accomplished Kyle Davis as the Prince, she danced with deceptive ease and gave affecting credence to the emotions of a young woman whose memories sustained her through difficulties that never succeeded in making her lose hope for the future of her dreams.

 

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A review of New York City Ballet by Apollinaire Scherr for The Financial Times.

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Ratmansky is iconoclastic even in the form his iconoclasm takes. As a consequence, both ballet revanchists and fans of the contemporary, sock-clad species of the art have been known to dismiss him, and even loyalists may pass a first viewing somewhat perplexed before resolving to come again.

 

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