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Royal Ballet 2018-19 season

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Not so long ago I had a chance to speak to Kevin O'Hare about the neglect of certain elements of the company's repertory. The area which concerned me were the Diaghilev ballets which de Valois and Ashton had secured for the company and the neglect of the major works which Ashton had created for the company. In particular I had in mind the neglect of Daphnis and Chloe which has not been seen since 2004 and Cinderella which was last performed in the 2011-12 season.

He said that the problem with Daphnis was the cost of reviving it. As far as Cinderella was concerned his immediate response was what would you do about the Ugly Sisters ? I suggested casting women in the roles of the Step Sisters for a couple of seasons which happened in the late 1950's (Gerd Larsen danced one of them): getting rid of the current costume designs  which make them look like pantomime dames replacing them with costumes which point to their characters which was how they were costumed in each previous production; working on playing them as characters which is how Ashton and Helpmann played them rather than the caricatures which they have become;working on their choreographed gestures as well as the steps and letting the  jokes in the choreography speak as each sister has choreography which neatly encapsulates her character, simple choreography for the shy unassuming sister and late nineteenth century bravura style for the dominant one. I also suggested that the characters of Wellington and Napoleon should be dropped and replaced by the tall and short partners of the original staging. This of course would mean that we could also lose the unfunny toupee joke which presumably became part of the stage business as a result of an onstage accident.

I believe that since staging the new production of the ballet for the Royal Ellis-Somes has mounted a production in Poland which seems to have entirely different designs from those in use at Covent Garden. In an ideal world of course the Royal would revert to using the original Macles designs. As to dancers there is no lack of dancers who would be able to dance the roles of Cinderella and the Season Fairies with distinction.

Edited by Ashton Fan

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22 hours ago, Ashton Fan said:

the characters of Wellington and Napoleon should be dropped and replaced by the tall and short partners of the original staging.

Agreed, Wellington was introduced as a topical joke when the Goya portrait of him was stolen and the original Wellington, Derek Rencher, was made up to resemble the great man.  Very funny at the time, less so now.

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@Ashton Fan Thank  you for the thorough answer to my Qs. Sad situation which can hopefully be resolved within the next couple of years. In retrospect, it’s somewhat amusing to re-watch my recording of the last telecast of Cinderella, ca 2002, and see the intermission interview in which the designers are self-congratulating left and right!

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