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Duke University/ABT partnership

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From ABT:



DURHAM, NC -- Duke University and American Ballet Theatre have announced a three-year partnership to begin in January 2019.
The wide-ranging, immersive partnership marks a significant new investment in the arts at Duke, said Duke University President Vince Price and ABT Executive Director Kara Medoff Barnett, who announced the partnership at a recent gala opening of Duke’s Rubenstein Arts Center (“The Ruby”). It was initiated and will be managed by Duke Performances, the university’s presenting organization for the arts.
“Duke has long been home to world-class dance. I am delighted that we now have the opportunity to build on this rich history in partnership with American Ballet Theatre,” Price said. “ABT is among the premier ballet companies in the world, and this partnership will enrich the cultural landscape in Durham and give our students and faculty exciting new opportunities for collaboration. ABT will also help us initiate the Ruby -- what better way to open our new dance studios than with the greatest ballet dancers and choreographers in the world.”
The partnership includes:
• American Ballet Theatre’s first appearances in North Carolina since 1969 -- five performances of Giselle at the Durham Performing Arts Center in downtown Durham in March 2020.
• A two-week ABT Studio Company residency at Duke each year for three years, during which guest choreographers will create new work for 12 members of this professional training ensemble. The annual residencies will incorporate public performances, master classes and engagement activities with Duke students and the local community, and will culminate in the development of one world premiere ballet each year.
• Monthly master classes for students in the Duke Dance Program led by instructors from the ABT Jacqueline Kennedy Onassis School.
• A three-year project called Endless House, directed by Duke Dance Professor Michael Kliën in collaboration with current and former ABT dancers and ABT Studio Company dancers. Culminating in a public presentation in New York City in Spring 2021, Endless House may also be exhibited in contemporary art museums. At once a research project and a work of choreography, Endless House will be a point of intersection between ABT and Duke’s new MFA in Dance.
“As a Duke alumna and a lifelong fan of American Ballet Theatre, I couldn’t be more thrilled to launch a collaboration between these two world-class institutions,” said ABT’s Barnett. “With the opening of The Ruby and a robust partnership with America’s national ballet company, Duke is claiming a leadership role in the performing arts and will be poised to attract the most talented student-artists in the country. With Duke residencies as catalysts, ABT will continue to innovate and extend the canon and the reach of classical ballet.”

Duke Performances, which will manage the ABT partnership, is at the forefront of university performing arts presenters nationwide, attracting artists of the highest caliber and commissioning, developing, and producing a growing number of new works for the world stage. Duke University’s three-year partnership with ABT will make use of Duke’s new Rubenstein Arts Center (“The Ruby”), a campus hub for artistic production with state-of-the-art dance studios and its presentation space, von der Heyden Studio Theater

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"...five performances of Giselle at the Durham Performing Arts Center in downtown Durham in March 2020."

My first thought was, who will be debuting as Giselle (and Albrecht) during this run? (Prior to their Met season debuts a few months later...) 

In two years time, that could be Trenary? Royal?

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I’m delighted to hear this news.  Many of my family members have relocated to Chapel Hill from New York, and this will be a great opportunity for me to take them to see some of the dancers they’ve heard me raving about/complaining about over the past few years. 

I would imagine that, if Trenary and Brandt are promoted to principal next spring, it’s most likely they would make their Giselle debuts at Duke.  I assume Copeland would be appearing as well, but it will be interesting to see if she is given more than one performance.  In two years’ time she’ll be 37, going on 38, and who knows what kind of physical shape she’ll be in.  Those punishing schedules of two performances of everything may be too much for her.

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This is very interesting.  I can't, off the top of my head, think of another ballet company that has this kind of institutional relationship with a university, except possibly Lines Ballet at Dominican University.  There are modern/contemporary companies that are located in college dance programs (Repertory Dance Theater is probably one of the oldest examples of this) but ballet, for the most part, hasn't participated in this kind of program.  Can anyone think of another example?


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I have to say I’m so excited - my parents live in Durham, and both have loved dance for a long time.  Durham is a really nice place to live, but one of the issues has always been its distance from the major cities that usually attract this kind of world-class talent.  With this and ADF, Durham is becoming an amazing place in which to see dance.

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