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I'm wondering if anyone has seen this DVD and how well it's filmed and how good the performance is. In particular I'm wondering how big of a part Maria Alexandrova has, and how well the role shows her to her advantage. For example, does she have a lot of jumps? Thanks in advance.

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I'm wondering if anyone has seen this DVD and how well it's filmed and how good the performance is. In particular I'm wondering how big of a part Maria Alexandrova has, and how well the role shows her to her advantage. For example, does she have a lot of jumps? Thanks in advance.

ITS A GREAT PERFORMANCE..............I WATCH IT ALL THE TIME!

The performance is filmed very well, everything is 100% clear. I only wish that the corps de ballet was shown more in the Grand Pas d'Action of Act II, as well as the really cool pattern that the hunters make with thier spears at the end of the Pas de Fleche of Act I. Svetlana Zkharova is absolutly phenominal, with wonderul technique, as is Alexander Filin. He is an extraordinary dancer, with perfect, very easy technique that doesnt make a spectacle of itself (if you know what I mean), and instead his performance is what is at the forfront. The best parts of the whole ballet is without a doubt the totaly elaborate Grand Pas d'Action, and the adagio followed by variations in Act I. It is the Grand Pas that contains the variations of Petipa, among them the one danced by Ramzea. There is an absolutly gorgeous adagio that takes place when Aspicia and Taor meet, followed 3 very entertaining variations for Taor, Ramzea, and Aspicia.

The music of Pungi is a ton of fun. Ive heard some pretty scathing things about it, but as a ballet dancer I must say that the music completly shows of the movements of ballet 100%. It is tuneful and exciting. I really hope someone records the socre.

Alexandrova dances Ramzea. She is divine. She has a sort of "2nd ballerina" role in the ballet though she is not in every single scene of the ballet. Her jumps are amazing, particularly her saut de chats in the Act I opening 'Pas de Fleche' and in her variations - I believe that Alexandrova won the Golden Mask award for the role. Svetlana Zakharova is so amazing its hard to imagine one being better technically, her point work is astounding when one watches it up close.

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This ballet is so full of choreography, it's like four ballets in one! When I got my copy and watched it all the way through, I was exhausted by the end. I suppose one could characterize it as "fussy"; a more positive spin would be "never a dull moment." In addition to the principals, I was particularly impressed by the three river variations and the ballerinas who danced them: Yatsenko, Shipulina, and Andrienko. One small drawback is that some of the dancers perform in blackface in this film (eg Ramze/Alexandrova's child attendants), but this may not bother others as much as it bothered me and my political correctness. :) It isn't necessarily something I'd introduce to the ballet-uninitiated, but it's an interesting piece of ballet history. As it is written: "People who like this sort of thing will find this the sort of thing they like."

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I have a film I was lucky enough to get a hold of that is of the May 2000 premiere of "Pharaoh's Daughter" with Ananishvili as Aspicia, Filin as Taor, and Alexandrova as Ramzea. I noticed that there were alot of differences between the commercially available DVD with Zakharova dancing Aspicia and this film I have of the premiere. I had posted a topic before about some musial differences I had noticed between the two, but after having become more familiar with both films I must say that there are ALOT of differences - there are not only musical differences between both films but there are also a few numbers that are omitted from the Zakharova DVD.

In the film I have of the premiere the introduction at the beginning of the ballet has a different, less spectacular musical structure than that of the introduction at the start of the ballet used in the DVD performance. They both have the same melodic theme, but again, they differ in musical structure and orchestration. In my own opinion the introduction played by the orchestra in the film of the premiere sounds more along the lines of something Pugni would have created than the one played in the DVD performance. In the DVD with Zakharova the prologue goes right into the first scene, but in the film I have of the premiere there is a sort of miniature enter'acte before Act I begins, a little introduction of sorts that builds into the first number of Act I. The adagio that occurs at the first meeting of Aspicia and Taor is very simple as far as musical structure and orchestration, but in the DVD it is alot more elaborate - it is the same with the orchestration of the opening number of Act I - the 'Pas de Fleche' - in the premiere film the arrangements are very dull and simple but in the DVD they are very colorful and elaborate. Another interesting difference between the two performances is the decor for the 1st Act. On the DVD the backcloth has a big gray hill-looking-thing behind the mounds that covers half of the sky, but in the premiere film its not there, and the backcloth just resembles the blue sky, with only a few mounds at the bottom (where Aspicia runs up to almost get attacked by a lion).

There is a little introduction st the start of Act II in the premiere film that is not in the DVD, another abcense of an intro before a scene. After the Pas d'Action is over, there is a dance for 3 woman with the corps de ballet dressed in white to the music of a solo trumpet (it comes right before the scene where the Nubian King and the Pharaoh trade the scrolls). This number is omitted on the DVD. After that comes the number for the corps de ballet and the children dressed in white, which is in both the DVD and the premiere film. Interestingly, that number with the children and corps de ballet dressed in white is the same music that occurs in the coda of the Drigo Pas de Deux from "La Esmeralda". As well, the variation danced by Taor in the Grand Pas d'Action is the male variation from the Pas de Deux from Drigo's "Le Talisman".

In the premiere film there is a little introduction before the opening of Act III, followed by a dance for the fisherman. After that Aspicia, Taor, and Passifont make their entrance on the boat. That number leads into a little pas d'action where Aspicia mimes to the fishermen/& woman about her love for Taor, and asks if her Taor and Passifont can 'hang' there, that number leads into the little allegro dance with Aspicia, Taor, and the fishermen/& woman. In the DVD, the introduction is omitted. The fisherman's dance is edited to be just a little passage that leads into the music that was used at the premiere for Aspicia's little mime scene - in the DVD that same music is used to accompany the entrance of Aspicia, Taor and Passifont on the boat, thus omiting the pas de deux (so basically the music for the mime sequence of Aspicia is used for the entrance on the boat in the DVD). Everything else is the same, up to the part when Taor and Passifont decide to go fishing with the fishermen/& woman - on the premiere film the scene is longer: after Taor and Passifont decide to go fishing and leave Aspicia by herself, 2 fisherwoman come back looking for Passifont, who has managed to come back unseen and is now hiding behind a basket munching on grapes. There follows a little number where Aspicia tries to hide Passifont from the fisherwoman (a really charming little number I might add). They end up finding him, and they go off to go fish. Everything is the same untill the under water scene. There is another miniature enter-acte before the scene that is omitted on the DVD. In the film of the premiere there are harp arpeggios that accompany Aspica's descent to the bottom of the Nile - in the DVD the music goes right from the opening number of the underwater scene to the fanfares that preceed the first variation, skipping right over the harp section that is in the premiere film. They should have left that harp section intact, its very effective!

Again, in the premiere film is a little intro for the 3rd scene of Act III that isnt in the DVD. In this scene (where the Pharaoh wants to kill Taor, Passifont, and Ramzea via the snake with the red eyes in the big boquet of flowers - oh yeah and guy costumed like hes about to perform a black-face minstrel) there is the part where Aspicia returns. In the film of the premiere there is a very long mime sequence where Aspicia tells the Pharoah about everything that has happened since her and Taor ran away. In this mime sequence there is even a reprise of the dance that her and Taor did during the fisherman scene. Ananiashvili REALLY gets into this mime section in the film of the premiere, so much so that her hair began to fall out of its bun! In the DVD this mime scene is very brief.

It could very well be that all of introductions to each scene that were left out of the DVD could have been left on the cutting room floor, and edited out for the sake of the DVD. As well, th ballet could have been shortened especially for the DVD filming.

For most of the music throughout the film I have of the premiere, the orchestration is very simple and plain, where as in the DVD it is alot more elaborate. I know that Alexander Sotnikov gave the score a "face-lift" to use his own words. Perhaps it didnt happen untill after the ballet's premiere.

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