mitzi50

Part certainly is a lightening rod -- I think it's partly(!) because she is stunning and expressive but she does waver, physically and emotionally. I saw her last year with Wiles as Gamzatti and they contrasted wonderfully. Part has that gorgeous Russian arch and arms. I liked NYTimes line about finding meaning in Wiles' technique -- I disagree with almost everyone here -- her lyricism, musicality, vibrancy and caring about her work carry her through performance after performance. We should applaud her and not focus on a finger out of place or a chin raised. After all, last year it was horrible when the Times focused on Murphy's chin. Kent, at last night's performance, was very reserved. I'm wondering why we're not talking more about Yuriko Kajiya who was resplendent, and technically powerful in her debut. She brought a wonderful drama to moments such as when she took the veiled crown and leaning it toward the painting of Solor made me understand with her arms and line her longing and desire.

I saw Hallberg and Wiles. Overall, I thought it was very good. Hallberg never ceases to amaze me. Every performance seems to get better. He was great as Espada too earlier in the week. I thought Wiles could use more "Spanish" flair, but I think that will come with time. My favorite Gamache was Alexei Agoudine. I thought he was perfect while Salstein, who I usually enjoy, pushed the comedy a bit too hard. Nina and Angel's performance tonight was very good. Her balances were spot on. Veronika Part's balances were good too, there was one that was especially amazing in her Queen of the Dryads solo in the dream sequence. I thought the corps was pretty sloppy tonight. I will try to post more about the performances I saw this week when (if) I have more time. I thought Wiles/Hallberg Don Q had a wonderful human, open, comic feel -- the scenes flowed easily and there was an ease and delight to their efforts. No pushing, no striking. Wiles has electrifying turns and as I read the comments here and elsewhere I often feel she is overlooked and taken for granted. Her balance, aplomb, stylishness, quick-footed attack and joy in movement is underrated by those looking for a more diva-ish approach. Yes, the old Russians ate up the stage but its hard to find someone who brings freshness and dedication to so many different roles as Wiles -- and, though I love Hallberg, I think she enjoyed the jokes more than he did.