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shankley

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  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
    balletgoer
  • City**
    PhiladelphiaUSA
  • State (US only)**, Country (Outside US only)**
    PA
  1. shankley

    Hello From Adam

    Ballet and theatre simply have to seen in person. There just seems to be something about the humanity that is only experienced by being in the same room. Isn't it wonderful how one can simply discover rpofound new pleasure by chance?!
  2. shankley

    Hello

    SFB are wonderful! I have been lucky enough to see them twice. They have a a "real programme". Just like the NY ballets. I live in Philadelphia and we have only 4 programmes per year.
  3. I just found your forum-is there no end to useful things on the internet! I am planning to go to see the French nat Ballet in the Spring of 2008. Does any one still know if they reserve tickets for buying on the day of the performance at the door? I bought tickets by chance like this 15 years ago, but that was pre-internet! Does this wonderful tradition still survive? I wrote to a friend about that evening a while ago: I met my friends back at their apartment, and they drove me round Paris in their car as the sun was setting, looking at the sights: I had never seen the City of Light from this vantage before, so it was a real treat, flying past so many familiar buildings, watching them glow in the warmth of the setting sun. We had tickets for the ballet, at Opera Garnier. None of us had ever been before(!). As we entered the magnificent Baroque foyer, I remembered two other magical photos by Cartier-Bresson, taken in that wonderful space: so being there felt like one was living in a work of art. (Is this the magic of Paris in its essence?) I had been lucky enough to get us great seats for the performances: three short works by Eric Lander, Harold Robbins and William Forcythe. All quite different, but it was the Lander piece, which came first, which captured me. It was called "Etudes" (made in 1948), and is a technical tour de force, set to music by Carl Czerny. No words of mine can do it justice. After the climatic finale, I simply couldn't move, I was overwhelmed. Eventually, I came back into this plane of existence. I was so moved that I was in tears, it was THAT wonderful. After the performance, we had dinner at the belle epoque restaurant, Le Dome, on Blvd. S. Michel. A perfect end to a perfect day.
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