This is what has me scratching my head. Surely Cornejo has some influence, particularly in his anniversary year, over who he partners. I’m completely befuddled and sad on her behalf.
This would be perfect since they were set to dance Giselle when she became injured. And frankly I think Hallberg owes it to his “home” company to honor her.
Thank you, griffie! I’ve noticed this too and seems done by several of the most accomplished dancers. I’ve thought perhaps it was a new and accepted style that I wasn’t aware of. So glad to hear Sarah is carrying on the more purely classical arm positions.
I wonder if BB will give her permission to video document class etc, which seemed to be an issue of disagreement when she was at Kremlin Ballet. I wouldn’t have thought she would be happy with an Artist contract.
I think the ABT women do their chaines on a very high demi point and quite fast with the arms held down to their sides, hands placed just above the tutu. I’ve grown to like them when done in this way. My recollection when SB debuted was that they looked very clunky and slowed the momentum of the dance. I wonder if they’ve been tweaked over the ensuing years.
I agree with all you say here, ABT Fan. McKenzie was willing to test Hammoudi who didn’t meet all expectations but has now imo found his real forte in roles like Tybalt. Forster has not been given roles in the Petipa/Macmillan rep that could be considered a testing ground and which are overdue and timely.
But I think Stella is in a much more secure position than Part was. Much more in the fabric of the company and with Sascha’s position with the Studio Company, I don’t think Kevin would force a retirement. Not that I agree with the treatment of Part. It was unforgivable for her career to end like that.
Yes, I was hoping for both Tom and Blaine to be promoted. Can I hope at least that they continue to get more full length role opportunities? For heavens sake, Tom should be given a shot at Siegfried, Albrecht, Romeo, Solor etc etc.
I’m puzzled as to why Bell is the only one available to cover this part. Honest question: does the company only allow one additional dancer to learn a principal role and be available to cover? If a second dancer was interested in learning a role would they have to do that with private coaching?
I don't see any reason Forster and Hoven shouldn't/couldn't be promoted to principal this year with the departure of Bolle and Gomes plus the limited appearances by Hallberg. And Lendorf is a puzzle, he really never got off the ground due to injury. So to me there looks to be room. I'm not in favor of bringing someone from outside when there are dancers in house that have all the goods and thensome (Forster).
Add me to the list! Booked this specifically for Forster. I might have cast Teuscher with him but who knows how these decisions are made. I will continue to put thoughts out the universe of a Forster/Shevchenko Swan Lake.