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Jaana Heino

Member
  • Content Count

    37
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About Jaana Heino

  • Rank
    Member
  • Birthday 11/01/1973

Registration Profile Information

  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
    adult student
  • City**
    Finland
  1. If I would have to guess, I'd say it is a franglais combination of "gai" and "joyeuse", both meaning (according to my dictionary - I don't speak much French) something like happy, joyous, cheerful.
  2. I am still learning to watch ballet, so I am not sure the past tense in the question applies to me. Anyway, I know what I have always looked at in ballet, but I find it really difficult to describe - before starting to take classes myself it would have been completely impossible. What catches my eye and what I wait for in a performance is some kind of a combination of what I now think is called the dancer's "line" with his/her movement. Or the combination of the individuals' lines with the movement of the group, which is even better (I prefer watching group or crowd scenes over watching solo
  3. I think it's because of Ballet Alert that ... I have realized that The Way to really enjoy praciticing ballet is to do your best to work hard several times of week instead of going once a week just for the fun. I think it's because of Ballet Alert that ... I still take ballet classes at all. Without the support of other adult ballet students here I might have not continued over all the frustrations, not realizing they are perfectly normal troubles... I think it's because of Ballet Alert that ... I really appreciate the difficulties, dreams, triumphs and disappointments of pre-pro dance stude
  4. Ok, I'll try. I read this only quickly, but I would summarize as: "She said she considered the dancing good, but she didn't like the sort of commercial athmosphere of the evening. For some reason I also got the impression she seemed to feel that some of the pieces lacked something, like feeling or spirit maybe, though she didn't explicitly say so." English is not my first language, though, so I might have gotten the nuances completely wrong... This is an interesting experiment; how different people read the review. I hope as many as possible posts, without reading the interpretations of othe
  5. I would like to add that like koshka I don't regularly take classes with teens; in the school there's a division to age-departments, and then division inside each age group to six technical levels (except the very youngest kids have only the first 2-3 levels, and the adults don't have the highest level at all - not enough people advanced enough, I think). Teens are allowed to take adult classes, though, and every now and then they do, when they have missed their own classes or during summer. Now I generally like it when they come, but I might feel different about them if I danced every class w
  6. I started dance classes at the mature age of 27. It's hard to describe why I do it - it's something so fundamental I don't think I have words for it. It's about me the same way my career of choice is about me - I can imagine doing something else instead, but it feels kind of weird, and I doubt I'd be as happy. As to why specifically ballet of all dance - ballet is at the same time creative and codified, it's a strict discipline but through that expressive and endlessly varying. It appeals to me the same way advanced University level mathematics (say, something like topology) does - though I
  7. In today's Helsingin sanomat, there was a story about an art exhibit of Bridget Riley's work in Tate Britain, London. The pictures of her work in the newspaper make me excited about paintings in a way that is not very typical for me (I usually regard visual arts with an indifferent and ignorant 'a-ha, nice picture'). Somehow the space and light and movement they created reminded me of dance. And mathematics. And other good, peace-of-mindy things. Has anyone seen the exhibit? Or others by the same artist? And wants to tell me about the experience? I think it's extremely irresponsible and unf
  8. Leigh, all those places where in the Helsinki Center. None in that program were actually theatres, but some, like Sanomatalo, were inside. This building is, I think, owned by the newspaper houses, but there are cafeterias and such around a central "plaza" in the first floor, they hold all kinds of events there. The Finnish National Opera / Ballet performs mainly at the Opera house, which is almost in the Helsinki Center (5 minutes in tram, maybe). I haven't seen it as much as I'd like to, due to it not being actually cheap, but I see about one or two performances per season currently.
  9. In the end of last week we had here in Helsinki a three-day festival called Tanssiva Helsinki ("Dancing Helsinki"). It consisted of free performances, mostly out-of-doors, in various dance forms. I didn't see much, as I only were around for a few hours on Friday, but I thought I'd post about what I did see, in case anyone's interested. I know some other Finns on the board saw other stuff, too, and might be persuaded to tell about what they did see. I spent most of my time in Sanomatalo, watching modern dance. First I saw performances by two dance schools, DCA and Tanssivintti. Unfortunatel
  10. BW, it means a "bulletin board system". In the ancient times before Internet it was a certain kind of system you took contact to with your modem and could post thingos there kind of like to the Usenet or Web-boards these days. There were gazillions of these; each BBS could have different topics discussed there on separate forums or groups, but they didn't (mostly) share posts with each other. (So if you contacted one BBS and posted on ballet there, people could only see that by contacting the _same_ BBS; while these days you just contact to the Internet and whatever is posted on Ballet Aler
  11. I went temporarily insane and ordered Warren's "Classical Ballet Technique", Barringer's "The Pointe Book", and Grieg's "Inside Ballet Technique: Separating Fact from Fiction in the Ballet Class", though I really couldn't have afforded them all. They should arrive in June-July. Meanwhile, I'm patching up my science fiction knowledge by reading old classics I have missed for some reason. I just finished Frederik Pohl's "Gateway", and it was indeed briliant. It showed that really good sf doesn't get old even when the science and speculative history becomes impossible in the world we now know.
  12. Personally, I wouldn't bother so much about the regions when giving DVD advice. A lot of the DVDs are available in all regions, and even when this is not the case it's is perfectly arrangable (at least in here) to see a "wrong region" DVD too.
  13. Thanks. If that's what they are looking for, they will indeed get it. Everything checks.
  14. Leigh, could you clarify that remark to poor me, who knows only very little about Corsaire, and nothing about ABT's Corsaire?
  15. Ok, I went to see the Raymonda last night. Before I go forward, I want to stress that I'm definitely not an experienced ballet-goer, and that this was the first Raymonda ever that I saw. The program leaflet unfortunately does not describe the role of Kevin McKenzie in the production any more clearly than we had it already. It says, though, that in the choreography Anna-Marie Holmes has been very faithful to the originals, keeping many of the variations to the last detail, and restoring the role of the White Lady (if that's what she's called in English, the statue/spirit/foremother anyway). T
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