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susibee

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    20
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About susibee

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    Member

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  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
    balletgoer, former ballet student
  • City**
    NYC
  • State (US only)**, Country (Outside US only)**
    NJ
  1. I absolutely agree. I can't stand reading his reviews anymore. They are joyless, bitter, and pompous. He seems like a miserable human being. I wish he would leave the Times (or they would get rid of him).
  2. I've just started taking ballet classes again, which caused me to look up my old ballet school on the internet (New Jersey School of Ballet), where I came across the news that Mr. Tomal had died. And then I found this thread. Mr. Tomal lumed large at NJ Ballet. He was a co-founder of the company with Carolyn Clark. They danced at the same time with ABT. As Amy Reusch describes so well, he was known for his eccentricities and also loved for them. I, too, was one who was usually chosen (at least during one particular year) to demonstrate the adagio at the barre. He'd usually be kind and
  3. Beautiful proportions? Oh, that's easy. Maria Kowrowski. Beyond compare.
  4. I saw Ferri and Corella today too. Corella moved me to tears in the second act. (Well, starting in the second act...) The way he was looking at Manon from across the room, watching her with Monsieur G.M., it was heartbreaking. I couldn't take my eyes off him. And then later, the way he was protecting Manon from the jailor, he was so tender towards her and so fierce in his passion. He danced as if his love for Manon was going to tear him apart. By the end, in the swamp, I was weeping. Yes, Ferri's characterization was brilliant as well, but it was Corella who had me searching through
  5. Oops. I got it. Last Manon is tommorow night, Thursday. She is also performing today's matinee.
  6. I'm sorry to start a new thread for this, but I'm confused. Is it today's matinee? I should call the theatre...
  7. Eleanor D'Antuono in pic 6, in the front row, 3rd from the right, in a lovely, short black dress. (Also all the way over on the right, waving, in pic 4.)
  8. I always pronouned Sylvie Guillem's name this way too, like the French word fille. However, I was recently corrected by one of my French roomates, an artist from Paris, who told me it is pronounced "gee LEM." (That's a hard "g.")
  9. I saw Sleeping Beauty last night with Dvorovenko, Beloserkovsky, Wiles, Kirkland. I have to admit I didn't love it. My overiding impression is that somehow the beautiful music of this ballet got lost somewhere in translation. I don't remember musical moments from this ballet. The dancing and the music didn't draw each other out. Something felt muddled. Act II was very strange to me. I completely lost the story, and found myself asking, "Why? why did they do this?" It was ironic to me, having read Kirkland's autobiographies in which she talks extensively about the importance of the
  10. I sort of agree with Mary Lynn. I wouldn't block someone from leaving their seat early, and I don't like it when irritable (snobby? miserable?) audience members chastise other audience members. However, I do think, in general, it's "not in the right spirit" to leave before the curtain calls. Most of the excuses for leaving early are just that -- excuses. Everybody's in a rush to get where, exactly, that is so much more important than it was twenty years ago when people didn't leave before the curtain calls? It's just a cultural shift. We think our time is incredibly important. It do
  11. I have never seen her perform, and to be honest, only found out about her via an omnipresent music video she did. Anyway, my curiosity is peeked now, and I'd like to see her perform if given the chance. Whom does she guest with? Does her company tour? Will she be in New York anytime soon?
  12. Thank you, Carolina, for the link! I don't know who is more privileged -- Maliphant to have worked with Guillem, or Guillem to have worked with Maliphant. They are two extraordinary artists, and Push is an extraordinary piece.
  13. susibee

    Paul Sutherland

    Paul Sutherland was part of the leadership of New Jersey Ballet, along with Carolyn Clark, George Tomal, and Eleanor D'Antuono, in the 1980's. (I'm not sure exactly when he started or left.)
  14. susibee

    Hello

    I'm having so much fun poking around this site. I can't believe I never knew it existed! I fell in love with ballet at a young age and studied at a quasi-professional school quite seriously. I'm too tall, however, to have ever made ballet into a career. No matter, my interests are diverse now -- from life in Africa to a career in medicine. I will always love the ballet though. I'm in my early thirties which means I've seen (and remember) dancers from the mid-1980's onwards. I have lived in New York and around London, and I am most familiar with dance in those two cities.
  15. The photograph of Edward Villella and Allegra Kent in Bugaku -- you know the one, I'm sure. I can't find a good link, but it's near the bottom of this page. It was the City Ballet's 50th Anniversary poster photo apparently. Gorgeous.
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