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volcanohunter

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Posts posted by volcanohunter

  1. 9 hours ago, Kathleen O'Connell said:

    ETA: I just took a quick stroll through some 1970's era photos of Ib Anderson, Bart Cook, Adams Luders, and Peter Martins and I'm pleased to report that their hair was long, free flowing, and most definitely not shellacked into immovable pompadours. 

    I agree completely that this looked much better. Moving hair enhances the kinetic quality of a dancer's movement. More voluminous hair is also better at disguising perspiration.

    It's also obvious that facelift buns weren't always standard for women. Recently I came saw a video of a different company dancing a black-and-white ballet, and the gleaming, immovable French twists almost made it appear that the women were wearing racing helmets. A figure-eight bun at least looks like a bun, not like a part of an elongated cranium. I do appreciate that a dancer wants to be certain her hair will stay put while she's turning. But I'm very open to a rethink.

  2. There have been dancers who alternate between bald and wigged depending on the ballet. For example, at the Royal Danish Ballet Jonathan Chmelensky goes bald in contemporary ballets, but wears a wig in narrative and tutu ballets, such as the company's stream of Ballo della Regina during the lockdown. The Royal Winnipeg Ballet had a soloist named Alexander Gamayunov who was bald in Forsythe, but wore a wig in The Nutcracker. In both cases the wig was a version of the standard danseur coiffure. (It has to be said that Gamayunov pulled off the bad-ass bald look as well as anyone.) In recent years the Bolshoi's Vyacheslav Lopatin has been wearing a toupee in roles that require him to appear very young, such as Romeo or Lensky. Since Ratmansky was mentioned earlier, Lopatin wore one in Lost Illusions years before he began to wear it in anything else.

  3. 3 hours ago, Kathleen O'Connell said:

    The sooner the company ditches those shellacked pompadours as the default danseur do, the better. Beards would be fine too.

    Okay, but given that the women wear standardized hairstyles depending on leotard, tutu or tiara, you can kind of see how a default hairstyle developed for the men as well. And if the women are gelled and sprayed into total sleekness because strays and bangs would be distracting, it's not surprising  that the men should also be sprayed into some degree of hair immobility. And this is more of a rhetorical question, but if the men were to start wearing facial hair, would unibrows become acceptable for the women? (And would NYT reviewers pass over the issue in silence?)

    I guess I bristle at the idea of men being afforded greater flexibility in these matters while the uniformity of the women's appearance goes unquestioned.

  4. Yes, many American opera houses and concert halls have also adopted the WHO list. If the U.S. accepts the WHO listings, it would be difficult to say no to Sinopharm or Sinovac, although there is undeniably a vaccine pecking order. AstraZeneca has also been vetted by drug regulators in the UK, EU, Canada, Japan and Australia. Sinopharm and Sinovac have not. (I'm at a loss to understand why AZ hasn't submitted its vaccine for FDA approval.)

    As for people worried about the fate of the Mariinsky's US tour, there's still the matter of the three Russian vaccines. The WHO and European Medicines Agency reviews of Sputnik-V have been stalled for months. The other two are still in phase 3 trials, but already being administered, and some dancers have received them.

  5. On 9/7/2021 at 2:31 PM, California said:

    The bigger issue is how they will be admitted to the US in the first place if they don't have acceptable vaccination -- which does not include the Russian or Chinese ones.

    The United States has not yet implemented any vaccine requirements for entry into the country, although there has been some talk about introducing them. On the contrary, in the spring New York City was actively encouraging tourists to visit in order to get vaccinated - only proof of age was required; any passport and hotel address would do. (A tourist was bound to spend more money in the city than the cost of the vaccine offered free of charge.) At present, only a negative test is required to board a plane for the U.S., although on the ground vaccination is increasingly a requirement to access entertainment, and many venues are requiring them of all employees.

    Instead, entry is pretty much banned for any non-citizen/permanent resident who has been in the UK, Ireland, the Schengen area, Brazil, South Africa, Iran, India or China in the preceding 14 days. This may be the primary problem facing Chinese and European companies. A potential visitor could theoretically spend two weeks in a third country and then enter, but few have the time and resources. (I think it's absurd. Many of the permitted countries have far higher rates of infection and far lower rates of vaccination than, say, Denmark.)

    For the Mariinsky a bigger problem may be obtaining visas. When Russia required the U.S. to dismiss all local staff from its embassy and consulates, the U.S. pretty much suspended visa services. It was suggested at the time that Russians would have to travel to other countries to obtain visas.

    On 9/7/2021 at 2:31 PM, canbelto said:

    There are several prominent Russian dancers who clearly wear masks not onstage but in life, judging from their social media.

    Absolutely. It is exceedingly difficult to engage in strenuous physical activity in a mask, but outside the rehearsal studio, the masks often go back on. At this point, though, many have already contracted the disease and recovered, so some may feel impervious.

  6. The situation with Russian vaccines has been further complicated now that two others are being administered, even though Phase 3 trials have not yet been completed. EpiVacCorona is already controversial and is meeting with a fair degree of resistance locally. The other day a Russian dancer posted that two months after receiving the third vaccine, CoviVac, lab tests showed it had not induced an antibody response in her body.

    Many high-art venues have stated that they will accept WHO-approved vaccines, which goes past the FDA list to include AstraZeneca, Sinopharm and Sinovac. The first has been administered to millions of Britons in particular. At the moment it is nearly impossible for tourists from the UK and EU to enter the United States, but no doubt theaters are hoping to see a return of European visitors sooner rather than later.

  7. This is a highly unusual career move for someone of her age and experience. Dancers have joined the POB after beginning their careers elsewhere, but they usually did it very early on, because the upward climb from quadrille through the competitions is a very long slog. Ludmila Pagliero did it, but she was 19 going on 20 when she joined, and her journey to étoile lasted nearly nine years.

  8. The Joffrey Ballet will require spectators aged 12 and older to show proof of vaccination. The Lyric Opera of Chicago will require proof of vaccination from all audience members; children under 12 cannot attend. The Harris Theater will require proof of vaccination or a negative Covid test.

    Lyric Opera of Chicago specifies that masks "worn properly over the nose and mouth, will be required for all patrons for the duration of their time in the opera house."

  9. 3 hours ago, abatt said:

    If they really wanted to increase safety, they would require proof of vaccination for all audience members.  This is what some Broadway shows are doing.  However, that would be a disaster for their bottom line since kids under 12 are their bread and butter for Nutcracker. 

    The company could easily exempt children from the requirement.

  10. I've seen Ramasar as Demetrius.

    25 minutes ago, JuliaJ said:

    Not sure how not letting people get up to stretch their legs and use the restroom helps "maximize audience safety,"

    I suspect they're afraid of the queues for the women's toilets. Lots of people bunched up together sharing air, stalls and fixtures. 

  11. 1 hour ago, Birdsall said:

    The most feted ballerina or opera singer often divides people completely with half the people disgusted by what they see or hear and the other half in ecstasy. It's actually the ho hum dancers and singers who leave a majority of people with no opinion who do not divide fans/detractors.

    I think I've been misunderstood. I was not horrified by what I saw in that clip the way I am horrified by Zakharova, Somova or Smirnova. Rather I found it soulless and uninteresting, lacking in phrasing or daring or energy running through the limbs and extending beyond them. I didn't enjoy any aspect of it, not the principals, not the demi-soloists and not the corps. That's what's so dispiriting.

    (Although yes, I despise arabesques--and attitudes--that rise above the head, unless they're actually supposed to be penchés.)

  12. Planes can easily fly over Latvia, I've transferred there many times myself because the airport in Minsk is a dive. And I'm pretty sure that Aeroflot planes, assuming regular flights between London and Moscow are continuing, aren't avoiding Belarusian airspace. 

    More likely, the quarantine requirements in Britain make traveling untenable. The United States has no such quarantine restrictions, so Sara Mearns recently flew to Moscow and back.

  13. Viewers in the UK, US and Canada can purchase access to the British Ballet Charity Gala featuring Ballet Black, Birmingham Royal Ballet, English National Ballet, New Adventures, Northern Ballet, Rambert, Scottish Ballet and the Royal Ballet, and hosted by Darcey Bussell. The stream will be available until July 18.

    https://stream.roh.org.uk/products/british-ballet-charity-gala

    The program includes pieces by Sophie Laplane, Will Tuckett, Jonathan Watkins, Kenneth Tindall, David Bintley, Matthew Bourne, Yuri Possokhov, Andrea Miller and Valentino Zucchetti.

  14. The Staatsballett Berlin has announced its repertoire for next season. (The link at the top of this thread leads to the Bavarian State Ballet.)

    https://www.staatsballett-berlin.de/en/saison_21-22

    It includes a David Dawson double bill, a new piece by Sasha Waltz, The Sleeping Beauty, Don Quixote, OneginSwan Lake, Jewels, a Forsythe/Eyal bill and a young choreographers' evening.

     

  15. 1 hour ago, Drew said:

    I had to laugh (ruefully) asI read this. As you probably have seen, there is footage of Farrell’ in the role and her exit at that moment was SO extraordinary, I was eager to see if the camera captured even a whiff of it. Alas no—the camera cuts away to show instead the swirl of couples as the crowd enters, so you can’t get any sense of what Farrell did with that moment....and I will never not be unhappy about that! 

    The director of the 1983 telecast dealt with this by showing the entire stage, so you do see a smallish Farrell making her exit, but you also see the chandeliers switch on and the couples coming on from stage right. Sort of the Fourth Ring view.

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