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About mom2

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  1. Very nice statement from Baryshnikov. Re the dancers on pavement - I also had some thoughts of 😲. That said, I think they did make a significant statement and I was moved by all the dancers who came at such an early hour, demonstrated such skill and determination/dedication.
  2. Did anyone see Robert Binet's "Dialogue Dances"? I've seen some of his creations in Toronto; wonder how the work comes across to a New York audience. Not sure which program this was in. Dancers included Xiao Nan Yu (NBOC Principal Dancer who retired following the performance), Hannah Fischer, Skylar Campbell and Spencer Hack.
  3. Congratulations to Skylar Campbell and Jacklyn Oakley who were married yesterday In Los Angeles (per Mr Campbell’s instagram). Very best wishes for a long and happy life together.
  4. Thanks for this. Good for him - I think it's nice when dancers broaden their horizons (though I have missed Robert Stephen and Dylan Tedaldi this season).
  5. I thought Saye did well in the roles I saw him in this season. I've been watching him since he was an Apprentice - has certainly come a long way. In other news, I see on Felix Paquet's twitter that he is going to dance in Hamburg. I've not seen anything from NBOC indicating that he is leaving the company - has anyone else seen news?
  6. I was also there this evening. Agree about Siphe November, but I would add that Felix Paquet really shone in that piece as well. He is getting more opportunities this season, which I think is a good thing. I first saw him in Banff, summer a few years ago. I also would say that Sonia Rodriguez continues to amaze me with the depth and breath of her skills. (did notice her husband in the house tonight, with two boys I assumed to be their kids. Nice to see the family out - in the past I've only ever seen him at shows). I admit there was a lot I don't think I "got" - but the dancing spoke for itself, as did the skill of the dancers.
  7. Looking at the cast list I think I would add Stephanie Hutchison, Calley Skalnik, Selene Guerrero-Truijillo (though perhaps I am mis-remembering this person), Kathryn Hosier, and Giorgio Galli. Some of the others I am less sure of.
  8. Today I went to the matinee performance of the Forsythe programme. I quite enjoyed the first piece - not sure I processed the other two. Here's what happened: (note that I have a seat very near the front, with space next to me for wheelchair seating). A woman and her elderly father sat next to me. The woman mentioned that her dad was 98 years old and had never been to the ballet before; both seemed to really be looking forward to the performance. The first piece in this show is 12 minutes, then there is a two minute pause followed by another piece which is 20+ minutes. During the pause, the woman attends to her father attempting to make him more comfortable in his chair. Unfortunately he ends up sliding completely out of his chair so that he is literally lying on the floor, with his feet under the seats in the next row. Several of us tried to help, but couldn't get the elderly gentleman back in the chair. The gentleman was of course uncomfortable, and saying so, an saying that he wanted to leave. Before I knew it the second piece was happening on stage, and the gentleman was still on the floor. Finally the medics arrived, managed to get him in the chair and the gentleman left with his daughter. Meanwhile onstage the dancing continued. After the second piece there were bows; the dancers were warmly applauded. I could see someone hovering in the wings - this person came out onstage and motioned for the audience to stop clapping. I believe this was William Forsythe himself, but am not sure. Anyway, he basically said that those who were talking during the show shouldn't have been, and that we don't come to the theatre to listen to the audience talk. So - he scolded the entire audience for a medical situation. After the intermission, the elderly gentleman and his daughter returned to their seats - and told me they had heard the scolding. I don't know that I have words for this - I am so incredibly sad that this happened, and unfolded right in front of me. I have no idea how it is that the front of the house didn't get the issue communicated to backstage. I was hoping that someone would come onstage later and apologize; this didn't happen. After all this I found it difficult to concentrate on the dancing. When I could process it, I saw great dancing. mom2
  9. Well, I have to admit that Apollo isn't my favourite - never has been - but that's just me. I am glad that Felix Paquet is getting some nice casting opportunities, however he had a lot to do on Sunday afternoon and seemed a bit tired after "Night." I completely agree with you about Binet's piece - the best I could say is that it seemed that the female costume was really nice, and the dancers did the best they could with what they were given. Thankfully it was a short piece and I did like the choice of the Mahler piece. I enjoyed "Night," and I can't say that putting it in the same program with Apollo bothered me, but then again as I'm not a huge Apollo fan... I've never seen NYCB perform Apollo - perhaps I'd see it differently from a company more known for Balanchine works. Paquita - well, on the one hand I do enjoy a nice classical performance from time to time, and it certainly was that. The leads were H. James and H. Ogden, who danced very well. I felt that the corps work could have been more synchronized (under-rehearsed, perhaps?), but generally it was danced well. I had to look up historical reference for the costumes however as I thought there must be a reason why the women were all in some hideous shade of orange. Haven't managed to find a reason...
  10. Anyone see the mixed program yet? I attended the matinee yesterday...
  11. At first glance, the new season looks ok. We'll see what they do to ticket prices. I would like to see the Pite piece - I saw last week that her company is in Banff preparing a new work, assume this is the one? Not sure how I feel about the Swan Lake. I like the idea of three fall shows, however I admit to not being a Binet fan so we'll see how that goes.
  12. Hello everyone, I did have a reply from NBOC. Basically they said that AODA (Accessibility for Ontarians with Disabilities Act) Standards require that they accommodate patrons who require the assistance of a Service Animal. I knew this, however I'm still not clear if they were required to admit an animal "in training." I got the impression that the Ballet was aware that the dog wasn't perhaps yet ready for the show, if you know what I mean. I was told that my comments would be forwarded to those managing the Front of House, as well as Ballet Senior Management. For those of you with extreme allergies to animals, I'd suggest that you contact the ballet before your ticketed performance to make your issue known. I would hope that if a service animal is to attend the same show that you'd also be accommodated. In terms of issues relating to scent sensitivity/allergy - I know that workplaces are more frequently making spaces "scent free," but I don't know that I've seen this in a performance space as yet.
  13. Hi California, Thank you for this. I know a bit about the issue as I worked for a large school board here in Canada for many years, and we had to deal with this challenging legal issues a number of times. It's perhaps a bit more complex in a school setting for a variety of reasons, but certainly a dog "in training" wouldn't be allowed in a classroom that I'm aware of. There are many different agencies out there now training service animals, and with that the behavioural expectations for the animals and their people varies too. Coincidentally, on the train ride home from the ballet I saw an individual with a dog whose vest said that he was an "emotional support animal." At any rate, two weeks ago after I attended NBOC I had an e-mail asking for feedback about the performance. I didn't comment then, but this time I think I'll draw the issue to the company's attention. If they don't have a policy yet, they should. Edited to add: just went on NBOC website and found their policy regarding service animals: Service animals are welcome in all parts of The Four Seasons Centre that are open to patrons. Service animals will be accommodated in select areas of the theatre where aisle or leg room allows space for the animal and does not obstruct other patrons while considering fire codes and evacuation procedures. Please note: Seating is subject to availability. It is the responsibility of the person using the service animal to maintain control of the animal at all times. We request that anyone using a service animal informs the box office prior to the performance by calling us
  14. Yesterday as I was in the lobby at the Four Seasons waiting for the doors to open, I noticed someone with a dog. This was certainly unusual, so I took a closer look. The dog had a vest on which said "Guide dog in Training." Now I know these dogs need to be acclimated to all kinds of situations, but I'd never seen one at the ballet before so I took note. The person with the dog went off to a seat in a different area of the theatre than mine. I didn't think about the dog again, until we were into the Dream and the boy's choir was singing. Then we heard the dog. More than once. I don't mean to imply that the performance was ruined (it was not), but we certainly noticed the canine presence. I doubt the professional dancers and musicians were impacted by this; however it may very well have had an impact on the young boys singing. I imagine the Human Rights Code covers the fully trained dogs with people whose disability necessitates them; does "The Code" also cover dogs in training?
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