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Roma

Senior Member
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Posts posted by Roma

  1. I am not sure that all the ballets will be shown in one evening, though.

    I understood that either Barocco was to alternate with the divertissment, or it was Barocco+ one of the pas deux (alternating which one).

    Clifford is teaching the steps for Tchai Pas, and Violette Verdy is suppose to join him in a couple of weeks to polish it up.

  2. Von Aroldingen and Leland also staged the POB's version. Perhaps something got lost in translation:) But we are talking a 100 years from now--the present stagers will be dead, and mercifully so will I, and will not have to suffer through hand-me-downs of Yvonne Borree's stagings of Barocco, Serenade, Apollo, and/or Square Dance.

    editing to add: Stowell did dance in Liebeslieder. I have a beautiful photo by Martha Swope of him and a very young Suzanne Farrell in the "whispering" duet.

  3. Wiles did more with Raymonda than anyone else this season, she just needs to work on the arms a bit. Dvorovenko was hysterical last night, though I am not sure that was her intention.

    The staging looks like a reduction of the Kirov version (including the long shoulder sojourn). The female variation was doubled up, to what end, I can not tell. I thought it blurred the effect.

  4. I just came back from the matinee. Perhaps ABT should consider acquiring "exclusive" rights to Canto Vital as a companion piece to Welch's Clear--all that naked glory.

    They do dance underneath themselves and ON THE BEAT, which is very tedious, but there is also a directness and honesty in their movement that is winning, as is the nonchalant softness of their rock solid technique.

    May be the program could have been better chosen. The Black Swan pas de deux a trois with Rothbart looking like a security guard at a Renaissance Fair did not work for me, and much as I love the Gades "Blood Wedding" film, it is not exciting theater and doesn't show the company to best advantage--they lacked the economy and weight of gesture to give the piece needed force.

    The music for the prince's variation in Act 2 of Swan Lake seemed unfamiliar (sort of a bad Strauss imitation orchestrated by Minkus). Does anyone know what it was?

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