Has anyone been to see this yet? I saw the rehearsal last week and remember how much I like this production. I saw Miyako Yoshida as Giselle with Federico Bonelli as Albrecht, Alastair Marriott danced Hilarion. I was very impressed with the acting of the whole comany, and it was good to get into something a bit grittier after Cinderella. Giselle always breaks my heart, and Miyako's was no exception, she really went mad at the end of Act 1. I haven't seen much of Bonelli before but he certainly showed a great deal of depth and you could really feel his remorse. The Wilis were also superb, very very stern, with a hint of dispair. Definatly worth going to, and there are fab casts: Alina Cojocaru/ Johan Kobborg, Tamara Rojo/ Carlos Acosta,M iyako Yoshida/ Federico Bonelli, Leanne Benjamin/Jonathan Cope, Jaimie Tapper/ Jonathan Cope, Roberta Marque/ Ivan Putrov, Leanne Benjamin/Roberto Bolle.
Here are some extracts from Debra Craine's review for The Times:
"THIS is one of those solid Royal Ballet productions that can be counted upon to bring in an audience and bring out the best in the company. Peter Wright’s superior, naturalistic staging does all the right things. It tells the story of Giselle with intelligent, lucid mime and real dramatic flair. It looks terrific, thanks to John Macfarlane’s autumnal forest designs which give vibrant atmosphere to Giselle’s Rhineland home. And it has the power to make you believe in angry ghosts."
The rest of the review is here : http://www.timesonline.co.uk/article/0,,685-963682,00.html
She discusses both the Alina Cojocaru/Johan Kobborg cast as well as the Tamara Rojo/Carlos Acosta cast. She also mentions Zenaida Yanowsky who plays a fearsome Queen of the Wilis, and also won the National Dance Awards for Best Female. Here's link to their site, and the other nominees: http://www.nationaldanceawards.com/dance/best_female.htm
And here is Judith Mackrell's review for The Guardian: http://www.guardian.co.uk/arts/reviews/sto...1123245,00.html
Here's an extract:
"Cojocaru gives one of those rare, astonishing performances in which the dancer is distilled into the metaphor and music of the choreography."
"Rojo finds a radiant stillness in her character, deploying her formidably centred balances to suspend Giselle in a supernatural world."
Here is also the review from the Telegraph by Ismene Brown: http://www.telegraph.co.uk/arts/main.jhtml...ixartright.html
Enjoy!