BalletNut
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I definitely love the final tableau of "The four temperaments"...
Seconded.
I also like Symphony in C.
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With Silly Season around the corner, I thought now would be a good time for this topic.
At one time, many of us may have overheard audience members saying things about ballets that were insightful, humorous, witty, clueless, charming, clever, or some combination thereof. For instance, at a performance in San Francisco, I overheard a lady asking her male companion if there was going to be singing. This performance being Swan Lake, her companion informed her that there wouldn't be. (To be fair, some ballets do involve singing, but that's neither here nor there.)
What humorous and/or thought-provoking things have you overheard your fellow audiencemembers saying during a ballet performance?
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Here is a thread where those of us seeing SFB at Lincoln Center can post about what we're seeing!
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Thank you for the information, jps. I'll have to take the opportunity to take a look at this.
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SF Ballet has announced the following promotions and new dancers for the 2007 season:
Promotions/Level
Ruben Martin, Principal Dancer
Garrett Anderson, Soloist
Jaime Garcia Castilla, Soloist
Rory Hohenstein, Soloist
New Company Members/Level
Molly Smolen, Principal Dancer
Diego Cruz, Corps de Ballet
Adeline Kaiser, Corps de Ballet
Brian Malek, Corps de Ballet
Alexandra McCullagh, Corps de Ballet
Patricia Perez, Corps de Ballet
Anthony Spaulding, Corps de Ballet
Jennifer Stahl, Corps de Ballet
Benjamin Stewart, Corps de Ballet
New Apprentices
Ludmila Campos, San Francisco Ballet School
Christopher Mondoux, San Francisco Ballet School
You can read more about these dancers here.
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SFB (as in, San Francisco ) is performing at Lincoln Center this summer, and there is no indication that they are performing at Edinburgh this year.
But they do have some spectacular dancers from Spain, like Garcia, naturally, and corps dancer Clara Blanco.
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I'm quite fond of Costas' Balanchine: Celebrating a Life in Dance, with photos and commentary for fifty Balanchine ballets.
And, for what it's worth, you might want to take a look at this topic on favorite ballet photographers:
http://ballettalk.invisionzone.com/index.php?showtopic=20953
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Just a question for everyone out there:
What makes a perfect ballet perfect?
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There's no wrong way to post about a performance, tikititatata. Your review was excellent. It's always fascinating to read comparisons of multiple casts, and probably even more fascinating to be able to compare them.
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I'm almost positive somebody, somewhere has done Beauty and the Beast, but I can't for the life of me remember which company or choreographer it was. I'm wanting to say it was a company in Asia, maybe Singapore? Or else it was one of the smaller regional companies in the US.
Does anyone have any more information about a Beauty and the Beast ballet?
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SF Ballet has posted details of its new season on its website, along with many photographs.
What do people think of the selection of ballets coming up next year?
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Here are the ballets being performed in San Francisco Ballet's 2007 Repertory Season:
Program 1
January 30 – February 10, 2007
Divertimento No. 15
Composer: Wolfgang Amadeus Mozart
Choreography: George Balanchine
Carousel (A Dance) © - NEW!
San Francisco Ballet premiere
Composer: Richard Rodgers
Choreography: Christopher Wheeldon
Pas de deux from After the Rain © - NEW!
San Francisco Ballet premiere
Composer: Arvo Pärt
Choreography: Christopher Wheeldon
Artifact Suite
Composers: Johann Sebastian Bach, Eva Crossman-Hecht
Choreography: William Forsythe
Program 2
Feb. 1 – Feb. 11, 2007
Blue Rose
Composer: Elena Kats-Chernin
Choreography: Helgi Tomasson
The Dance House
Composer: Dimitri Shostakovich
Choreography: David Bintley
Firebird - NEW!
World premiere
Composer: Igor Stravinsky
Choreography: Yuri Possokhov
Program 3
February 24 – March 3, 2007
The Sleeping Beauty
Composer: Peter Ilyich Tchaikovsky
Choreography: Helgi Tomasson after Marius Petipa
Program 4
Mar. 13 – Mar. 24, 2007
Spring Rounds
Composer: Richard Strauss
Choreography: Paul Taylor
Chi-Lin
Composer: Bright Sheng
Choreography: Helgi Tomasson
Eden/Eden - NEW!
United States premiere
Composer: Steve Reich
Choreography: Wayne McGregor
Program 5
Mar. 15 – Mar. 25, 2007
Pacific
Composer: Lou Harrison
Choreography: Mark Morris
Other Dances
Composer: Frédéric Chopin
Choreography: Jerome Robbins
The Fifth Season
Composer: Karl Jenkins
Choreography: Helgi Tomasson
Fancy Free - NEW!
San Francisco Ballet premiere
Composer: Leonard Bernstein
Choreography: Jerome Robbins
Program 6
Apr. 4 – Apr. 21, 2007
Night
Composer: Matthew Pierce
Choreography: Julia Adam
Tomasson world premiere - NEW!
Choreography: Helgi Tomasson
Rodeo
Composer: Aaron Copland
Choreography: Agnes de Mille
Program 7
April 11 – April 24, 2007
Elemental Brubeck ©
Composer: Dave Brubeck
Choreography: Lar Lubovitch
Mrozewski world premiere - NEW!
Choreography: Matjash Mrozewski
Symphony in C
Composer: Georges Bizet
Choreography: George Balanchine
Program 8
Apr. 28 – May. 5, 2007
Don Quixote
Production and Staging: Helgi Tomasson and Yuri Possokhov
Composer: Léon Minkus
This post is for reference purposes only and will remain closed; however, please discuss these programs in the forum below!
You can read more about the 2007 season here.
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If you did, please tell us how it went!
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Welcome to Ballet Talk, tikititatata! It's never too late to post a review of a performance. Thank you for sharing your impression of Swan Lake with us. I agree about the need for fine-tuning in this production; however, that doesn't mean that a well-danced performance can't still be breathtakingly beautiful.
I encourage you to tell us more about yourself in the Welcome Forum here, and to continue browsing and posting on Ballet Talk.
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Here is the casting for the "farewell performance."
Farewell Performance Evening
Friday, May 05, 2006 8pm
IN THE NIGHT
VISELLI, LEGATE
MAFFRE, SMITH
FEIJOO, POSSOKHOV
Intermission
REVELATION
POSSOKHOV
SOLO
BRANDENHOFF, LEGATE, MOLAT
R&J BALCONY PAS DE DEUX
Conductor: Martin West
TAN, POSSOKHOV
MY FUNNY VALENTINE
Piano: McGraw
LeBLANC, LEGATE
"SUMMER" from QUATERNARY
McGraw MAFFRE, POSSOKHOV
10 min
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Here is a thread where people can post what they thought of this year's performances of Sylvia and the ballets on Program 8.
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Program 8 Evening
Wednesday, April 26, 2006 7:30 pm
CONTINUUM
Piano: Michael McGraw
Vanessa Zahorian, Moises Martin*
Kristin Long, Gonzalo Garcia
Katita Waldo, David Arce
Dores Andre*, Ruben Martin
INTERMISSION
ELEMENTAL BRUBECK
Music: Tape
Rory Hohenstein*
Elizabeth Miner*, Damian Smith*
INTERMISSION
REFLECTIONS
Conductor: Martin West
White Woman: Kristin Long
Red Woman: Lorena Feijoo
2nd Movement: Katita Waldo, Pierre-François Vilanoba*
3rd Movement: Guennadi Nedviguine, Pascal Molat
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Thank you for the link, balletdad.
FYI, the press release also contains information about Legate and Brandenhoff, as well as alluding to a subscribers-only event honoring the three, to be held on May 5.
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Program 8 Opening Night
Tuesday, April 25, 2006 8 pm
CONTINUUM
Piano: Michael McGraw
Yuan Yuan Tan, Damian Smith
Kristin Long, Gonzalo Garcia
Muriel Maffre, Yuri Possokhov
Rachel Viselli, David Arce
INTERMISSION
ELEMENTAL BRUBECK
Music: Tape
Gonzalo Garcia
Katita Waldo, Stephen Legate
INTERMISSION
REFLECTIONS
Conductor: Martin West
White Woman: Kristin Long
Red Woman: Lorena Feijoo
2nd Movement: Muriel Maffre, Damian Smith
3rd Movement: Guennadi Nedviguine, Pascal Molat
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Sylvia Opening Night
Friday, April 21, 2006 8 pmSYLVIA
Conductor: Martin West
Sylvia: Elizabeth Miner
Aminta: Pascal Molat
Orion: Pierre-François Vilanoba
Diana: Muriel Maffre
Eros: Jaime Garcia Castilla
Sylvia Evening
Saturday, April 22, 2006 8 pm
SYLVIA
Conductor: Martin West
Sylvia: Yuan Yuan Tan
Aminta: Gonzalo Garcia
Orion: Yuri Possokhov
Diana: Muriel Maffre
Eros: James Sofranko
* Designates premiere in a role.
Casting subject to change.
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Thank you for posting this, Dale. I've always liked both of these dancers, and was hoping this release would be about them being promoted, instead of retiring.
Best of luck to both of them, though, and I'm grateful for the times I've been able to see them dance.
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Thank you for that, Quiggin. I agree about LeBlanc's beats and technique. I'm glad you enjoyed it.
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How about a companion topic to Bart's "Opening Images" thread?
Which ballets have closing images, right before the curtain goes down, which stick in your mind long after the ballet is over?
For me, I'd say Glass Pieces, Serenade, 4 Temperaments, and Apollo.
What are your favorite closing images?
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Balanchine seems to have a way with curtain openers, doesn't he? I agree about Serenade, Rubies, and Symphony in 3 Movements.
I also like the opening for Glass Pieces very much, myself.
What are the most "creepy" ballets,
in Everything Else Ballet
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SF Ballet has, fairly recently, performed The Invitation. It is indeed a creepy ballet, involving not one but two statutory rapes and classic, MacMillan-esque, suggestive pas de deux. I don't know which rape is worse, the one between the older man and the young girl, or the one with his wife and the girl's male cousin. The score is also "creepy" in its own right.