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Nzoia

Inactive Member
  • Content Count

    25
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About Nzoia

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    Member

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  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
    Dancer
  • City**
    Toronto
  • State (US only)**, Country (Outside US only)**
    Canada

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  1. Nzoia

    Joy Womack

    I wonder if she has given up the Kremlin, or whether she is a dual principal at the Kremlin and Universal. Does anyone know?
  2. Nzoia

    Joy Womack

    In my view, Joy's problems are self-imposed; and, unless she changes, they will follow her wherever she goes. As I mentioned, I think she has become a dancer to be reckoned with. I have seen some internationally famous principal dancers whose performances of Odette-Odile have not come close to the quality of Joy's performances. Unfortunately, she wears her emotions on her sleeve, publicly airing her dirty laundry and talking badly about partners and co-dancers. When she tells the world that one of her partners is a drunk, he will not relish dancing with her or have any interest
  3. Nzoia

    Joy Womack

    Watched Joy Womack, with her partner, Alexey Lyubimov, a soloist from the Stanislavsky Ballet of Moscow, dancing the Black Swan Pas de Deux at the Asian Grand Prix. Albeit, the video was a la Womack from the wings; however, in my view, anyone who pulls her dancing apart is simply not on. She has become a dancer to be reckoned with. My hope is that she will tone down her vlogging -- preferably end it -- and continue her career, for now, in Moscow at the Kremlin or other ballet company in Russia. She invested so much to obtain that Russian connection. It is why she is where she is today.
  4. Nzoia

    Joy Womack

    Hi Charlie, I agree. I think Joy Womack is a very talented dancer, with much potential. She sometimes speaks unprofessionally about her co-dancers and company in her vlogs, putting herself at risk of jeopardizing her future. That is why many people express their hope that she stop vlogging.
  5. Nzoia

    Joy Womack

    Hi Fraildove. Pretty well agree with all that you say, I understand the fame and high recognition of the POB. Some individual amazing dancers. The corps is good (but as you say not as good as the Mariinsky corps -- the best barre none). POB students look outstanding. However, for me, somehow all that does not translate on stage, especially with the women. I think the men tend to be better. I am still working on figuring out why I am not a fan of POB performances. Most likely the style. I haven't seen enough of Hannah O'Neille to say much. I think it is obvious
  6. Nzoia

    Joy Womack

    Balanchine's Ballet imperial by the Mariinsky. The NYCB could not possible match it, in my view.
  7. Nzoia

    Joy Womack

    The improvement in the quality of the Royal Ballet has, in my view, been dramatic since it opened its doors to outside dancers.
  8. Nzoia

    Joy Womack

    I agree that an attached academy is very important; however, the best companies accept the best from elsewhere (providing, of course, they fit their brand). The POB and NYCB, of course, have been known for having closed shops. In my view, it shows. As I mentioned in a post the other day, ABT actually changed its model to rely on importing principals. Kevin McKenzie's idea was to be able to cast the best in a specific role, rather than an in-house principal who may not be the best in a specific role. I think it is an excellent idea. Even, all the top Russian companies now import talent.
  9. Nzoia

    Joy Womack

    I could be wrong about this. That's why I added "I think." Can't remember where I got the notion. Certainly, the POB has started opening its doors -- albeit, gingerly. A good move I think. I don't think insularity ultimately serves a company well.
  10. Nzoia

    Joy Womack

    Neither one. The ABT has become an interesting variant of a company, with top international principals who are also principals at other companies. Without looking up his specific wording, Kevin McKenzie came up with the great idea of importing principals to dance parts in which they excel, instead of casting a dancer in roles, in which he/she may not excel just because he/she is a principal. I think it is an excellent idea and has certainly catapulted ABT. I have been told, but cannot personally vouch for it, that the corps is not that great. I love to follow dancers I believe
  11. Nzoia

    Joy Womack

    You can check the history out right on the Vaganova website.
  12. Nzoia

    Joy Womack

    The Imperial Ballet School and Vaganova Academy are one and the same.
  13. Nzoia

    Joy Womack

    Pretty sure it was the 1949 Sadler's Wells tour to the U.S. (think they went across the country).
  14. Nzoia

    Joy Womack

    I completely agree. A mix is good, and I think all top companies strive for that mix. At one time the NYCB didn't have enough of a mix. As we have discussed, that has changed. I appreciate your love of the NYCB. From my perspective of loving Russian Ballet, it was, after all founded by a former Vaganova Academy graduate and former Mariinsky Ballet dancer. But as I mentioned, I am not a Balanchine fan. I believe the NYCB is beginning to open up to outside dancers now, as is the POB -- a positive move I think. My absolute ballet idol at one time was Suzanne Farrel, but tastes and prefere
  15. Nzoia

    Joy Womack

    My comment was strictly relating to me, alone. I don't recall saying I didn't want to read others doing it or that I would not. Just expressed my feelings about my own input. As a dancer, I understand the sensitivity of comparisons for those being compared. About the ballets. Sometimes companies don't put on some of the full length ballets because of the number of dancers in the ballet and problems with licensing. Also, of course cost of staging the particular version of a new ballet to a company: the choreography, commissions, repetiteurs, costumes, scenery, etc.
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