Jump to content
This Site Uses Cookies. If You Want to Disable Cookies, Please See Your Browser Documentation. ×


  • Content Count

  • Joined

About Sebastian

  • Rank

Registration Profile Information

  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
  • City**
  • State (US only)**, Country (Outside US only)**

Recent Profile Visitors

The recent visitors block is disabled and is not being shown to other users.

  1. Might I draw attention to a new one-hour film on Cecchetti by the British ballet teacher Julie Cronshaw? Based not only on Cecchetti technique but also on her twenty years work with the late Roger Tully, this film is as enjoyable and instructive to a beginner like me as it will be to experts: https://youtu.be/ZGT4g7FHSvA
  2. Following two Zoom terms on Russian music and a pre-Christmas special on The Nutcracker, the well-known British music critic David Nice is offering a two-hour exploration of Tchaikovsky's score for The Sleeping Beauty. Tomorrow (Wednesday 30 December) afternoon, 2.30-4.30pm UK time. £10 per household. If interested, please email David on david.nice@usa.net
  3. An article about the Nutcracker by British film-maker Margy Kinmonth appeared online this week, on the "Russian Art+Culture" site. Her article draws on her film "Nutcracker Story" and the Bolshoi transmission tomorrow with Semyon Chudin and Margarita Shrayner. Here's the link, in case this might be of interest: https://www.russianartandculture.com/bolshoi-ballet-cinema-the-nutcracker/
  4. Hi Joseph. Ballet Master and the Score is an essay, not a whole book. If you are looking for an English translation, the review below has all details of a book in which one appears. Incidentally, Fedor Lopukhov was three years old when The Sleeping Beauty was first rehearsed and performed.
  5. What a most stimulating set of ideas Quiggin, thank you so much for your careful reading. And thanks also for the great Chekhov letter, perfect for inspiring a good weekend mood. For those who would like a little more, in English and easily accessible, may I recommend the magnificent Tchaikovsky Research website (no doubt well known to many here). A relevant page, with some good links, is here:- http://en.tchaikovsky-research.net/pages/Anton_Chekhov To return to that most mysterious of masterpieces, The Sleeping Beauty, might I add a couple of comments? You suggest the 1890 audi
  6. The critic Mark Ronan has posted my 2019 article about The Sleeping Beauty on his website (with permission from the Royal Opera House: the piece appeared in their programme for the latest revival). Perhaps people might like to have the link:-https://www.markronan.com/2020/06/sleeping-beauty/The article focuses on the first production in order to try and rediscover the original intentions of Petipa, Vsevolozhsky and Tchaikovsky. Although not mentioned in this short piece I also have a personal interest in such issues as tempi and choreographic style, the key research question for me being one o
  7. There is a comment online (not on this forum) to the effect that the recent production of Jewels at the Vienna Staatsoper seemed less successful than the performances by the Royal Ballet in London in 2017. Further there has been criticism by others of the recent Jewels in Berlin. So I was wondering if someone could explain these variations in quality, given how seriously the Balanchine Trust supervises everything? Are some authorised coaches more reliable than others? Or is this more about variable standards across different companies (such as the three listed above)? Or just the luck of
  8. I could not agree more. Modern audiences have come to expect ballet to deliver “a psychological journey" or "gymnastics" (misnamed as "dancers are so much better these days": as someone who has watched many dozens of hours of recordings, official and unofficial, of British dancers performing many different versions of Sleeping Beauty from the 1930s to the present day, the experience is far more one of a gradual decline in technique, pace, musicality and meaning). This combination of (ahistorical) expectations produces a rather simplistic and low-grade set of metrics for judging performanc
  9. The title of the article is “Inheritance: an historical overview of the Sleeping Beauty”. It's written by Tobi Tobias.
  10. Many thanks: NYPL do indeed have what looks like a full run so I have written to them.
  11. Wonder if anyone can help. I am looking for an article in the summer 1976 issue of “On Point” (vol.2, no. 1). This periodical was published from 1975 by the American Ballet Theatre, New York, but it does not seem any libraries in the UK (where I am based) carry it. I would be most grateful for further information as to where I might find a copy.
  12. That is probably true, in one sense. However, as the NYPL catalogue entry makes clear, the films have been digitised. They now exist in digital form (as computer files which the NYPL can stream) so things have clearly moved on from the days of rare rolls of film in cans.
  13. This excellent summary of the Victor Jessen "Sleeping Beauty" films dates from 2003. So - as it is now 15 years later - does anyone know if there are any other ways of seeing them without going to New York Public Library? Here is the full link to the NYPL holding: https://catalog.nypl.org/search~S1?/Xjessen+victor+beauty&searchscope=1&SORT=DZ/Xjessen+victor+beauty&searchscope=1&SORT=DZ&extended=0&SUBKEY=jessen+victor+beauty/1%2C4%2C4%2CB/frameset&FF=Xjessen+victor+beauty&searchscope=1&SORT=DZ&4%2C4%2C
  14. There is an extended compare-and-contrast piece here (if the abstract appeals most libraries should be able to get a copy of the original journal article): https://www.euppublishing.com/doi/abs/10.3366/drs.2017.0181
  • Create New...