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AB'sMom

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Posts posted by AB'sMom

  1. I was at the show last night. I was so pleased to see Patrick Frenette get such a great opportunity. I was also really impressed with Fanqi Li in I Now, I Then and with Chloe MIsseldine in Orlando. I don’t think I’ve seen Heo Seo very much except in Nutcracker (I guess I usually choose different casts) but absolutely loved her in this.

  2. I personally know writers who suffered to make ends meet during the WGA strike. My point about the difference with AGMA and some of the other unions was more about how the entire membership of AGMA doesn’t stop working when one company is having a contract dispute. I would like to think that shutting down an entire industry results in quicker contract resolutions, but they can drag out for quite a while even in those circumstances. 

  3. I was wondering the same and assumed they are just working and being paid under the terms of the old contract. I guess it isn’t shocking that they aren’t striking because they probably can’t afford to. The AGMA situation seems unique compared to other unions because each company has different terms so the entire community of AGMA dancers doesn’t strike to support dancers at an individual company and there doesn’t seem to be a fund to support dancers if they want to strike.

  4. I’m not sure if this is the correct place to post this:

    For the space of one evening, the “Gala des Écoles de danse du XXIe siècle” will allow students from several international institutions to perform on the Palais Garnier stage.

    On this occasion, the Paris Opera Ballet School is inviting: The Canada’s National Ballet School / L’École nationale de ballet du Canada (Toronto), The Dutch National Ballet Academy (Amsterdam), La Fondazione Accademia Teatro alla Scala (Milan), The School of the Hamburg Ballet John Neumeier (Hamburg), The San Francisco Ballet School, The Royal Ballet School (London), The Royal Danish Ballet School (Copenhagen).   

    https://www.operadeparis.fr/en/season-23-24/ballet/gala-des-ecole-de-danse

    The event sold out immediately, probably due to presale to subscription members. What an incredible opportunity for the students.

  5. Just a quick note on the flooring…it isn’t just vinyl marley, there is also a structure underneath of some kind of sprung flooring. So while ABT and NYCB both use flooring from Harlequin Floors, they may not use the same subfloor. (I learned way too much about this while fashioning a home studio for my kid during Covid lock-downs).

  6. Is it always necessary for Juliet to be a shorter dancer? I find it interesting that taller dancers are often stuck in mom roles and shorter dancers are usually cast as younger people. I know plenty of short parents with tall teenagers. Why can’t the acting and dancing portray the characters without height coming into play? We have people playing Juliet who are clearly advanced in age, even from a distance, but a youthful-looking tall dancer isn’t cast nearly as often. Will Chloe Misseldine never get a Juliet because of her height?

  7. But the thing is, they aren’t really coming through the school pipeline. The studio company is largely made up of dancers recruited from YAGP, Prix de Lausanne and other pre-professional schools, like Royal Ballet School. It’s rare for a student to have spent even a year at the JKO school before joining the studio company.

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